Materials & Techniques: wove paper / Height [cm]: 43 - YCBA Collections Search Search Results

John R. Skeaping, 1901–1980

Taking Down Steady

1963

John R. Skeaping, 1901–1980

Coming Home Alone

1963

Print made after George Stubbs, 1724–1806

Plate VII, Human Body, Lateral View

1804

Joseph Mallord William Turner, 1775–1851

Villa d'Este

ca. 1796

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

ca. 1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

Print made by William Blake, 1757–1827

Christ Appearing to the Apostles after the Resurrection

1795 to 1805

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Edward Lear, 1812–1888

Fruit trees, 3 April 1863

1863

Print made by William Blake, 1757–1827

Illustrations of The Book of Job; Title Page

1826

Print made by William Blake, 1757–1827

Illustrations of The Book of Job

1826

Print made by Thomas Shotter Boys, 1803–1874

La rue des Prouvaires et l'église saint Eustache, Paris

1833

Thomas Malton, 1726–1801

Lincoln Cathedral

1800

Victor Marie Picot, 1744–1805

A Pastoral Scene with Cow

1777

Print made by Richard Earlom, 1743–1822

George Augustus Elliot Lord Heathfield

1788

Print made by Charles Wilkin, 1750–1814

The Right Honourable Charlotte Viscountess St. Asaph

1797

John Varley, 1778–1842

The Bridge

1804

Print made by Samuel Cousins, 1801–1887

La Surprise

1827

Print made by George Maile, active 1824–1840

A French Lady

1830

Print made by Robert Graves, 1798–1873

William Esdaile

1826

Print made by unknown artist

The Squire's Daughter, Lamenting the Loss of her Robin

1794

James Sowerby, 1756–1822

A Dove

undated

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Print made by Thomas Burke, 1749–1815

Content and Innocence

1797

John Hamilton Mortimer, 1740–1779

Lear, from King Lear, Act III, Scene ii

1776

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by William Miller, 1796–1882

Venice, the Piazzetta

1853-1874

Lawrence Josset, 1910–1995

The Drummond Family

1960

Lawrence Josset, 1910–1995

The Drummond Family

1960

Print made by A. Birrell, ca.1770–ca. 1820

John Home, Esq

1799

Valentine Green, 1739–1813

Lady Caroline Howard

1778

Print made by William John Cooke, 1797–1865

The Thames at Mortlake

1836-1838

Print made by William John Cooke, 1797–1865

The Thames at Mortlake

1836-1838

Print made by William John Cooke, 1797–1865

The Thames at Mortlake

1836-1838

Print made by Francesco Bartolozzi, 1728–1815

The Earl of Mansfield

1786

Print made by James Tibbits Willmore, 1800–1863

Ancient Italy

1842

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Materials & Techniques wove paper

Height [cm] 43

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Height [cm] 43

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