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Materials & Techniques wove paper

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The Bruiser
Creator:
William Hogarth, 1697–1764
Date:
1763
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Thomas S. Holman, New York, NY
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of Fuseli
Creator:
Print made by William Bromley, 1769–1842
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 11/16 x 11 inches (39.8 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
Creator:
James Clark, 19th century
Date:
1812
Materials & Techniques:
Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Clifton Suspension Bridge
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Liverpool

Liverpool
Creator:
Leon J. B. Sabatier, active 1827–m.1887
Date:
1840
Materials & Techniques:
Color lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 18 13/16 × 25 1/4 inches (47.8 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South East View of tLand-Guard Fort, in Suffolk
Creator:
Thomas Major, 1714–1799
Date:
1754
Materials & Techniques:
Line engraving on thick, rough, cream wove paper
Dimensions:
Sheet: 15 5/8 × 23 1/2 inches (39.7 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ivy Bridge, Devonshire
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1816
Materials & Techniques:
Etching; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 3/4 inches (39.7 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Mount: 15 7/8 × 20 7/8 inches (40.3 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. James's Park
Creator:
Francis David Soiron, Born 1764
Date:
1790
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/16 × 22 inches (48.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Women at Prayer
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1936
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 11/16 x 11 9/16 inches (39.8 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Folkestone: Harbour, and Coast to Dover, Kent
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Oxford from the Abingdon Road
Creator:
Print made by John Pye, 1782–1874
Date:
1818
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hylton Castle, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1816 to 1823
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 3/4 × 21 3/4 inches (40 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Resurrection of the Dead
Creator:
Conrad Martin Metz, 1749–1827
Date:
1801
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 × 24 1/16 inches (42.7 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Creator:
Print made by W. Pyott, active late 18th century
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

49. Princess

Princess
Creator:
Print made by David Mach, born 1956
Date:
1996
Materials & Techniques:
Screen print on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 x 29 3/8 inches (55.9 x 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation
Lithograph from a Collection of 14, 1952-1954
Creator:
Print made by Reg Butler, 1913–1981
Date:
1954
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 11 15/16 inches (40 x 30.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sir William Beechey, R. A.
Creator:
Print made by Richard Cooper the Younger, 1740–1814
Date:
1814
Materials & Techniques:
Crayon manner, stipple engraving, and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 11 7/16 inches (40 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the East India Docks
Creator:
Print made by William Daniell, 1769–1837
Date:
1808
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 × 32 7/8 inches (50.2 × 83.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ah! This Life Is So Everyday
Creator:
Patrick Caulfield, 1936–2005
Date:
1973
Materials & Techniques:
Screen print on thick, slightly textured, white wove paper
Dimensions:
Sheet: 15 3/4 × 13 3/4 inches (40 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Sunderman Hoerner
King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News
Creator:
Upper print made by unknown artist
Date:
1862
Materials & Techniques:
Wood-engraving and letterpress with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 11 inches (40.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
Interior of Westminster Hall as Prepared for the Banquet
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate IX: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate X: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
James Northcote
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper with cream chine colle
Dimensions:
Sheet: 22 1/16 × 17 5/16 inches (56 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Hodges, R.A.
Creator:
Print made by William Daniell, 1769–1837
Date:
1810
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 7/8 x 11 5/16 inches (40.3 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. David Cox

David Cox
Creator:
Print made by Samuel Bellin, 1799–1894
Date:
undated
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 20 1/2 x 16 9/16 inches (52 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Charles Fox
Creator:
Print made by William Carpenter, 1818–1899
Date:
1849
Materials & Techniques:
Etching and stipple engraving on moderately thick, smooth, beige wove paper with beige chine collé
Dimensions:
Sheet: 15 9/16 x 10 1/4 inches (39.6 x 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
Creator:
Print made by James Mason, 1710–1783
Date:
1778
Materials & Techniques:
Line engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venice, Evening, Sheet 6
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 4
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 9
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 7
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 8
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 12
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 10
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 14
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 16
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 13
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 15
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 1
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 2
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 5
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 3
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 11
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
This is NOT the Baron of Oakland, in the Opera of the Haunted Tower
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1831
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 15 7/8 x 11 3/4 inches (40.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie
I'll Take My Life Monotonous
Creator:
Patrick Caulfield, 1936–2005
Date:
1973
Materials & Techniques:
Screen print on thick, smooth, white wove paper
Dimensions:
Sheet: 15 7/8 × 13 7/8 inches (40.3 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Sunderman Hoerner
The Sitala Temple
Creator:
Print made by Ernest Stephen Lumsden, 1883–1948
Date:
1916
Materials & Techniques:
Etching with drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 10 3/8 inches (40 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Worker on Ladder
Creator:
Print made by Sir Frank William Brangwyn, 1867–1956
Date:
1882-1956
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 8 3/4 × 15 5/8 inches (22.2 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sir Muirhead Bone
Creator:
Print made by Francis Dodd, 1874–1949
Date:
1931
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 11/16 x 11 3/8 inches (39.8 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Charles Robert Darwin
Creator:
Print made by Paul Adolphe Rajon, 1842–1888
Date:
1882
Materials & Techniques:
Etching (unique remarque proof) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 5/8 × 20 1/16 inches (65.1 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Cherry Girl
Creator:
Print made by unknown artist
Date:
1796
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 11 1/4 inches (40 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of a Man wearing a Cap
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
early 1750s
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 15 7/8 x 11 5/16 inches (40.4 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

88. S. Simon

S. Simon
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 14 11/16 inches (53.9 x 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Caligula's Palace and Bridge
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1842
Materials & Techniques:
Etching and line engraving, first published state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 25 1/4 × 36 1/8 inches (64.1 × 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caligula's Palace and Bridge
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 36 3/8 inches (66.4 × 92.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Morpeth
Creator:
Thomas Trotter, ca. 1750–1803
Date:
1787
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 13/16 × 11 1/4 inches (40.2 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon
Creator:
William Say, 1768–1834
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/16 × 12 5/8 inches (41.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Oxford from North Hinksey
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1841
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1838
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/2 × 17 1/4 inches (57.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Salvator Mundi
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 11 1/2 inches (40.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Moralist
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 10 3/8 inches (40.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Master Henry Thomas Hope
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1836
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 12 15/16 inches (40 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Country Ballad Singers
Creator:
Print made by unknown artist
Date:
1794
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 10 inches (40 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

99. Fortune

Fortune
Creator:
Print made by unknown artist
Date:
1796
Materials & Techniques:
Mezzotint with drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
Creator:
Robert Pollard, 1755–1838
Date:
1790
Materials & Techniques:
Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection