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Materials & Techniques wove paper

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Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1850
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
William Blake The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
1794
William Mulready The Fight Interrupted
William Mulready, 1786–1863
The Fight Interrupted
undated
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
John Warwick Smith The Hermitage at Frascati
John Warwick Smith, 1749–1831
The Hermitage at Frascati
undated
William Alexander A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
William Alexander, 1767–1816
A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
undated
Frank Meadow Sutcliffe A Study
Frank Meadow Sutcliffe, 1853–1941
A Study
1871
Joshua Cristall Study of a Man Holding a Stick
Joshua Cristall, 1768–1847
Study of a Man Holding a Stick
undated
Frederick Landseer Maur Griggs Stevenage
Print made by Frederick Landseer Maur Griggs, 1876–1938
Stevenage
1902
Frederick Landseer Maur Griggs Stanley Pontlarge
Print made by Frederick Landseer Maur Griggs, 1876–1938
Stanley Pontlarge
1913
George Baxter Balmoral Castle
Engraved by George Baxter, 1804–1867
Balmoral Castle
after 1850
Edward Calvert The Sheep of His Pasture
Print made by Edward Calvert, 1799–1883
The Sheep of His Pasture
ca. 1828
Edward Calvert The Flood
Print made by Edward Calvert, 1799–1883
The Flood
1829
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
John Greig Keep of Dudley Castle
Print made by John Greig, active 1803–1853
Keep of Dudley Castle
1810
Gabriel Charton Paysanne d'Ukraine; Juive
Print made by Gabriel Charton, active 1810
Paysanne d'Ukraine; Juive
ca. 1810
John Greig Godalming, Surrey
John Greig, active 1803–1853
Godalming, Surrey
1820
Thomas Higham Benacre Hall, Suffolk
Thomas Higham, 1796–1844
Benacre Hall, Suffolk
1819
George Baxter Balmoral Castle
Engraved by George Baxter, 1804–1867
Balmoral Castle
after 1850
George Baxter Balmoral Castle
Engraved by George Baxter, 1804–1867
Balmoral Castle
after 1850
Alfred W. Cooper The Farmer's Boy (tail piece)
Print made by Alfred W. Cooper, active 1850–1901
The Farmer's Boy (tail piece)
undated
Graham Sutherland Barrow Hedges Farm
Print made by Graham Sutherland, 1903–1980
Barrow Hedges Farm
1924
Francesco Bartolozzi Georgiana, Countess Spencer
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Countess Spencer
1783
Frederick Henry Evans Crépuscule au Printemps, France
Frederick Henry Evans, 1853–1943
Crépuscule au Printemps, France
before 1900