Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
109
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: East View
1826
110
Thomas Rowlandson, 1756–1827
Register Office for the Hiring of Servants
between 1800 and 1805
111
John Ruskin, 1819–1900
The Great Square at Torcello
1850
112
Thomas Rowlandson, 1756–1827
Serving Punch
between 1815 and 1820
113
Sawrey Gilpin, 1733–1807
Study of a Bear
undated
114
Charles Reginald Aston, 1832–1908
Landscape with Two Men and a Boat
undated
115
James Anderson, 1813–1877
Base of the Column of Antoninus Pius, Vatican
ca. 1857
116
Sawrey Gilpin, 1733–1807
Study of a bear
undated
117
David Roberts, 1796–1864
Lambeth
1861
118
David Roberts, 1796–1864
Sidmouth
1845
119
David Roberts, 1796–1864
Linlithgow Palace Courtyard, West Lothian
undated
120
Hercules Brabazon Brabazon, 1821–1906
Taormina
undated
121
Hercules Brabazon Brabazon, 1821–1906
Alassio
undated
122
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
123
Print made by John Doyle ('H.B.'), 1797–1868
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
1847
124
Print made by John Doyle ('H.B.'), 1797–1868
The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure
1849
125
Print made by John Doyle ('H.B.'), 1797–1868
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short
1849
126
Victor Marie Picot, 1744–1805
A Pastoral Scene with Donkey
1777
127
Henry Bright, 1810–1873
Cottages at Oxford
undated
128
Edward Duncan, 1803–1882
Notre Dame, Paris, from the Left Bank
1840
129
Charles Dyce, active 1848
View of Gibraltar
ca. 1849
130
Charles Dyce, active 1848
Mediterranean Port (or Aden?)
1848
131
Charles Dyce, active 1848
View of Malta
ca. 1849
132
Charles Dyce, active 1848
View on the Nile
ca. 1849
133
Charles Dyce, active 1848
View of Malta
1848
134
Charles Dyce, active 1848
Elysium Row, Calcutta
ca. 1849
135
Charles Dyce, active 1848
A Mediterranean Port (or Aden?)
ca. 1849
136
Charles Dyce, active 1848
Passengers aboard the Nile steamer
ca. 1849
137
Patrick Caulfield, 1936–2005
Ah! This Life Is So Everyday
1973
138
Print made by John Luard, 1790–1875
Simla
between 1832 and 1838
139
Print made by John Luard, 1790–1875
Pilgrims
undated
140
Sawrey Gilpin, 1733–1807
Lion Lying Down
undated
141
Rev. William Gilpin, 1724–1804
View in Barnscliff, near Scarborough, when Overflowed by the Derwent
undated
142
William Alfred Delamotte, 1775–1863
View from Stokenchurch Hill, Buckinghamshire
1821
143
François Louis Thomas Francia, 1772–1839
A French Canal Scene
1810
144
William Ashford, 1746–1824
Phoenix Park, Dublin
1905
145
François Louis Thomas Francia, 1772–1839
Shipping on the Medway, Kent
undated
146
John Hill, 1770–1850
St. Sepulchres, The Round Church
1814
147
James Ward, 1769–1859
Study of a Plunging Eagle
undated
148
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
149
unknown artist
Fish Market, Boulogne
undated
150
Samuel Francis Marryat, 1826–1855
Scene at the City of Bruni, Bornia
1848
151
Print made by Paul Fourdrinier, 1698–1758
A Sea Engagement between the English and Algerines
ca. 1743
152
Cecil Charles Windsor Aldin, 1870–1935
`Hold Back, Sir!'
1904
153
Lionel Edwards, 1878–1966
Newmarket - Pulling Up
1933
154
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
155
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
156
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
157
Print made by Remi Parr, active 1723–1750
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
158
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
159
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
160
Henry Thomas Alken, 1785–1851
A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
161
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
162
unknown artist
The Race
ca. 1850
163
Samuel Alken, 1756–1815
Spaniel Chasing a Hare
undated
164
William Hamilton, 1751–1801
William Beckford's Ponies
undated
165
Sir George Hayter, 1792–1871
Netting Deer in Richmond Park
undated
166
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
167
Henry Thomas Alken, 1785–1851
Pheasant Shooting
undated
168
unknown artist
Section of the House of Commons as it is at Present
ca. 1800
169
Print made by Frederick Mackenzie, 1788–1854
View of St Stephen's Chapel as it appeared after the Fire in October 1834
1843
170
Patrick Heron, 1920–1999
The Shapes of Colour (Plate 2): Small Horizon with Orange, Lime, Lemon and Cherry. June 1957
1978
171
Print made by William Bernard Cooke, 1778–1855
Plymouth Sound
1823
172
William Leighton Leitch, 1804–1883
Castallemare
1836
173
Robert MacPherson, 1814–1872
Ponte Lucano and the Tomb of Plautii, Tivoli
1860s
174
Henry Thomas Alken, 1785–1851
A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"
1821
175
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
176
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
177
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
178
James Ward, 1769–1859
A Horseman in a Landscape
1814
179
John Buckler FSA, 1770–1851
North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
1820
180
John Buckler FSA, 1770–1851
South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
1820
181
Print made by John Doyle ('H.B.'), 1797–1868
A Scene From the Farce of "The Critic," a Little Altered
1848
182
Print made by Francesco Bartolozzi, 1728–1815
King Henry VIII with Will Somer, Edward VI, Mary I, and Elizabeth I
1800
183
Thomas Daniell, 1749–1840
Two Men at Water's Edge in a Landscape
undated
184
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
185
Thomas Malton the Younger, 1748–1804
St. Martin-in-the-Fields, Interior
undated
186
Thomas Malton the Younger, 1748–1804
Horse Guards, Whitehall
undated
187
David Roberts, 1796–1864
The Tower of London
1864
188
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
189
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
190
Print made by Paul Fourdrinier, 1698–1758
Sweet William's Farewell to Black Eyed Susan
undated
191
Henry Thomas Alken, 1785–1851
"By - he'll get to the Earth..."
1827
192
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
193
unknown artist
Design after a Greek Vase
undated
194
Rev. James Bulwer, 1794–1879
Oare Church, Architectural Details
undated
195
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
196
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
197
Richard Hamilton, 1922–2011
Tony Nuttall on the Quadrangle at New College in 1984