Materials & Techniques: wove paper / Width [cm]: 65 / Image Use: Free to Use

1. Lincoln Cathedral

Creator:: Thomas Malton, 1726–1801
Date:: 1800
Materials & Techniques:: Color aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 29 3/8 inches (56.8 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Promenade in St. Jame's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1793
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 5/8 × 31 5/16 inches (57.5 × 79.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

Creator:: Robert Pollard, 1755–1838
Date:: 1790
Materials & Techniques:: Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Centurion Cornelius

Creator:: Print made by James Ward, 1769–1859
Date:: 1800
Materials & Techniques:: Mezzotint on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 24 × 28 1/16 inches (61 × 71.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. The Encampment at Brighton

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Death of Captain Alexander Hood

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1798
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 1/8 × 26 1/2 inches (56.2 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Sierra Leone

Creator:: Auguste François Laby, 1784–1860
Date:: ca. 1850
Materials & Techniques:: Lithograph on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 27 3/4 inches (32.4 × 70.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 1/8 × 30 1/2 inches (61.3 × 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 33 3/8 inches (64.5 × 84.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Ancient Italy

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Etching and engraving, with graphite, white chalk, scraping out, and chine collé; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Walenstadt, from Weesen, Switzerland

Creator:: William Callow, 1812–1908
Date:: 1842
Materials & Techniques:: Watercolor with pen in brown ink, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 9/16 x 25 7/16 inches (44.6 x 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Mr. Thompson's Wire Mill, Tintern

Creator:: James Ward, 1769–1859
Date:: 1807
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 25 1/2 inches (40.6 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Sheerness Dockyard

Creator:: William Watts, 1752–1851
Date:: 1803
Materials & Techniques:: Engraving on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 15/16 × 26 13/16 inches (50.6 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Departure from Brighton

Creator:: John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 1/8 × 30 9/16 inches (61.3 × 77.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Encampment at Brighton

Creator:: John Murphy, ca. 1748–1820
Date:: 1797
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 7/8 × 31 1/2 inches (60.6 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)

Creator:: James Ward, 1769–1859
Date:: 1820
Materials & Techniques:: Graphite and black and white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 22 3/4 inches (34.6 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A North East View of the Tuesday Market Place of Lynn Regis

Creator:: Robert Pollard, 1755–1838
Date:: 1797
Materials & Techniques:: Colored aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/16 × 26 9/16 inches (43.3 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Bijaigarh (Bidze Gur)

Creator:: Thomas Daniell, 1749–1840
Date:: 1788
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 11 3/8 × 25 7/16 inches (28.9 × 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

20. A General View of Paris taken from Chaillot

Creator:: etching by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: 1850
Materials & Techniques:: Black ink, graphite and watercolor on thin, smooth, beige wove paper
Dimensions:: Sheet: 17 5/8 × 25 3/4 inches (44.8 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. View of the Forum in Rome

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: 1828
Materials & Techniques:: Watercolor over graphite with stopping-out, scraping out and gum on medium, smooth, white wove paper
Dimensions:: Sheet: 15 7/8 x 25 1/2 inches (40.3 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. Rendezvous Island, Solomon Islands

Creator:: Lt. James George, ca. 1755–1795
Date:: ca. 1812
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 25 5/8 inches (47 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Milton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 32 3/4 × 25 3/4 inches (83.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Loch Coruisk, Isle of Skye, Dawn

Creator:: George Fennell Robson, 1788–1833
Date:: between 1826 and 1832
Materials & Techniques:: Watercolor, gouache, scraping out and gum on thick, moderately textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 3/4 x 25 3/4 inches (45.1 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A View of Oxford from the Abingdon Road

Creator:: Print made by John Pye, 1782–1874
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. High Street, Oxford

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1812
Materials & Techniques:: Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, mounted to thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 24 5/8 inches (49.2 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Deepdene, South West Front and North West Front Elevations

Creator:: unknown artist
Date:: 1841
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, medium, cream wove paper
Dimensions:: Image: 12 1/4 × 17 3/16 inches (31.1 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on smooth, thick, cream wove paper
Dimensions:: Sheet: 19 × 25 3/8 inches (48.3 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 25 1/2 inches (47.6 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. The Last Effort and Fall of Tippoo Sultaun

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1802
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Trees in a Landscape

Creator:: Charles Reginald Aston, 1832–1908
Date:: ca. 1842 - 1980
Materials & Techniques:: Watercolor with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Frame: 18 1/2 × 25 1/2 × 1 inches (47 × 64.8 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

38. Mont Saint-Michel

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Frame: 16 × 25 3/4 × 1 1/4 inches (40.6 × 65.4 × 3.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

39. The Surrender of the Sons of Tippoo Sultaun

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1802
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. The Assault and Taking of Seringapatam

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1801
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

Creator:: Print made by Daniel Orme, 1766–1837
Date:: 1793
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 25 3/8 inches (51.4 x 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Ulysses Deriding Polyphemus

Creator:: Print made by Henry Robert Robertson, 1839–1921
Date:: ca. 1887
Materials & Techniques:: Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/8 × 29 inches (56.2 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968

44. Freetown, Sierra Leone

Creator:: Auguste François Laby, 1784–1860
Date:: ca. 1850
Materials & Techniques:: Colored lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 29 3/4 inches (33.3 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Departure Of The Sons Of Tippoo From The Zenana

