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1
- Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
- 1795 to 1806
2
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
3
- Tiger Body, Lateral View (Outline drawing for a key figure)
- 1795 to 1806
4
- Owl Standing, Anterior View
- 1795 to 1806
5
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
6
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
7
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
8
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
9
- Ship Aground Brighton
- 1830
10
- Weymouth
- ca. 1811
11
- A Sea Piece - A Rough Sea with a Fishing Boat
- 1820 to 1830
12
- Winchelsea, Sussex
- 1812
13
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
14
- Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
- 1797
15
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
16
- Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
- 1797
17
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
18
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
19
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- ca. 1797
20
- Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
- ca. 1797
21
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
22
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
23
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
24
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
25
- Europe. A Prophecy, Plate 2, Title Page
- 1794
26
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
27
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
28
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
29
- Europe. A Prophecy, Plate 13 (Bentley 10)
- 1794
30
- Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
- 1794
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
31
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
32
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
33
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
34
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
35
- Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
- 1794
36
- Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
- 1794
37
- Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
- 1794
38
- Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
- 1794
39
- Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
- 1794
40
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
41
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
42
- Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
- 1794
43
- Europe. A Prophecy, Plate 8 (Bentley 9)
- 1794
44
- Architectural Drawing of the Temple of Concordia
- 1802-1804
45
- Architectural Drawing
- 1802-1804
46
- Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
- 1802-1804
47
- Hadleigh Castle, Large Plate
- 1830 to 1832
48
- The Nautch Dancers
- ca. 1925
49
- Returning from a Review...Paris
- 1802
50
- Breakfast at Breteuil
- 1801
51
- Cowdray Ruins
- 1824
52
- Hurstmonceux Castle
- 1820
53
- Simmer Lake near Askrig
- 1818-1823
54
- Ingleborough, from Hornby Castle Terrace
- 1818-1823
55
- Kirkby Lonsdale Churchyard
- 1818-1823
56
- Weathercote Cave when Half Filled with Water
- 1821
57
- Edinburgh from Leith Harbour, Vignette Title to Vol. II
- 1826
58
- The Spoiled Child, Scene I
- ca. 1802
59
- The Spoiled Child, Scene II
- ca. 1802
60
- The Spoiled Child, Scene IV
- ca. 1802
61
- The Spoiled Child, Scene III
- ca. 1802
62
- Landscape with River and a Bridge
- undated
63
- The Sailor's Departure
- ca. 1795
64
- Traveling Potter Outside a Cottage
- 1798
65
- Maya Stela at Copan, Honduras
- 1843
66
- Shipping on a Stormy Day
- undated
67
- Two Men on a Country Road
- 1793
68
- Landscape with Horses, Farmer and Dog
- 1794
69
- The Main Tack
- 1928
70
- A Persian Bazaar
- undated
71
- Temple of Jupiter and Minerva, Thugga
- undated
72
- A Monastery Mill
- undated
73
- Edinburgh Castle, Vignette Title to Vol. I
- 1826
74
- The Spoiled Child, Scene V
- ca. 1802
75
- Arthur Gore, first Earl of Arran
- undated
76
- Landscape, Castle by a River
- undated
77
- Stourhead, Wiltshire
- undated
78
- Landscape with Cottage and Figures on Horseback
- 1793
79
- Memorial to Mrs. Elizabeth Lardner, from Stanwell Church
- between 1796 and 1811
80
- Memorial to Francis Phelips, from Sunbury Church
- between 1796 and 1811
81
- Bantam Cock and Farmpails
- 1820
82
- Study for The Wedding Feast of Sir Degrevaunt
- undated
83
- Ruins at Sabachtsche
- undated
84
- Vault of Helen and William Gates, Mrs. Helen Gardnor, Mr. Lewis Combrune and Mrs. Helen Combrune
- between 1796 and 1811
85
- Memorial to Edward Smyth, Elizabeth Smyth, Mary Smyth, Elizabeth Barry and Mary Savoy of Acton Church
- between 1796 and 1811
86
- Memorial to William Earsby also to Edmund Guesham from Fulham Church
- between 1796 and 1811
87
- Brass Plate for unidentified Woman from Stoke Newington Church
- between 1796 and 1811
88
- Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
- 1824
89
- A Military Escapade
- between 1794 and 1800
90
- Creeping Buttercup
- 2002
91
- Study of Hercules for 'Crowning the Victors at Olympia'
- between 1777 and 1780
92
- Interior of a Rom in Samlesbury Hall; Lancashire
- 1814
93
- Longleat, Somerset: Elevation
- ca. 1810
94
- Dinton House, Wiltshire: Perspective View
- ca. 1812
95
- Valombre
- 1834
96
- Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
- undated
97
- Lion Walking in Rocky Landscape
- undated
98
- Three Sheep
- undated
99
- View of the Convent of the Clarisses at Valenciennes after the Seige
- 1793
100
- Design for a Frontispiece: Group of Allegorical Figures
- undated