Materials & Techniques: wove paper / Width [cm]: 10 - YCBA Collections Search Search Results

1. The String Quartet

Creator:: Print made by Vanessa Bell, 1879–1961
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

2. A Haunted House

Creator:: Print made by Vanessa Bell, 1879–1961
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

3. An Unwritten Novel

Creator:: Print made by Vanessa Bell, 1879–1961
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

4. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, retouched with graphite on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 10 1/4 inches (30 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. Avenue of Trees

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 5 3/4 x 3 13/16 inches (14.6 x 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

8. Studies of Camels and Egyptian Men

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 1 3/8 x 3 7/8 inches (3.5 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Apparition of Noah for the Temptation of Christ

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 3 7/8 inches (10.8 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

10. Titania's Attendants Chasing Bats

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 x 3 3/4 inches (9.2 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

11. Introduction to the Fables, The Shepherd and the Philosopher

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

12. Fable VI. The Miser and Plutus

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

13. Fable XXII. The Goat Without a Beard

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

14. Fable XXIV. The Butterfly and the Snail

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

15. Fable XXVIII. The Persian, the Sun, and the Cloud

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

16. Fable XXX. The Setting-dog and the Partridge

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17. Fable XLI. The Owl and the Farmer

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

18. Fable I. The Dog and the Fox

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

19. Fable XVI. The Pin and the Needle

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

20. Fable XIII. The Tame Stag

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

21. Fable XII. Pan and Fortune

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

22. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The First Book of Urizen, Plate 18 (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The First Book of Urizen, Plate 5 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The First Book of Urizen, Plate 12 (Bentley 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Book of Thel, Plate 1, "Thel's Motto . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Book of Thel, Plate 1, "Thel's Motto . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The First Book of Urizen, Plate 25 (Bentley 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The First Book of Urizen, Plate 21 (Bentley 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The First Book of Urizen, Plate 23 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The First Book of Urizen, Plate 3 (Bentley 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The First Book of Urizen, Plate 7 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Porch to a Private House in Padua

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/4 × 4 1/16 inches (13.3 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 3 15/16 inches (17 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Lectoure, France

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Armoured Figure

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1810
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Mount: 4 9/16 x 3 13/16 inches (11.6 x 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Stone Bridge; Wooden Footbridge (two drawings)

Creator:: William Callow, 1812–1908
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 3 7/8 inches (15.2 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

Creator:: James Ward, 1769–1859
Date:: 1820 to 1830
Materials & Techniques:: Black chalk and white chalk on medium, slightly texture, brown wove paper mounted moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 3/4 inches (13 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Hong Kong Harbor

Creator:: Lt. Humphrey John Julian, active 1842–1849
Date:: 1843
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 5/8 x 3 7/8in. (21.9 x 9.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Datur Hora Quieti

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, Early Final Proof on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 8 5/8 inches (30.2 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Officer with Cockade and Sword

Creator:: James Roberts, active 1766–1809
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 3 3/4 inches (15.2 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Herstmonceux Castle, Sussex

Creator:: William Tombleson, ca.1795–1835
Date:: undated
Materials & Techniques:: Engraving, (verso) graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 5 3/4 × 3 7/8 inches (14.6 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Angel of Peace

Creator:: unknown artist
Date:: between 1839 and 1866
Materials & Techniques:: Albumen print on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 4 inches (15.2 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Study of a Youth

Creator:: Sir John Everett Millais, 1829–1896
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 3 3/4 inches (17.1 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Fight Interrupted

Creator:: William Mulready, 1786–1863
Date:: undated
Materials & Techniques:: Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Falstaff Instructing Bardolph

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 4 1/2 inches (15.2 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Falstaff Dragging the Body of Hotspur

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 15/16 inches (16.2 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Vintage

Creator:: William Finden, 1787–1852
Date:: 1834
Materials & Techniques:: Line engraving on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Aurelian Walls, Pyramid of Cestius

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/16 × 11 15/16 inches (44 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Lowestoffe Lighthouse

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, finished state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 5/8 × 15 1/16 inches (52.4 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Campagna of Rome

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Herstmonceux Castle for the history and description of the Sussex Coast

Creator:: Charles John Smith, 1803–1838
Date:: undated
Materials & Techniques:: Engraving, with graphite on smooth, medium, beige wove paper
Dimensions:: Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Design for Polychromatic Decoration of a Church

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 10 1/8 × 6 1/4 inches (25.7 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Mechanical Grinder with Figures

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/16 inches (9.6 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Interior of Stone Building