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 25 1/2 inches (52.1 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Amateurs at Tye Wig Music

Creator:: Edward Francis Burney, 1760–1848
Date:: Undated
Materials & Techniques:: Pen and black ink over red graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/4 x 25 5/8 inches (43.8 x 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Louis W. Hill, Jr., transfer from the Beinecke Rare Book and Manuscript Library

47. View of London Bridge and St. Paul's Cathedral

Creator:: William Daniell, 1769–1837
Date:: ca. 1804
Materials & Techniques:: Watercolor and graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/8 x 25 3/8 inches (38.4 x 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A Sailing Dinghy with Three Men Leaving a Rocky Inlet

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 1/8 × 25 3/8 inches (48.6 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper, laid down on thick, slightly textured, beige wove paper with drawn border
Dimensions:: Sheet: 16 1/4 × 25 1/8 inches (41.3 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1829
Materials & Techniques:: Pen and red and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 7/8 × 25 5/8 inches (47.9 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1829
Materials & Techniques:: Pen and brown ink, red ink, and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/16 × 25 1/2 inches (48.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Cottage Door

Creator:: Attributed to Thomas Barker, 1769–1847
Date:: undated
Materials & Techniques:: Brown wash, gray wash, black chalk, brown chalk, and graphite on medium, slightly textured, cream wove paper, mounted on card
Dimensions:: Mount: 25 1/4 × 30 inches (64.1 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, with graphite and white chalk; touched engraver's proof (b) on medium, slightly textured, cream wove paper, mounted on cream card
Dimensions:: Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching printed in brown ink; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 28 1/4 inches (58.7 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Kilchurn Castle, Loch Awe

Creator:: Print made by William Miller, 1796–1882
Date:: 1847
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/4 × 36 5/8 inches (66.7 × 93 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 24 1/2 × 25 1/2 inches (62.2 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls..

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite on Slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 5/8 × 25 5/8 inches (47.3 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 21 1/8 × 25 5/8 inches (53.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 25 3/4 inches (47.6 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 13/16 × 25 5/8 inches (47.8 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Rue Pigale, Quai D'Orsay - Elevation sur la Cour

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and brown ink, watercolor on slightly textured, thin, cream wove paper on smooth, thick, cream laid paper
Dimensions:: Sheet: 15 9/16 × 20 7/16 inches (39.5 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Clerical Alphabet

Creator:: Print made by Richard Newton, 1777–1798
Date:: 1795
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 25 3/4 inches (45.7 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of William S. Konecky

65. The Body of Tippoo Sultan Recognised by his Family

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1801
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 33 1/4 × 25 1/2 inches (84.5 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques wove paper

Width [cm] 65

Image Use Free to Use

Search Results

1. Lincoln Cathedral

2. The Promenade in St. Jame's Park

3. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

4. The Centurion Cornelius

5. The Encampment at Brighton

6. Death of Captain Alexander Hood

7. Sierra Leone

8. The Grand Canal, Venice

9. St. Mark's Place, Venice - Juliet and her Nurse

10. St. Mark's Place, Venice - Juliet and her Nurse

11. Ancient Italy

12. Walenstadt, from Weesen, Switzerland

13. Mr. Thompson's Wire Mill, Tintern

14. Sheerness Dockyard

15. The Departure from Brighton

16. The Encampment at Brighton

17. The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)

18. A North East View of the Tuesday Market Place of Lynn Regis

19. Bijaigarh (Bidze Gur)

20. A General View of Paris taken from Chaillot

21. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

22. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

23. A View of Pont Neuf, the Mint, &c.

24. A View of Pont Neuf, the Mint, &c.

25. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

26. View of the Forum in Rome

27. Rendezvous Island, Solomon Islands

28. Milton

29. Loch Coruisk, Isle of Skye, Dawn

30. A View of Oxford from the Abingdon Road

31. High Street, Oxford

32. Deepdene, South West Front and North West Front Elevations

33. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

34. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

35. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

36. The Last Effort and Fall of Tippoo Sultaun

37. Trees in a Landscape

38. Mont Saint-Michel

39. The Surrender of the Sons of Tippoo Sultaun

40. The Assault and Taking of Seringapatam

41. The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

42. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

43. Ulysses Deriding Polyphemus

44. Freetown, Sierra Leone

45. The Departure Of The Sons Of Tippoo From The Zenana

46. Amateurs at Tye Wig Music

47. View of London Bridge and St. Paul's Cathedral

48. A Sailing Dinghy with Three Men Leaving a Rocky Inlet

49. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

50. Design for Grosvenor House, London: Plan

51. Design for Grosvenor House, London: Plan

52. The Cottage Door

53. Fishing Boats off Calais (The Pas de Calais)

54. The Mausoleum at Brocklesby

55. Kilchurn Castle, Loch Awe

56. Hastings

57. Hastings

58. Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay

59. Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls..

60. Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations

61. Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan

62. Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations

63. Rue Pigale, Quai D'Orsay - Elevation sur la Cour

64. A Clerical Alphabet

65. The Body of Tippoo Sultan Recognised by his Family

66. Design for Grosvenor House, London: Plan