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Materials & Techniques wove paper

Subject Terms laurel crown

1. The Sacrifice at Lystra

The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:: Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Drawing for a Frontispiece: "The Toast"

Drawing for a Frontispiece: "The Toast"

Creator:: Hubert-François Gravelot, 1699–1773
Date:: 1735
Materials & Techniques:: Pen and black ink, pen and brown ink, and gray wash on medium, moderately textured, beige laid paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 5 5/8 inches (21.3 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Nicholas Stone Sr. and Nicholas Stone Jr.

Nicholas Stone Sr. and Nicholas Stone Jr.

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Plate: 11 9/16 x 8 11/16 inches (29.4 x 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. David Hume

Creator:: Print made by Joseph Collyer, 1748–1827
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:: Sheet: 7 1/16 × 4 1/2 inches (17.9 × 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

5. And This Was Caesar

And This Was Caesar

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 6 5/16 x 8 1/16 inches (16 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund