<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques wove paper

Remove constraint Materials & Techniques: wove paper

Subject Terms hat

Remove constraint Subject Terms: hat

Search Results

Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer Ivy Cottage, Shoreham
Samuel Palmer, 1805–1881
Ivy Cottage, Shoreham
undated
Samuel Palmer Study for "The Shearers"
Samuel Palmer, 1805–1881
Study for "The Shearers"
between 1833 and 1834
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
1874
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake The Traveller Hasteth in the Evening (Plate 16)
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "The Traveller hasteth in the Evening" (Plate 16)
Print made by William Blake, 1757–1827
"The Traveller hasteth in the Evening" (Plate 16)
1826
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake "Fear to stop, and shame to fly..." (Design 91)
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
Edward Lear Greek Woodcutter, June 13 /56
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
William Nutter Sunday Morning, A Cottage Family Going to Church
William Nutter, 1754–1802
Sunday Morning, A Cottage Family Going to Church
1795
Henry William Bunbury The Damnation of Obadiah
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
John Crome Landscape with Oak Trees
Print made by John Crome, 1768–1821
Landscape with Oak Trees
ca. 1812
Samuel Cousins Julia, Lady Peel
Print made by Samuel Cousins, 1801–1887
Julia, Lady Peel
1832
Thomas Rowlandson The Undergraduate's Room
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
Richard Dadd A Seated Figure on Horseback
attributed to Richard Dadd, 1817–1886
A Seated Figure on Horseback
undated
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
Richard Parkes Bonington Les Plaisirs Paternels
Print made by Richard Parkes Bonington, 1802–1828
Les Plaisirs Paternels
1826
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Ford in a Rage After Seeing Falstaff
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
E. J. Dumée The Discovery
Print made by E. J. Dumée, active 1790
The Discovery
1788
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
R. Clamp William Sommers, King Henry VIII's Jester
Print made by R. Clamp, fl.1789–1798
William Sommers, King Henry VIII's Jester
undated
James Faed Sr. Shakespeare in His Study
James Faed Sr., 1821–1911
Shakespeare in His Study
1859
unknown artist Cloaked Man holding Hat
unknown artist
Cloaked Man holding Hat
undated
unknown artist Seated Man with Hat and Basket
unknown artist
Seated Man with Hat and Basket
undated
unknown artist Portuguese Boy (Madeira) January 25, 1868
unknown artist
Portuguese Boy (Madeira) January 25, 1868
1868
Spencer Frederick Gore Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
Robert Dighton A Jack in Office
Robert Dighton, 1752–1814
A Jack in Office
1793
Henry Morton Bodiam Castle
Henry Morton, ca. 1807–1825
Bodiam Castle
undated
unknown artist Portrait Study
unknown artist
Portrait Study
undated
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Austin, Robert, 1895-1973 Romance
Print made by Austin, Robert, 1895-1973, 1895–1973
Romance
1922
Gwen John Mlle. Pouvereau
Gwen John, 1876–1939
Mlle. Pouvereau
between 1910 and 1919
Sir David Young Cameron The Leaf Cart
Print made by Sir David Young Cameron, 1865–1945
The Leaf Cart
1894
Sir David Young Cameron Roslyn
Print made by Sir David Young Cameron, 1865–1945
Roslyn
1899
Richard Houston Mrs. Wodhull
Richard Houston, ca. 1721–1775
Mrs. Wodhull
1772
Johann Jacobus Haid Man Wearing a Hat
Print made by Johann Jacobus Haid, 1704–1767
Man Wearing a Hat
undated
Robert Laurie Mrs. Baddely
Print made by Robert Laurie, 1755?–1836
Mrs. Baddely
1772
George Townly Stubbs Warren Hastings on his Arabian Horse
George Townly Stubbs, 1748–1815
Warren Hastings on his Arabian Horse
ca. 1796
William Dickinson Lady Charles Spencer
Print made by William Dickinson, 1746–1823
Lady Charles Spencer
1776
Samuel Cousins Mrs. Lister
Print made by Samuel Cousins, 1801–1887
Mrs. Lister
1834
unknown artist Man Standing (Madeira Jan 15/68)
unknown artist
Man Standing (Madeira Jan 15/68)
1868
unknown artist Horse, Man and Pig
unknown artist
Horse, Man and Pig
undated
Paul Sandby London Cries: A Milkmaid
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
Louis Philippe Boitard A Fisherwoman, Hands under Apron
Louis Philippe Boitard, active 1734–1760
A Fisherwoman, Hands under Apron
undated
Thomas Stothard Chinese Flower Seller
Thomas Stothard, 1755–1834
Chinese Flower Seller
undated
Augustus Edwin John Seated Girl in Shawl
Augustus Edwin John, 1878–1961
Seated Girl in Shawl
ca. 1906
Joseph Crawhall Study of a Woman with Wide Hat
Joseph Crawhall, 1861–1913
Study of a Woman with Wide Hat
undated
Augustus Edwin John Self-Portrait Holding a Copper Plate
Augustus Edwin John, 1878–1961
Self-Portrait Holding a Copper Plate
undated
unknown artist Man with a Stick, Seen From Behind
unknown artist
Man with a Stick, Seen From Behind
1755
Henry Thomas Alken Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing the Down Leap
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Fall
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting into a Bog
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
James Ward Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
James Ward, 1769–1859
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
undated
Sir Alfred J. Munnings The Artist at his Easel
Sir Alfred J. Munnings, 1878–1959
The Artist at his Easel
undated
Henry Thomas Alken A Whipper-In and a Couple of Hounds Running Hard in Open Country
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
James McNeill Whistler Gants de Suède
James McNeill Whistler, 1834–1903
Gants de Suède
1890
Alexander George Fraser A Seated Man Drinking
Print made by Alexander George Fraser, 1786–1865
A Seated Man Drinking
undated
James Gillray The Valley of the Shadow of Death
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808