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William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Hamilton Hero and Leander
William Hamilton, 1751–1801
Hero and Leander
1801
James Baynes Extensive wooded landscape with figures in foreground left
James Baynes, 1766–1837
Extensive wooded landscape with figures in foreground left
Undated
Edward Burne-Jones The Rose Bower
After Edward Burne-Jones, 1833–1898
The Rose Bower
1892
George Denholm Armour Taking a Fence Side-Saddle
George Denholm Armour, 1864–1949
Taking a Fence Side-Saddle
undated
John William North Forest Landscape
John William North, 1842–1924
Forest Landscape
ca. 1834
Edward Burne-Jones The Garden Court
After Edward Burne-Jones, 1833–1898
The Garden Court
1892
Samuel Cousins Miss Croker
Print made by Samuel Cousins, 1801–1887
Miss Croker
1828
Samuel Cousins Mary Elizabeth, Countess Grey, with Her Two Children
Print made by Samuel Cousins, 1801–1887
Mary Elizabeth, Countess Grey, with Her Two Children
1831
Samuel Cousins The Orphan
Print made by Samuel Cousins, 1801–1887
The Orphan
1834
Samuel Cousins The Visionary
Print made by Samuel Cousins, 1801–1887
The Visionary
1833
Edward Calvert Ideal Pastoral Life
Print made by Edward Calvert, 1799–1883
Ideal Pastoral Life
1829
Edward Calvert The Flood
Print made by Edward Calvert, 1799–1883
The Flood
1829
Francesco Bartolozzi Cupid Disarmed by Venus
Print made by Francesco Bartolozzi, 1728–1815
Cupid Disarmed by Venus
1804