Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
4
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
5
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
1795 to 1806
6
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
7
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
8
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
9
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
10
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
11
William Hogarth, 1697–1764
The Bruiser
1763
12
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
13
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
14
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
15
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
16
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
17
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
18
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
19
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
20
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
21
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
22
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
23
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
24
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
25
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
26
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
27
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
28
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
29
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
30
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
31
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
32
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
33
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
34
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
35
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
36
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
37
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
38
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
39
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
40
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
41
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
42
Print made by William Blake, 1757–1827
Job's Evil Dreams
1826
43
Print made by William Blake, 1757–1827
The Vision of Christ
1826
44
Print made by William Blake, 1757–1827
When the Morning Stars Sang Together
1826
45
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
46
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
47
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
48
James Duffield Harding, 1798–1863
View of the Clifton Suspension Bridge
undated
49
Print made by William Bromley, 1769–1842
Portrait of Fuseli
undated
50
Leon J. B. Sabatier, active 1827–m.1887
Liverpool
1840
51
James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
52
Francis David Soiron, Born 1764
The Promenade in St. Jame's Park
1793
53
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
54
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
55
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
56
Print made by Samuel Cousins, 1801–1887
Master Henry Thomas Hope
1836
57
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
58
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
59
Print made by Paul Adolphe Rajon, 1842–1888
Charles Robert Darwin
1882
60
Print made by unknown artist
Salvator Mundi
undated
61
Print made by unknown artist
Fortune
1796
62
Print made by unknown artist
The Cherry Girl
1796
63
Print made by unknown artist
The Moralist
1795
64
Paul Sandby Munn, 1773–1845
Shanklin Chine, Isle of Wight
1797
65
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Man wearing a Cap
early 1750s
66
Godefroy Engelmann, 1788–1839
Aloys Senefelder
1819
67
Thomas Major, 1714–1799
South East View of tLand-Guard Fort, in Suffolk
1754
68
Print made by Samuel Freeman, 1773–1857
Iris
1808
69
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
70
Henry Papprill, 1816–d.after 1883
Her Majesty's Steam Frigate Cyclops, off Spithead, Under Admiralty Orders
1857
71
Thomas Malton the Younger, 1748–1804
Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
1798
72
Thomas Malton the Younger, 1748–1804
The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
1799
73
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
74
Print made by Frank Auerbach, 1931-2024
Lucian Freud
1981
75
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
76
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
77
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1838
78
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
79
Thomas Trotter, ca. 1750–1803
Lord Morpeth
1787
80
William Say, 1768–1834
The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon
1811
81
Samuel William Reynolds, 1773–1835
Sir Watkin Williams-Wynn, 4th Baronet Wynn
1804
82
Daniel Lysons, 1762–1834
Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
between 1796 and 1811
83
Daniel Lysons, 1762–1834
The Environs of London: Brass plate for Unidentified Infant from East Ham Church
between 1796 and 1811
84
Benjamin Robert Haydon, 1786–1846
Study of a Man in a Long Robe
undated
85
Print made by Austin, Robert, 1895-1973, 1895–1973
Women at Prayer
1936
86
Print made by Sir Frank William Brangwyn, 1867–1956
Worker on Ladder
1882-1956
87
Print made by Francis Dodd, 1874–1949
Sir Muirhead Bone
1931
88
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
89
Print made by Sir David Young Cameron, 1865–1945
The Five Sisters, York Minister
1907
90
Print made by Johann Jacobus Haid, 1704–1767
S. Simon
undated
91
Joseph Cartwright, c.1789–1829
Single Brigantine, Sails Furled
undated
92
Print made by unknown artist
The Country Ballad Singers
1794
93
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
94
John Hassell, 1767–1825
View of Sion House from the Banks of the Thames
1799
95
Daniel Havell, 1785–1826
A View of the Bank of England
1816
96
Ceri Richards, 1903–1971
Piano Recital
1943
97
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881
1881
98
Niccoló Schiavonetti, 1771–1813
Rustic Benevolence
1804
99
Lionel Edwards, 1878–1966
The Lodge Gate
1922
100
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington