Materials & Techniques: wove paper / Width [cm]: 25 - YCBA Collections Search Search Results

201. Dr. John Reynolds, S.T.B.

Creator:: James McArdell, ca. 1729–1765
Date:: 1757
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Victory Returning from Trafalgar

Creator:: Sir Frank Short, 1857–1945
Date:: undated
Materials & Techniques:: Watercolor, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Image: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

203. Vice Admiral Lord Hugh Seymour

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 9/16 inches (39.4 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Sir Watkin Williams-Wynn, 4th Baronet Wynn

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1804
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 × 11 9/16 inches (40.2 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Moldings on the Pillars

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/8 × 9 3/4 inches (38.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Hermitage Castle

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 10 inches (31.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 9 3/4 inches (34.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Nazareth

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 13 3/8 inches (25.7 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh

Creator:: William John Chamberlayne, 1821–1910
Date:: undated
Materials & Techniques:: Graphite and watercolor with scratching out on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching with chine collé; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Ross Castle, Killarney, Sept. 4, 1812

Creator:: George Jones, 1786–1869
Date:: 1812
Materials & Techniques:: Watercolor on moderately thick, rough, blue wove paper
Dimensions:: Sheet: 5 × 10 inches (12.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Boat and Figures on Shore of a Lake

Creator:: John Baverstock Knight, 1785–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 7/8 inches (16.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Sketch of Monnikendam in Distance

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1892
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 3 × 9 7/8 inches (7.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

215. The 'Lusitania' Raft on Broadstairs Pier

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 7 7/8 × 9 7/8 inches (20 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

216. Noon

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Summer Morning

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/4 × 9 3/4 inches (38.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. At Hastings, 5 October 1820

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 10 inches (10.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Sketch of a Man Watching Large Waves, Hastings

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 10 inches (10.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. As Much Underneath, Before the Road, Hastings

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 10 inches (10.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Sketch of a Roof with a Large Chimney

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/4 inches (17.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Seymour Lodge, 12 July 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Entrance to Cardigan, 8 September 1847

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1847
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Gems of the Great Exhibition No. 4: The Foreign Department

Creator:: Print made by George Baxter, 1804–1867
Date:: 1852 or 1854
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Eight Rural Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. The Monument of King Henry III, in Westminster Abbey

Creator:: Jacob van Schley, 1715–1779
Date:: 1735
Materials & Techniques:: Engraving on medium, slightly textured, white wove paper
Dimensions:: Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

228. Rue du Gros-Horloge, Rouen

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 x 19 3/4 inches (34 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

229. The Main Tack

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1928
Materials & Techniques:: Etching and drypoint on thin, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 x 9 5/8 inches (38.8 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

230. White Kennett

Creator:: John Faber the Elder, ca. 1660–1721
Date:: 1719
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 10 13/16 inches (38.3 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

231. The Abbazia, Venice

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 9 3/4 inches (35.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

232. Mother and Child I

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1983
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:: Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Harriet Loria Popowitz

233. Mother and Child XXI

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1983
Materials & Techniques:: Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:: Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

234. Mother and Child IV

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1983
Materials & Techniques:: Color-printed etching, aquatint and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:: Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

235. Mother and Child VIII

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1983
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:: Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

236. The Four Elements

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 10 1/16 inches (34.6 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

237. Venus Bathing

Creator:: Print made by James Johnson, 1803–1834
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 × 13 1/2 inches (50.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

238. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Thomas Smith, Esq.

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1746
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 x 10 1/8 inches (36.2 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

241. Mrs. Baddely

Creator:: Print made by Robert Laurie, 1755?–1836
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 10 1/4 inches (34.9 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Berwick; Printed with Counterproof of Dundee

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1890
Materials & Techniques:: Etching printed in brown ink over two counterproofs, engraver's proof; verso etching counterproof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 inches (19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

243. Three Ships with Barque-like Rigging

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 15 3/8 × 16 15/16 inches (39.1 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

244. Sailing Vessel in Dock, Bow Forward: Squared for Tracing

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 15 5/16 × 15 3/4 inches (38.9 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

245. Houses near Plymouth

Creator:: Francis Towne, 1740–1816
Date:: 1810
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 10 inches (16.8 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Lord Henry and Lady Charlotte Spencer : 'The Fortune Teller'

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 9 11/16 inches (28.6 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

247. Master Philip Yorke

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 9 5/8 inches (32.4 × 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

248. The Country Ballad Singers

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 10 inches (40 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

249. Archery

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

250. Cottage

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 10 inches (17.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Port

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 10in. (17.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Church Interior

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 9 13/16 inches (17.6 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Seated Woman

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, black chalk, and white chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 11/16 x 9 3/4in. (34.8 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Welsh Hills from Beaumaris

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gouache on medium, slightly textured, cream wove paper mounted to moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 9 7/8 inches (19.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Bearded Man

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4in. (34.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Mountainous Landscape and Lake

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Three Men

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Mountainous Landscape

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Landscape with Shepherd and Sheep

Creator:: Thomas Barker, 1769–1847
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Landscape with Sheep