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, sponging, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/16 × 3 13/16 inches (12.9 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Via ai Prati, Genoa [North Italian Set: No. 8]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1896
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 1/2 inches (18.4 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

81. Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Frederick Howard, fifth Earl of Carlisle

Creator:: John Jackson, 1778–1831
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 3 13/16 inches (14 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Creator:: Thomas Carwitham, active 1723
Date:: ca. 1723
Materials & Techniques:: Pen and brown ink and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 4 5/16 x 3 3/4 inches (11 x 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

84. Rome, Castle of St. Angelo

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 12 1/8 inches (42.9 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Landing of Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 8 3/4 inches (30.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Venice, The Rialto - Moonlight

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/16 × 11 11/16 inches (43.3 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Landing of Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/8 × 3 3/4 inches (18.7 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache on thick, smooth, brown wove paper
Dimensions:: Sheet: 6 5/8 × 3 3/4 inches (16.8 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache on moderately thick, smooth, green wove paper
Dimensions:: Sheet: 10 1/8 × 3 7/8 inches (25.7 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Lysander Awakening to See Helena

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 1/4 inches (16.5 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Study of a Young Girl, with Ringlets, in a Black Evening Dress

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1830
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 8 3/4 x 4 7/8 inches (22.2 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Girl in a Red Belt

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 4 5/8 x 3 3/4 inches (11.7 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Hermitage at Frascati

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor and graphite on very thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 3 3/4 inches (24.4 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Greatheart's Battle with Grim

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Man Haranguing a Gatepost

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 1/2 × 3 13/16 inches (6.4 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Head of Girl Standing in the Center

Creator:: Sir David Wilkie, 1785–1841
Date:: 1806
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 x 3 3/4 inches (10.2 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Woman Bowed in Grief

Creator:: Sir John Everett Millais, 1829–1896
Date:: ca. 1857
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 3 7/8 inches (9.8 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Stained Glass Study, An Otter and Two Fish

Creator:: Sir John Everett Millais, 1829–1896
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 × 4 inches (5.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Venice, The Rialto - Moonlight

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 9 5/8 inches (36.2 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques wove paper

Width [cm] 10

Search Results

1. The String Quartet

2. A Haunted House

3. An Unwritten Novel

4. The Sleeping Shepherd

5. The Skylark

6. Christmas

7. Avenue of Trees

8. Studies of Camels and Egyptian Men

9. Apparition of Noah for the Temptation of Christ

10. Titania's Attendants Chasing Bats

11. Introduction to the Fables, The Shepherd and the Philosopher

12. Fable VI. The Miser and Plutus

13. Fable XXII. The Goat Without a Beard

14. Fable XXIV. The Butterfly and the Snail

15. Fable XXVIII. The Persian, the Sun, and the Cloud

16. Fable XXX. The Setting-dog and the Partridge

17. Fable XLI. The Owl and the Farmer

18. Fable I. The Dog and the Fox

19. Fable XVI. The Pin and the Needle

20. Fable XIII. The Tame Stag

21. Fable XII. Pan and Fortune

22. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

23. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

24. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

25. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

26. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

27. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

28. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

29. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

30. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

31. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

32. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

33. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

34. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

35. The First Book of Urizen, Plate 18 (Bentley 21)

36. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

37. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

38. The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

39. The First Book of Urizen, Plate 5 (Bentley 12)

40. The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

41. The First Book of Urizen, Plate 12 (Bentley 22)

42. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

43. The Book of Thel, Plate 1, "Thel's Motto . . . ."

44. The Book of Thel, Plate 1, "Thel's Motto . . . ."

45. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

46. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

47. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

48. The First Book of Urizen, Plate 25 (Bentley 26)

49. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

50. The First Book of Urizen, Plate 21 (Bentley 16)

51. The First Book of Urizen, Plate 23 (Bentley 9)

52. The First Book of Urizen, Plate 3 (Bentley 22)

53. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

54. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

55. The First Book of Urizen, Plate 7 (Bentley 12)

56. Porch to a Private House in Padua

57. Unidentified Periodical / Play Illustration

58. Lectoure, France

59. Armoured Figure

60. Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence

61. Stone Bridge; Wooden Footbridge (two drawings)

62. Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

63. Hong Kong Harbor

64. Datur Hora Quieti

65. Officer with Cockade and Sword

66. Herstmonceux Castle, Sussex

67. Angel of Peace

68. Study of a Youth

69. The Fight Interrupted

70. Falstaff Instructing Bardolph

71. Falstaff Dragging the Body of Hotspur

72. A Vintage

73. Aurelian Walls, Pyramid of Cestius

74. Lowestoffe Lighthouse