etching begun before 1861; impression printed in 1926
11
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
12
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
1874
13
Joseph Mallord William Turner, 1775–1851
On the Washburn
ca. 1815
14
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
15
Edward Lear, 1812–1888
Opposite Abu Girgeh
1867
16
Edward Lear, 1812–1888
El Ousta
1854
17
Edward Lear, 1812–1888
Negadeh, 1:45 pm, 17 January 1867 (190)
1867
18
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
19
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
20
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
21
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
22
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
23
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
24
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
25
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
26
Print made by William Blake, 1757–1827
Jerusalem, Plate 48, "These were his last words...."
1804 to 1820
27
Print made by William Blake, 1757–1827
Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
1804 to 1820
28
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
29
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
30
Print made by William Blake, 1757–1827
Jerusalem, Plate 54, "In Great Eternity...."
1804 to 1820
31
Print made by William Blake, 1757–1827
Jerusalem, Plate 67, "By those who drink their blood...."
1804 to 1820
32
Print made by William Blake, 1757–1827
Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
1804 to 1820
33
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
34
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
35
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
36
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
37
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
38
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
1794
39
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
40
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
41
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
42
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
43
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
44
Print made by William Blake, 1757–1827
Jerusalem, Plate 98, "Then each an Arrow flaming...."
1804 to 1820
45
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
46
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
47
Print made by Louis Francais, 1814–1897
Bords de la Seine
between 1849 and 1862
48
Print made by James Clark, 19th century
Cowdray Ruins
1824
49
Paul Sandby, 1731–1809
Bothwell Castle, from the South
ca. 1777
50
Samuel Jackson, 1794–1869
The Avon near Bristol
undated
51
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
52
William Simpson, 1823–1899
The Ganges
1863
53
Cornelius Varley, 1781–1873
Hartwell, Buckinghamshire
1833
54
Print made by Robert Sargent Austin, 1895–1973
Church Tower at Stretton, Leicestershire
1915
55
Print made by Robert Sargent Austin, 1895–1973
Romance
1922
56
Sir David Young Cameron, 1865–1945
A Venetian Fountain [North Italian Set: No. 7]
1894
57
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
58
Print made by Robert Sargent Austin, 1895–1973
Early Spring, Gloucestershire
1922
59
John Frederick Lewis, 1804–1876
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
1856
60
unknown artist
View of the Bridge over Uduanulla, near Rahamahal, Bihar
undated
61
Thomas Hearne, 1744–1817
The Back of a Farm House
undated
62
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
63
Thomas Shotter Boys, 1803–1874
A Storm on the Coast
between 1840 and 1850
64
William Turner of Oxford, 1789–1862
View from the Dean's Garden, Christ Church, Oxford
undated
65
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
66
Cornelius Varley, 1781–1873
Farm Buildings with Stack Makers
ca. 1810
67
James de Carle Sowerby, 1787–1871
Three Toucans
undated
68
James Sowerby, 1756–1822
European Green Woodpecker
undated
69
unknown artist
Five Birds
undated
70
unknown artist
Two Small Birds
undated
71
James Sowerby, 1756–1822
Two Tree Creepers
undated
72
James Sowerby, 1756–1822
Two Birds on a Branch
undated
73
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
74
George Sidney Shepherd, 1784–1862
The Times and Evening Mail Office
1811
75
unknown artist
Distant View of Whitbarrow Scar, Westmoreland
after 1814
76
unknown artist
Loch-na-Gael, near Knock on Mull
after 1814
77
unknown artist
Lighthouse on Flambro' head, Yorkshire
after 1814
78
unknown artist
Dungeness Light-House
after 1814
79
Print made by John Doyle ('H.B.'), 1797–1868
The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
1847
80
Thomas Shotter Boys, 1803–1874
The Pont Neuf
undated
81
unknown artist
Cottage at Sutton Coldfield
undated
82
James Pattison Cockburn, 1779–1847
Cavalry Exercising
undated
83
Unknown artist (Company style)
Khansamah
undated
84
Augustus Edwin John, 1878–1961
Sketch of the Deposition
undated
85
Thomas Gainsborough, 1727–1788
Travellers on Horseback Approaching a Village with a Spire
between 1765 and 1770
86
imitator of Thomas Gainsborough, 1727–1788
Landscape with Cows
undated
87
Peter DeWint, 1784–1849
On the Thames
undated
88
François Louis Thomas Francia, 1772–1839
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
1823
89
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
90
James Pollard, 1792–1867
Snipe Shooting
undated
91
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
92
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
93
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
94
Print made by Alfred Henry Forrester, 1804–1872
Why... Because..
undated
95
Print made by David Allan, 1744–1796
Glaud and Peggy
1808
96
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Next a Little Low Church"
undated
97
Henry Thomas Alken, 1785–1851
Foxhunting: The Toast
undated
98
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain," 1821: Owling
1821
99
Samuel Alken, 1756–1815
Stag Hunting - The Meet: a Hind Released From a Van.