Materials & Techniques: wove paper / Width [cm]: 40 / Classification: Prints

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Engraved by Joseph Mallord William Turner, 1775–1851

Stonehenge at Daybreak

1815 to 1819

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Lauffenbourgh on the Rhine

1811

Etched by Joseph Mallord William Turner, 1775–1851

Marine Dabblers

1811

Print made by John Copley, 1875–1950

French Songs

1946

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by Sir Frank Short, 1857–1945

View of a Lake, Derwentwater

1891

Print made by John Copley, 1875–1950

Trio

1940

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by Henry Le Keux, 1787–1868

Simmer Lake near Askrig

1818-1823

Sir David Young Cameron, 1865–1945

Doge's Palace

1902

Sir David Young Cameron, 1865–1945

Doge's Palace

1902

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1816

Print made by Charles Jameson Grant, active 1830–1852

The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

1833

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Print made by Charles Cousen, ca. 1819–1889

Abingdon

between 1859 and 1861

James Charles Armytage, 1802–1897

Approach to Venice

between 1859 and 1861

Giovanni Piranesi, 1720–1778

Giardino Colonna nel clivo del Quirinale

undated

Conrad Martin Metz, 1749–1827

Christ the Judge and Saints John the Baptist and Abel

1801

R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

1827

Print made by R.C. Roffe, active in London 1806–1835

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

1827

Print made by Richard Hamilton, 1922–2011

Finn MacCool

1983

Print made by William Bernard Cooke, 1778–1855

Source of the Tamar and Torridge

1816

Print made by William Miller, 1796–1882

Palace of LaBelle Gabrielle

1826-1837

Sir Francis Seymour Haden, 1818–1910

A Lancashire River

1881

William Walker, 1791–1867

Henry Raeburn

1826

Print made by John Jones, ca. 1745–1797

Muscipula

1786

Print made by Samuel Cousins, 1801–1887

Lady Lyndhurst

1836

Print made by William Say, 1768–1834

Hagar and Ishmael

1812

Print made by Francesco Bartolozzi, 1728–1815

The Earl of Mansfield

1786

Print made by Henry Heath, active 1824–1835

Extravaganza's of 1827

1827

Peltro W. Tomkins, 1760–1840

Mrs Seaforth as, Tuccia - The Vestal Virgin

1798

Print made by Gainsborough Dupont, 1754–1797

Rev. Sir Henry Bate Dudley

undated

Print made by John Dixon, ca. 1740–1811

Mrs. Blake as Juno

1771

Print made by James S. King, 1852–1925

Abraham Lincoln

1909

Print made by Leopold Flameng, 1831–1911

Grolier with the Printer Aldus Manutius

1882

Print made by Thomas Burford, ca. 1710–after 1774

Making a Cast at a Fault

1794

Print made by William James Ward, ca. 1800–1840

Frederick Howard, Fifth Earl of Carlisle

1823

Print made by unknown artist

King Edward VII

1908

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1830

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Print made by Sir Frank Short, 1857–1945

Shipping at the Entrance of the Medway, No. 2

1906

Print made by Robert Isaac Cruikshank, 1789–1856

Dandies Having a Treat

1818

Bartholomew Howlett, 1767–1827

A General View of the Remains of Bermondsey Abbey, Surrey

1820

William Ward, 1766–1826

The Effects of Youthful Extravagance and Idleness

1789

unknown artist

View of the Bank of England

1822

Louis Jules Arnout, 1814–1867

Palais du Lord Maire

undated

William Westall, 1781–1850

Mortlake

1823

unknown artist

The South View of Barnes

undated

unknown artist

The North View of Battersea

undated

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by William John Cooke, 1797–1865

Plymouth, Devonshire

1832

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Conrad Gessner, 1764–1826

Cavalry Charging

1801

Anthony Cardon, 1772–1813

Charlotte Sophia (née Leveson-Gower), Somerset, Duchess of Beaufort

1812

Print made by Day & Co., 1824–1913

South East View, Lincoln's Inn

between 1845 and 1850

Print made by Benjamin Baker, 1766–1841

Plan of the West India Docks

1802

Print made by Robert Wallis, 1794–1878

On the Thames

1875

J. Mynde, active 1740–1770

Blenheim House

undated

Thomas Major, 1714–1799

The Royal Palace of Windsor

1745