Creator:: William Callow, 1812–1908
Date:: undated
Materials & Techniques:: Watercolor over graphite, with gum arabic and goauche on medium, rough, gray wove paper
Dimensions:: Sheet: 5 1/8 × 10 inches (13 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Beach Scene

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and gray ink, pen and black ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 inches (19.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Old Houses in the Butcher Row

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 12 5/8 × 9 7/8 inches (32.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. A View of the Adephi (Late Durhan Yard)

Creator:: unknown artist
Date:: 1771
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 7 7/8 × 9 7/8 inches (20 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Lord Henry Brougham, 1st Baron Brougham and Vaux

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Lithograph on thick, smooth, cream wove paper
Dimensions:: Sheet: 20 7/16 × 14 11/16 inches (51.9 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. The Hall, Bermondsey Abby

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 14 3/4 × 10 9/16 inches (37.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Master Brown

Creator:: Charles Howard Hodges, 1764–1837
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 × 9 11/16 inches (31.4 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. South View of London Street, Dockhead

Creator:: William Wise, Active 1823–1876
Date:: 1813
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 11 5/8 × 9 11/16 inches (29.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Opening of Waterloo Bridge

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 3/4 inches (22.9 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. West Cowes, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Beaulieu, Hampshire

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1827
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Cottage at Deane, Hants.

Creator:: John Piper, 1903–1992
Date:: 1938
Materials & Techniques:: Gray wash and brown wash with pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

289. Eight colour prints

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 11 inches (32 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Eurasian Sparrowhawk

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately think, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 9 11/16 inches (41.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. The Royal Palace, Madrid, 1832

Creator:: David Roberts, 1796–1864
Date:: 1832
Materials & Techniques:: Graphite, watercolor, and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 7/8 inches (16.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Reading Lesson at a Dame School

Creator:: Elias Martin, 1739–1818
Date:: undated
Materials & Techniques:: Graphite, pen and ink, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 x 9 11/16in. (18.3 x 24.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Public Baths on the River Spree

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/4 × 10 inches (18.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. A Farmhand Riding Side-saddle, Carrying an Urn

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Mount: 9 3/4 × 12 inches (24.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Foxhunting: Drawing Covert

Creator:: George Alken, 1794–active 1837
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 7/8 inches (16.7 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 9 7/8 inches (15.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. "Landscape Scenery", No. 13: Groups of Infantry and Army Horses

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 × 9 11/16 inches (16 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Point-to-Point Racing

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Watercolor, charcoal, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/16 × 9 15/16 inches (13.8 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Three Cart-Horses in Traces

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 x 9 7/8 inches (11.7 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 1/8 × 11 3/4 inches (25.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

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201. Dr. John Reynolds, S.T.B.

202. Victory Returning from Trafalgar

203. Vice Admiral Lord Hugh Seymour

204. Sir Watkin Williams-Wynn, 4th Baronet Wynn

205. Moldings on the Pillars

206. Hermitage Castle

207. Fingal's Cave, Staffa

208. Nazareth

209. Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh

210. Aldborough

211. Aldborough

212. Ross Castle, Killarney, Sept. 4, 1812

213. Boat and Figures on Shore of a Lake

214. Sketch of Monnikendam in Distance

215. The 'Lusitania' Raft on Broadstairs Pier

216. Noon

217. Summer Morning

218. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

219. At Hastings, 5 October 1820

220. Sketch of a Man Watching Large Waves, Hastings

221. As Much Underneath, Before the Road, Hastings

222. Sketch of a Roof with a Large Chimney

223. Seymour Lodge, 12 July 1826

224. Entrance to Cardigan, 8 September 1847

225. Gems of the Great Exhibition No. 4: The Foreign Department

226. Eight Rural Subjects

227. The Monument of King Henry III, in Westminster Abbey

228. Rue du Gros-Horloge, Rouen

229. The Main Tack

230. White Kennett

231. The Abbazia, Venice

232. Mother and Child I

233. Mother and Child XXI

234. Mother and Child IV

235. Mother and Child VIII

236. The Four Elements

237. Venus Bathing

238. Robert Blair, The Grave, Title Page

239. The Day of Judgment

240. Thomas Smith, Esq.

241. Mrs. Baddely

242. Berwick; Printed with Counterproof of Dundee

243. Three Ships with Barque-like Rigging

244. Sailing Vessel in Dock, Bow Forward: Squared for Tracing

245. Houses near Plymouth

246. Lord Henry and Lady Charlotte Spencer : 'The Fortune Teller'

247. Master Philip Yorke

248. The Country Ballad Singers

249. Archery

250. Cottage

251. Port

252. Church Interior

253. Seated Woman

254. Welsh Hills from Beaumaris

255. Bearded Man

256. Mountainous Landscape and Lake

257. Three Men

258. Mountainous Landscape

259. Landscape with Shepherd and Sheep

260. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

261. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

262. Hogarth Declaring His Love to Miss Thornhill

263. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

264. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

265. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

266. The Smock Exposed

267. The Reconcilation

268. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

269. Hogarth Drawing Sarah Malcolm

270. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

271. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

272. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

273. Hogarth Sitting to Roubiliac for His Bust

274. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him