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Materials & Techniques wove paper

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Width [cm] 32

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Subject Terms horse (animal)

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William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
George Morland Two Men on a Country Road
George Morland, 1763–1804
Two Men on a Country Road
1793
unknown artist The Watermill Above the Bridge at Charenton
unknown artist
The Watermill Above the Bridge at Charenton
undated
Joseph Farington The Farm House
Joseph Farington, 1747–1821
The Farm House
after 1813
Joseph Crawhall The Loose Shoe
Joseph Crawhall, 1861–1913
The Loose Shoe
undated
Henry Thomas Alken "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
Henry Thomas Alken The Huntsman, Galloping to Left and Encouraging Hounds
Henry Thomas Alken, 1785–1851
The Huntsman, Galloping to Left and Encouraging Hounds
undated
Hablot Knight Browne The Buxom Hostess
Hablot Knight Browne, 1815–1882
The Buxom Hostess
1879
Alvin Langdon Coburn The Tower Bridge
Alvin Langdon Coburn, 1882–1966
The Tower Bridge
1909
Alvin Langdon Coburn Paddington Canal
Alvin Langdon Coburn, 1882–1966
Paddington Canal
1909
Thomas Shotter Boys Quayside, Notre Dame in Distance
Print made by Thomas Shotter Boys, 1803–1874
Quayside, Notre Dame in Distance
undated
James H. Kernot St. Catherine's Hill, near Guildford, Surrey
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
James Redway Christ Church College, Oxford
Print made by James Redway, active 1827–1838
Christ Church College, Oxford
1834