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George Romney A Procession of the Damned: Study for Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for Dante's "Inferno"
1780s
On view at YUAG
Vanessa Bell Woman in an Armchair
Vanessa Bell, 1879–1961
Woman in an Armchair
ca. 1921
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer Study for "The Shearers"
Samuel Palmer, 1805–1881
Study for "The Shearers"
between 1833 and 1834
George Stubbs Human Skeleton, Posterior View (Perhaps the first of the studies of the skeleton)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Perhaps the first of the studies of the skeleton)
1795 to 1806
George Stubbs Human Skeleton, Posterior View
George Stubbs, 1724–1806
Human Skeleton, Posterior View
1795 to 1806
William Hogarth The Bruiser
William Hogarth, 1697–1764
The Bruiser
1763
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1850
Joseph Mallord William Turner Chain of Alps from Grenoble to Chamberi
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
Joseph Mallord William Turner Chain of Alps from Grenoble to Chamberi
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Print made by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Print made by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner Solitude
Print made by Joseph Mallord William Turner, 1775–1851
Solitude
1814
Joseph Mallord William Turner Aesacus and Hesperie
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Joseph Mallord William Turner Glaucus and Scylla
Print made by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
Joseph Mallord William Turner Sheep-Washing, Windsor
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
1813 to 1823
Joseph Mallord William Turner Sheep-Washing, Windsor
Print made by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner Dumbarton Rock
Print made by Joseph Mallord William Turner, 1775–1851
Dumbarton Rock
between 1813 and 1823
Joseph Mallord William Turner Via Mala
Attributed to Joseph Mallord William Turner, 1775–1851
Via Mala
between 1813 and 1823
Joseph Mallord William Turner Ploughing, Eton
Print made by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1813 to 1823
Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Martello Towers near Bexhill, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
Martello Towers near Bexhill, Sussex
1811
Joseph Mallord William Turner The Drawing of the Clyde
Print made by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner Juvenile Tricks
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
Joseph Mallord William Turner Coast of Yorkshire
Etched by Joseph Mallord William Turner, 1775–1851
Coast of Yorkshire
1811
Joseph Mallord William Turner Hind Head Hill
Print made by Joseph Mallord William Turner, 1775–1851
Hind Head Hill
1811
Joseph Mallord William Turner Hind Head Hill
Etched by Joseph Mallord William Turner, 1775–1851
Hind Head Hill
1811
Joseph Mallord William Turner Windmill and Lock
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
Joseph Mallord William Turner Windmill and Lock
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
Joseph Mallord William Turner Near Blair Athol, Scotland
Etched by Joseph Mallord William Turner, 1775–1851
Near Blair Athol, Scotland
1811
Joseph Mallord William Turner Junction of Severn and Wye
Print made by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
Joseph Mallord William Turner Lauffenbourgh on the Rhine
Etched by Joseph Mallord William Turner, 1775–1851
Lauffenbourgh on the Rhine
1811
Joseph Mallord William Turner Junction of Severn and Wye
Print made by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
Joseph Mallord William Turner Inverary Pier, Loch Fyne, Morning
Print made by Joseph Mallord William Turner, 1775–1851
Inverary Pier, Loch Fyne, Morning
1811
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
Joseph Mallord William Turner Crypt of Kirkstall Abbey
Print made by Joseph Mallord William Turner, 1775–1851
Crypt of Kirkstall Abbey
1812
Joseph Mallord William Turner The Mildmay Sea-Piece
Etched by Joseph Mallord William Turner, 1775–1851
The Mildmay Sea-Piece
1812
Joseph Mallord William Turner Scene in the Campagna
Etched by Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
Joseph Mallord William Turner Winchelsea, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
Joseph Mallord William Turner The Bridge and Goats
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge and Goats
1812
Joseph Mallord William Turner Procris and Cephalus
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Water Mill
Etched by Joseph Mallord William Turner, 1775–1851
Water Mill
1812
Joseph Mallord William Turner Hedging and Ditching
Etched by Joseph Mallord William Turner, 1775–1851
Hedging and Ditching
1812
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Stonehenge at Daybreak
Print made by Joseph Mallord William Turner, 1775–1851
Stonehenge at Daybreak
1815 to 1819
Joseph Mallord William Turner Flounder Fishing, Battersea
Print made by Joseph Mallord William Turner, 1775–1851
Flounder Fishing, Battersea
between 1813 and 1823
Joseph Mallord William Turner Ploughing, Eton
Etched by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1818
Joseph Mallord William Turner Sheep-Washing, Windsor
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Print made by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner Hedging and Ditching
Etched by Joseph Mallord William Turner, 1775–1851
Hedging and Ditching
1812
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner The Mildmay Sea-Piece
Etched by Joseph Mallord William Turner, 1775–1851
The Mildmay Sea-Piece
1812
Joseph Mallord William Turner Martello Towers near Bexhill, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
Martello Towers near Bexhill, Sussex
1811
Joseph Mallord William Turner Water Mill
Etched by Joseph Mallord William Turner, 1775–1851
Water Mill
1812
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
Joseph Mallord William Turner Scene in the Campagna
Etched by Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
Joseph Mallord William Turner Near Blair Athol, Scotland
Etched by Joseph Mallord William Turner, 1775–1851
Near Blair Athol, Scotland
1811
Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
Joseph Mallord William Turner St. Catherine's Hill near Guildford
Etched by Joseph Mallord William Turner, 1775–1851
St. Catherine's Hill near Guildford
1811
Joseph Mallord William Turner Young Anglers
Etched by Joseph Mallord William Turner, 1775–1851
Young Anglers
1811
Joseph Mallord William Turner Lauffenbourgh on the Rhine
Etched by Joseph Mallord William Turner, 1775–1851
Lauffenbourgh on the Rhine
1811
Joseph Mallord William Turner Crypt of Kirkstall Abbey
Print made by Joseph Mallord William Turner, 1775–1851
Crypt of Kirkstall Abbey
1812
Joseph Mallord William Turner Coast of Yorkshire
Etched by Joseph Mallord William Turner, 1775–1851
Coast of Yorkshire
1811
Joseph Mallord William Turner Juvenile Tricks
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner Chrichton Castle with a Rainbow; Color Study
Joseph Mallord William Turner, 1775–1851
Chrichton Castle with a Rainbow; Color Study
ca. 1818
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820