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1. Sussex Farm Wagon

Sussex Farm Wagon
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1906
Materials & Techniques:
Crayon and watercolor on medium, smooth, beige wove paper
Dimensions:
Sheet: 14 7/16 × 18 5/16 inches (36.7 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Sussex Barn

A Sussex Barn
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Watercolor and black chalk on medium, smooth, cream wove paper mounted on card
Dimensions:
Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

3. Mount Siabod from Tyn-y-Coed near Capel Curig

Mount Siabod from Tyn-y-Coed near Capel Curig
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Gouache, watercolor, and graphite with pen and brown ink on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 14 7/8 x 18 5/8 inches (37.8 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Study for Hay Carts, Cumberland Market

No cover image available
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1915
Materials & Techniques:
Black chalk on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth

Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Middleham, Yorkshire

Middleham, Yorkshire
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Unloading the Luggage From The Exeter Coach

Unloading the Luggage From The Exeter Coach
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Design for a Chapel at Enfield: Transverse Sections of the East and West End

Design for a Chapel at Enfield: Transverse Sections of the East and West End
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 18 9/16 inches (32.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

12. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

13. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by William Day, 1764–1807
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath

South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1805
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.

South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Plymouth Citadel

Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and engraving; first published state on vellum, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Liverpool Street A.M.

Liverpool Street A.M.
Creator:
Paul Arthur Hogarth, 1917–2001
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 x 18 9/16 inches (34 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

18. Tythrop

Tythrop
Creator:
John Linnell, 1792–1882
Date:
1817
Materials & Techniques:
Black ink and gouache over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 12 1/8 x 18 1/2 inches (30.8 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Vale of Llangollen

The Vale of Llangollen
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Pen and brown ink with graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 1/2 x 14 1/4 inches (19.1 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. George Fox Comes to London After the Great Fire

George Fox Comes to London After the Great Fire
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

21. Lyson's Cottage, Cowes, Isle of Wight

Lyson's Cottage, Cowes, Isle of Wight
Creator:
attributed to Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 x 18 7/16 inches (12.1 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Plan of Westminster Showing the Coronation Route of George II

Plan of Westminster Showing the Coronation Route of George II
Creator:
unknown artist
Date:
ca. 1727
Materials & Techniques:
Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. North East View of Henry VII Chapel Westminster

North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Elevation of the River Front

Elevation of the River Front
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
ca. 1835
Materials & Techniques:
Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Mr. Drummond's Cottage, East Cowes, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Newport High Street, Isle of Wight

Newport High Street, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Design for Ardgowan House, Scotland: Ground Floor Plan

Design for Ardgowan House, Scotland: Ground Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Gray wash, pen and black ink, and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Design for Ardgowan House, Scotland: Chamber Floor Plan

Design for Ardgowan House, Scotland: Chamber Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Watercolor, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 18 5/8 inches (28.6 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Design for Ardgowan House, Scotland: Attic Floor Plan

Design for Ardgowan House, Scotland: Attic Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Graphite, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/8 × 18 9/16 inches (28.3 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Design for Ardgowan House, Scotland: North North West Elevation

Design for Ardgowan House, Scotland: North North West Elevation
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Design for Ardgowan House, Scotland: South South East Elevation

Design for Ardgowan House, Scotland: South South East Elevation
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/8 × 18 1/2 inches (28.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Clare College from The Backs

Clare College from The Backs
Creator:
Peter DeWint, 1784–1849
Date:
ca. 1840
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 1/4 × 18 3/8 inches (31.1 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Duncan Robinson, Director, Yale Center for British Art (1981–1995)

33. Cookham, near Maidenhead

Cookham, near Maidenhead
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor over graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Imogen in the Cave, 'Cymbeline', Act III, Scene VI
Creator:
Mary Hoare, 1744–1820
Date:
1782
Materials & Techniques:
Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection