Materials & Techniques: wove paper / Height [cm]: 37 / Classification: Prints

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater (1787-1801)

1800

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 1, Frontispiece

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 10, "The Terror Answered...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 14, "So Cried He...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 16, "In the Flames Stood...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 17, "On Albions Angels...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 18, "Over the Hills...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 2, Title Page

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 4, "Silent as despairing love...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 6, "Appear to the Americans...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 7, "Albions Angel stood...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 8, "The Morning Comes...."

1793

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

Print made by George Cuitt, 1779–1854

Presented by the Officers

after 1813

Print made by Edward Goodall, 1795–1870

A Tempest – Voyage of Columbus

1834

Print made by Edward Goodall, 1795–1870

Cortes and Pizarro

1834

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Whitby

ca. 1830

Print made by Gerald Leslie Brockhurst, 1890–1978

Young Womanhood

1931

Print made by Charles William Cain, 1893–1962

Burmese Dancers

between 1920 and 1924

Print made by John Wykeham Archer, 1808–1864

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

F. Jones, 19th century

The Falls from the Narrow Neck near the Eastern Headland of the Outlet

1865

Print made by Reg Butler, 1913–1981

Lithograph from a Collection of 14, 1952-1954

1954

Print made by Reg Butler, 1913–1981

Lithograph from a Collection of 14, 1952-1954

1954

Print made by Reg Butler, 1913–1981

Cassandra

1952

Print made by James Basire, 1730–1802

George Gower

1800

Charles Turner, 1774–1857

J.M.W. Turner

1856

Print made by William Fairland, active 1828–1835

Sir Anthony Van Dyke

1828

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1833

George Vertue, 1684–1756

Procession of Queen Elizabeth

1742

Print made by John Charlton, 1849–1917

Officer 7th Bombay Lancers

1897

Print made by James Basire, 1730–1802

Plate IX: St Stephen's Chapel

1795

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

John Robert Cozens, 1752–1797

Elm

1789

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Alfred Henry Forrester, 1804–1872

Why... Because..

undated

Print made by John Robert Cozens, 1752–1797

Spruce Fir

1789

Print made by John Robert Cozens, 1752–1797

Oak

1789

Print made by Edward Goodall, 1795–1870

The Alps at Daybreak

1834

Print made by Edward Goodall, 1795–1870

Smailholm Tower (Vignette)

1834

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by William Thomas Fry, 1789–1843

Martin Archer Shee, Esq., R. A

1817

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by John Robert Cozens, 1752–1797

Palm

1789

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Print made by John Sell Cotman, 1782–1842

Etchings by John Sell Cotman, Volume II

1811

Print made by unknown artist

Apes of God

before 1930

Print made by John Charlton, 1849–1917

Officer 1st Bombay Lancers

1897

Print made by Joseph Nash, 1808–1878

The Cartoon Gallery, Knole, Kent

1840

Print made by John Charlton, 1849–1917

Officer Central India Horse

1897

Print made by Day & Co., 1824–1913

The Falls from the Western End of the Chasm

1856

Print made by James Charles Armytage, 1802–1897

Sir David Wilkie

after 1829

Print made by William Daniell, 1769–1837

John Zoffany, R.A

1814

Print made by Elisha Kirkall, ca. 1682–1742

A Midnight Modern Conversation

ca. 1733, printed after 1779

Print made by Charles Wilkin, 1750–1814

Lady Langham

1800

Print made by Johann Lorenz Haid, 1702–1750

Portrait of a Man

early 1750s

Print made by Johann Lorenz Haid, 1702–1750

Portrait of a Man wearing a Cap

early 1750s

Print made by Johann Jacobus Haid, 1704–1767

S. Andreas

undated

Print made by Johann Jacobus Haid, 1704–1767

S. Ionnes

undated

Print made by Johann Jacobus Haid, 1704–1767

S. Philippus

undated

Print made by Johann Jacobus Haid, 1704–1767

S. Jacobus Major

undated

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by John Augustus Atkinson, 1775–1831

Fools; or Jesters

1813

unknown artist

Dudley Ryder, 1st Earl of Harrowby

1813

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Thomas Cheesman, 1760–1834/35

Mrs. Montagu

1809

Print made by Samuel Cousins, 1801–1887

Mrs. Lister

1834

Print made by Charles Wilkin, 1750–1814

The Right Honourable Jane Elizabeth Viscountess Andover

1799

Print made by William Sharp, 1749–1824

William Sharp

1817

Charles Turner, 1774–1857

Sir Harry Burrard-Neale, 2nd Baronet

1812

John Raphael Smith, 1752–1812

Joseph Warton, D.D. Master of Winchester College

1777

William Ward, 1766–1826

Juvenile Amusement

1798

Print made by Philip Dawe, ca.1745–ca.1809

The Letter Woman

ca. 1769

Print made by Philip Dawe, ca.1745–ca.1809

The Oyster Woman

1769

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by James Charles Armytage, 1802–1897

The Monk

between 1833 and 1853

Print made by Thomas Bowles, ca. 1712–died 1753

A View of Somerset House with St. Mary's Church

undated

James H. Kernot, active early 19th century

Bank of England Royal Exchange

1800

James H. Kernot, active early 19th century

Bank of England Royal Exchange

1800

Sir George Hayter Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Sir George Hayter, 1792–1871

Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

1828

Louis Haghe, 1806–1885

His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

ca. 1840

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Materials & Techniques wove paper

Height [cm] 37

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Materials & Techniques wove paper

Height [cm] 37

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