III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
4
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
5
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
6
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
7
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
8
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
9
Print made by William Blake, 1757–1827
Europe a Prophecy; Title Page (Plate 2)
1794
10
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
11
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
12
Edward Lear, 1812–1888
Sorrento, 2 August 1838
1838
13
Edward Lear, 1812–1888
Bassenthwaite
1836
14
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
15
Edward Lear, 1812–1888
Reggio
1847
16
Edward Lear, 1812–1888
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
17
Print made by Richard Parkes Bonington, 1802–1828
Le Repos
1826
18
Print made by Richard Parkes Bonington, 1802–1828
Lillebonne - Château d'Harcourt
1824
19
Anna Mills, active 1819
The Entrance to Hengrave Hall, 1819
1819
20
John Henry Mole, 1814–1886
Study of a Cottage Interior
undated
21
Edward W. Fitch, active 1839–1867
Back Water of the Bratford
1864
22
Print made by Richard Parkes Bonington, 1802–1828
Brackline
1826
23
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
24
Print made by Richard Parkes Bonington, 1802–1828
Edinbourgh vu de la Chapelle S. Antoine
ca. 1826
25
Print made by Richard Parkes Bonington, 1802–1828
Lac de Killin
1826
26
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
27
Print made by Richard Parkes Bonington, 1802–1828
Pierre de Vaivre
1827
28
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
29
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
30
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
31
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
32
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
33
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
34
Paul Jacob Naftel, 1817–1891
Head of Loch Lomond, with Ben Lomond in the Distance
1859
35
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
36
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
37
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
38
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
39
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
40
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
41
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
42
Christian Friedrich Duttenhoffer, 1778–1846
Solitude
1802
43
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
44
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
45
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
46
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
47
Henry Thomas Alken, 1785–1851
Pheasant Shooting
undated
48
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
49
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
50
Sir Francis Seymour Haden, 1818–1910
The Three Sisters
after 1867
51
Sir Francis Seymour Haden, 1818–1910
A Salmon River, no. 2
1884
52
Thomas Daniell, 1749–1840
Sketches
undated
53
Print made by Thomas Bewick, 1753–1828
Fisherman
undated
54
attributed to Peter DeWint, 1784–1849
Study of Burdocks
undated
55
Thomas Hearne, 1744–1817
Cottage
undated
56
Henry Monro, 1791–1814
A Wooded Track
1813
57
James Ward, 1769–1859
Studies of Plants, August 2, 1815
1815
58
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
59
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
60
Thomas Rowlandson, 1756–1827
The Flower Seller
undated
61
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
62
Edward Burne-Jones, 1833–1898
Sketches of Myrtle and a Head Crowned with Myrtle
undated
63
William Cruickshank, 1836–1917
Plums and Apple
1864
64
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
65
Print made by Gabriel Charton, active 1810
Paysanne d'Ukraine; Juive
ca. 1810
66
Print made by Gabriel Charton, active 1810
Juif; Paysan d'Ukraine
ca. 1810
67
Print made by Alfred Henry Forrester, 1804–1872
Wrapper for six prints from Alfred Crowquill's Christmas Pieces
undated
68
John Ruskin, 1819–1900
Four Species of Grasses
undated
69
Print made by Sir Charles D'Oyly, 1781–1845
Brahmins at a Toolsee Altar
ca. 1830
70
John Buckler FSA, 1770–1851
The Court at Blithfield
1823
71
Thomas Rowlandson, 1756–1827
Dr. Syntax Soliloquising
between 1812 and 1820
72
Thomas Rowlandson, 1756–1827
The Vinery
undated
73
Alfred Diston, active 1818–1829
Woman of El Miradero, Tenerife
1828
74
Print made by Thomas Bewick, 1753–1828
The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland