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Robert Polhill Bevan Over the Bank, Exmoor

Robert Polhill Bevan, 1865–1925

Over the Bank, Exmoor

ca. 1895

Robert Polhill Bevan Who-o-p!

Print made by Robert Polhill Bevan, 1865–1925

Who-o-p!

1898-1899

Robert Polhill Bevan The Meet

Print made by Robert Polhill Bevan, 1865–1925

The Meet

1898-1899

Robert Polhill Bevan Found!

Print made by Robert Polhill Bevan, 1865–1925

Found!

1898-1899

Robert Polhill Bevan The Flying Pack

Print made by Robert Polhill Bevan, 1865–1925

The Flying Pack

1898-1899

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake The Tyger (Plate 42)

Print made by William Blake, 1757–1827

The Tyger (Plate 42)

1794

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake Spring (Plate 12)

Print made by William Blake, 1757–1827

Spring (Plate 12)

1789

William Blake The Lamb (Plate 18)

Print made by William Blake, 1757–1827

The Lamb (Plate 18)

1789

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake Spring (Plate 26)

Print made by William Blake, 1757–1827

Spring (Plate 26)

1789

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

William Blake, 1757–1827

"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

between 1797 and 1798

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake A Shepherd Reading the Epitaph (Design 115)

William Blake, 1757–1827

A Shepherd Reading the Epitaph (Design 115)

between 1797 and 1798

William Blake Ode on the Spring; Title Page

William Blake, 1757–1827

Ode on the Spring; Title Page

between 1797 and 1798

William Blake The Progress of Poesy, A Pindaric Ode; Title Page

William Blake, 1757–1827

The Progress of Poesy, A Pindaric Ode; Title Page

between 1797 and 1798

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Edward Lear Harb. Gozo

Edward Lear, 1812–1888

Harb. Gozo

1866

Edward Lear Mqabba, Qrendi

Edward Lear, 1812–1888

Mqabba, Qrendi

1866

Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Edward Lear, 1812–1888

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

Edward Lear La Cava, 20 July 1838

Edward Lear, 1812–1888

La Cava, 20 July 1838

1838

Edward Lear Corpo di Cava, 28 June 1838

Edward Lear, 1812–1888

Corpo di Cava, 28 June 1838

1838

Edward Lear On the Road, Two Hours from Tepelene, 19 April 1857

Edward Lear, 1812–1888

On the Road, Two Hours from Tepelene, 19 April 1857

1857

Edward Lear Burpham Oct.4.1834

Edward Lear, 1812–1888

Burpham Oct.4.1834

1834

Edward Lear North Stoke. Oct. 21.1834.

Edward Lear, 1812–1888

North Stoke. Oct. 21.1834

1834

Edward Lear Bassenthwaite

Edward Lear, 1812–1888

Bassenthwaite

1836

Edward Lear Ullswater

Edward Lear, 1812–1888

Ullswater

1836

Edward Lear Calder Bridge

Edward Lear, 1812–1888

Calder Bridge

1836

Edward Lear A Ruined Tower House

Edward Lear, 1812–1888

A Ruined Tower House

1836

Edward Lear Furness Abbey East, 29 August 1836

Edward Lear, 1812–1888

Furness Abbey East, 29 August 1836

1836

Edward Lear Calder Abbey, September 12. 1836

Edward Lear, 1812–1888

Calder Abbey, September 12. 1836

1836

Edward Lear Derwentwater, September 1836

Edward Lear, 1812–1888

Derwentwater, September 1836

1836

Edward Lear Brothers Water from Patterdale

Edward Lear, 1812–1888

Brothers Water from Patterdale

1836

Edward Lear Albania

Edward Lear, 1812–1888

Albania

between 1848 and 1849

Edward Lear Albenga

Edward Lear, 1812–1888

Albenga

1864

Edward Lear Nice from the Genoa Road

Edward Lear, 1812–1888

Nice from the Genoa Road

1865

Edward Lear A Dry Halfeh Grass

Edward Lear, 1812–1888

A Dry Halfeh Grass

1867

Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)

Edward Lear, 1812–1888

Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)

1867

Edward Lear Wady Feiran, Peninsula of Mt. Sinai

Edward Lear, 1812–1888

Wady Feiran, Peninsula of Mt. Sinai

ca. 1880

Edward Lear A View of the Pine Woods Above Cannes

Edward Lear, 1812–1888

A View of the Pine Woods Above Cannes

1869

Edward Lear Corfu

Edward Lear, 1812–1888

Corfu

ca. 1856

Edward Lear Kurayim

Edward Lear, 1812–1888

Kurayim

1867

Edward Lear Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)

Edward Lear, 1812–1888

Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)

1867

Edward Lear Pettenasco, Lago d'Orta

Edward Lear, 1812–1888

Pettenasco, Lago d'Orta

1867

unknown artist Horse

Print made by unknown artist

Horse

undated

unknown artist Pigs

Print made by unknown artist

Pigs

undated

unknown artist Bulls Fighting

Print made by unknown artist

Bulls Fighting

undated

unknown artist Wild Boars

Print made by unknown artist

Wild Boars

undated

Henry William Bunbury The Siege of Namur

Print made by Henry William Bunbury, 1750–1811

The Siege of Namur

between 1773 and 1817

John Crome Road Scene, Trowse Hall, near Norwich

Print made by John Crome, 1768–1821

Road Scene, Trowse Hall, near Norwich

1813

Richard Parkes Bonington Lillebonne - Château d'Harcourt

Print made by Richard Parkes Bonington, 1802–1828

Lillebonne - Château d'Harcourt

1824

Sir Frank Short Pan and Syrinx

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Sir Frank Short Pan and Syrinx

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

John Crome Back of the New Mills, Norwich

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

Robert Dixon The Black Tower Norwich

Robert Dixon, 1780–1815

The Black Tower Norwich

between 1810 and 1811

Robert Dixon West Tower, Wymondham Church

Robert Dixon, 1780–1815

West Tower, Wymondham Church

1810

Edward W. Fitch Back Water of the Bratford

Edward W. Fitch, active 1839–1867

Back Water of the Bratford

1864

James Sowerby A House Sparrow

James Sowerby, 1756–1822

A House Sparrow

undated

James Sowerby Elephant with Rider

James Sowerby, 1756–1822

Elephant with Rider

undated

James Sowerby Quagga Zebra

James Sowerby, 1756–1822

Quagga Zebra

ca. 1824

James Sillett The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples

James Sillett, 1764–1840

The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples

1832

Thomas Bewick The Cadger's Trot (first State)

Print made by Thomas Bewick, 1753–1828

The Cadger's Trot (first State)

1823

Richard Parkes Bonington Vue Generale des Ruines du Château d'Arlay

Print made by Richard Parkes Bonington, 1802–1828

Vue Generale des Ruines du Château d'Arlay

1827

Thomas Girtin View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

Print made by Thomas Girtin, 1775–1802

View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

1802

George Baxter Christ's Charge to Peter

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Bradshaw & Blacklock Returning from the Spring. Virginia.

Bradshaw & Blacklock, active ca.1850

Returning from the Spring. Virginia

after 1850

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

James Clark Cowdray Ruins

Print made by James Clark, 19th century

Cowdray Ruins

1824

Louis Haghe Thornbury Castle, Gloucestershire

Louis Haghe, 1806–1885

Thornbury Castle, Gloucestershire

between 1823 and 1835

Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Robert Dighton A Jack in Office

Robert Dighton, 1752–1814

A Jack in Office

1793

Clarkson Stanfield Isle of Wight and Kent Sketchbook

Clarkson Stanfield, 1793–1867

Isle of Wight and Kent Sketchbook

1863

George Baxter The Belle of the Village

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Bradshaw & Blacklock Eight Rural Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Haddon Hall

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Balmoral Castle

Print made by Bradshaw & Blacklock, active ca.1850

Balmoral Castle

after 1850

Bradshaw & Blacklock Newstead Abbey

Print made by Bradshaw & Blacklock, active ca.1850

Newstead Abbey

after 1850