<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques wove paper

Remove constraint Materials & Techniques: wove paper

Height [cm] 41

Remove constraint Height [cm]: 41

Search Results

John R. Skeaping Open Ditch
John R. Skeaping, 1901–1980
Open Ditch
1962
George Stubbs Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
between 1795 and 1806
George Stubbs Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
George Stubbs, 1724–1806
Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
Henry Swinburne Albano
Henry Swinburne, 1743–1803
Albano
1777 to 1778
Henry Swinburne Theatre of Sagunto, Spain
Henry Swinburne, 1743–1803
Theatre of Sagunto, Spain
1775 to 1776
Henry Swinburne Valencia, Spain
Henry Swinburne, 1743–1803
Valencia, Spain
1775 to 1776
Henry Swinburne View of an Island with Sailboat
Henry Swinburne, 1743–1803
View of an Island with Sailboat
undated
Henry Swinburne Isle of Capri Seen on the South
Henry Swinburne, 1743–1803
Isle of Capri Seen on the South
1777 to 1778
Henry Swinburne Sketch of a Walled City
Henry Swinburne, 1743–1803
Sketch of a Walled City
undated
Henry Swinburne Brindisi from the HIll South of the New Channel
Henry Swinburne, 1743–1803
Brindisi from the HIll South of the New Channel
1777 to 1780
Henry Swinburne Villeneuve-lès-Maguelone, France
Henry Swinburne, 1743–1803
Villeneuve-lès-Maguelone, France
undated
Henry Swinburne Palestrina, Italy
Henry Swinburne, 1743–1803
Palestrina, Italy
1777 to 1778
Henry Swinburne Lang House Farm
Henry Swinburne, 1743–1803
Lang House Farm
undated
Henry Swinburne Ruins of a Circular Stone Keep
Henry Swinburne, 1743–1803
Ruins of a Circular Stone Keep
undated
Henry Swinburne Stone Bridge
Henry Swinburne, 1743–1803
Stone Bridge
undated
Henry Swinburne Château de Chaumont
Henry Swinburne, 1743–1803
Château de Chaumont
undated
Henry Swinburne Personalized Design
Henry Swinburne, 1743–1803
Personalized Design
1776
Henry Swinburne Landscape, with River and Church in the Distance
Henry Swinburne, 1743–1803
Landscape, with River and Church in the Distance
undated
Henry Swinburne Skids
Henry Swinburne, 1743–1803
Skids
undated
John Scott Aske Hall
Print made by John Scott, 1774–1828
Aske Hall
1821
Benjamin West The Three Marys
Benjamin West, 1738–1820
The Three Marys
1783
Henry Phillip Hope Adrian Hope's House I: View from the Road
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View from the Road
undated
Louis Haghe St. Michael's Mount, Ultrecht
Louis Haghe, 1806–1885
St. Michael's Mount, Ultrecht
1849
Peter Lanyon Battleship
Peter Lanyon, 1918–1964
Battleship
ca. 1944
Samuel Prout Beauvais Cathedral
Samuel Prout, 1783–1852
Beauvais Cathedral
undated
Thomas Shotter Boys Hotel de Ville, Hague
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
Henry William Bunbury Launce Teaching His Dog Crab
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
Michel Jean Cazabon Cascade at St. Anns
Michel Jean Cazabon, 1813–1888
Cascade at St. Anns
1851
Michel Jean Cazabon Maraccas Waterfall
Michel Jean Cazabon, 1813–1888
Maraccas Waterfall
1851
Amelia Long Bromley Hill, Kent
Amelia Long, 1762–1837
Bromley Hill, Kent
1823
Robert Marris Waterfall near Lynton
Robert Marris, 1750–1827
Waterfall near Lynton
1780
Sir Walter Thomas Monnington Full Length Study of Mr. Gardner
Sir Walter Thomas Monnington, 1902–1976
Full Length Study of Mr. Gardner
undated
Charles Heathcote Tatham Design for Commodes for Lady Poulett's Room, Stratford Place
Charles Heathcote Tatham, 1772–1842
Design for Commodes for Lady Poulett's Room, Stratford Place
1807
Ambrose McEvoy Blue and White (Portrait of a Lady)
Ambrose McEvoy, 1878–1927
Blue and White (Portrait of a Lady)
undated
Gerald Leslie Brockhurst Head of a Girl
Print made by Gerald Leslie Brockhurst, 1890–1978
Head of a Girl
1944
unknown artist Shanklin Church/ Isle of Wight
unknown artist
Shanklin Church/ Isle of Wight
undated
Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
Alfred Edward Chalon Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Alfred Edward Chalon, 1780–1860
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
ca. 1820
John James Chalon Queen Victoria
John James Chalon, 1778–1854
Queen Victoria
undated
James Ward Mr. Thompson's Wire Mill, Tintern
James Ward, 1769–1859
Mr. Thompson's Wire Mill, Tintern
1807
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
1818
Samuel Middiman High Street, Oxford
Etched by Samuel Middiman, ca. 1750–1831
High Street, Oxford
1812
Charles Hamilton Smith Views of Polar Regions
Charles Hamilton Smith, 1776–1859
Views of Polar Regions
undated
James T. Willmore Destruction of Both Houses of Parliament
Print made by James T. Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
Edward Goodall Cologne
Print made by Edward Goodall, 1795–1870
Cologne
1824
John Coplans Back Torso from Below
John Coplans, 1920–2003
Back Torso from Below
1985
John Leech Highland Regiment in Camp
John Leech, 1817–1864
Highland Regiment in Camp
undated
Thomas Rowlandson A Town Crier
Thomas Rowlandson, 1756–1827
A Town Crier
undated
Thomas Rowlandson The Doctor's Consultation
Thomas Rowlandson, 1756–1827
The Doctor's Consultation
1815-1820
Thomas Rowlandson The Shipwrecked Sailors
Thomas Rowlandson, 1756–1827
The Shipwrecked Sailors
undated
William Henry Boucher Over the Nuts and Wine!
Print made by William Henry Boucher, 1842–1906
Over the Nuts and Wine!
1889
Augustus Edwin John Soldier with Rifle Upside-Down on Shoulder
Augustus Edwin John, 1878–1961
Soldier with Rifle Upside-Down on Shoulder
undated
John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Print made by John Harris the elder, 1767–1832
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797