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1
- Grotesque Female Head
- undated
2
- Camel studies
- 1867
3
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
4
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
5
- Alas!; Plate 9
- 1793
6
- I Want! I Want!; Plate 11
- 1793
7
- Help! Help!; Plate 12
- 1793
8
- I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
- 1793
9
- Death's Door; Plate 17
- 1793
10
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
11
- For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
- 1826
12
- For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
- 1826
13
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
14
- For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
- 1826
15
- For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
- 1826
16
- Head of a Horse
- undated
17
- Head of the Thorough-bred Horse "Phantom"
- undated
18
- Larchant near Fontainebleau
- undated
19
- Thumbnail Sketch of Port City
- undated
20
- Sir John Everett Millais
- undated
21
- Head of a Girl
- undated
22
- The Fatal Bellman
- 1827
23
- Peter Vanderbank (1649–1697)
- undated
24
- Two Cows
- undated
25
- Figures in a Doorway
- undated
26
- A Bell on a Notched Post
- undated
27
- Self-Portrait
- undated
28
- Two Mermaids
- undated
29
- Cottage in a Cornfield
- 1844
30
- A Picture Puzzle
- undated
31
- Column of the Court of Lions
- 1775 to 1776
32
- Cottage in a Cornfield
- 1844
33
- Sir Henry Englefield
- undated
34
- A Brig at Anchor, Trees Beyond
- undated
35
- Madonna and Child
- undated