The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
10
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
11
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
12
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
13
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
14
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
16
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
17
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
18
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
19
Henry Monro, 1791–1814
A Wooded Track
1813
20
Paul Jacob Naftel, 1817–1891
Head of Loch Lomond, with Ben Lomond in the Distance
1859
21
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
22
Print made by Robert Sargent Austin, 1895–1973
Early Spring, Gloucestershire
1922
23
Thomas Hearne, 1744–1817
Cottage
undated
24
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
25
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
26
John Ruskin, 1819–1900
Four Species of Grasses
undated
27
Print made by Sir Charles D'Oyly, 1781–1845
Brahmins at a Toolsee Altar
ca. 1830
28
Thales Fielding, 1793–1837
Hop Picking
1832
29
Print made by Thomas Bewick, 1753–1828
The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland
1789
30
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
31
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
32
Thomas Daniell, 1749–1840
Sketches
undated
33
Print made by Alfred Henry Forrester, 1804–1872
Wrapper for six prints from Alfred Crowquill's Christmas Pieces
undated
34
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
35
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
36
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
37
Henry Thomas Alken, 1785–1851
Pheasant Shooting
undated
38
John Buckler FSA, 1770–1851
The Court at Blithfield
1823
39
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
40
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
41
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
42
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
43
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
44
Constance Pierce, born 1946
Sketchbook
1998
45
Alfred Diston, active 1818–1829
Woman of El Miradero, Tenerife
1828
46
unknown artist
Trerice Manor, Cornwall: View of the Front
undated
47
Joshua Cristall, 1768–1847
Young Woodcutter
1818
48
Edwin Alexander, 1870–1926
Woody Nightshade
1904
49
Edward Burne-Jones, 1833–1898
Sketches of Myrtle and a Head Crowned with Myrtle
undated
50
William Cruickshank, 1836–1917
Plums and Apple
1864
51
Thomas Rowlandson, 1756–1827
The Flower Seller
undated
52
Thomas Rowlandson, 1756–1827
The Vinery
undated
53
Thomas Rowlandson, 1756–1827
Dr. Syntax Soliloquising
between 1812 and 1820
54
Sir Francis Seymour Haden, 1818–1910
The Three Sisters
after 1867
55
Sir Francis Seymour Haden, 1818–1910
A Salmon River, no. 2
1884
56
Print made by Thomas Bewick, 1753–1828
Fisherman
undated
57
James Ward, 1769–1859
Studies of Plants, August 2, 1815
1815
58
Anna Mills, active 1819
The Entrance to Hengrave Hall, 1819
1819
59
John Henry Mole, 1814–1886
Study of a Cottage Interior
undated
60
attributed to Peter DeWint, 1784–1849
Study of Burdocks
undated
61
John Henry Dearle, 1860–1932
Design for a tapestry hanging
undated
62
Print made by Richard Parkes Bonington, 1802–1828
Lillebonne - Château d'Harcourt
1824
63
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
64
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
65
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
66
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
67
Wyndham Lewis, 1882–1957
Illustration to "Beyond This Limit"
undated
68
Print made by Gabriel Charton, active 1810
Juif; Paysan d'Ukraine
ca. 1810
69
Print made by Gabriel Charton, active 1810
Paysanne d'Ukraine; Juive
ca. 1810
70
Print made by Richard Parkes Bonington, 1802–1828
Brackline
1826
71
Print made by Richard Parkes Bonington, 1802–1828
Edinbourgh vu de la Chapelle S. Antoine
ca. 1826
72
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
73
Print made by Richard Parkes Bonington, 1802–1828
Lac de Killin
1826
74
John Minton, 1917–1957
Landscape, Corsica
1947
75
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
76
Print made by Richard Parkes Bonington, 1802–1828
Le Repos
1826
77
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
78
Print made by Richard Parkes Bonington, 1802–1828
Pierre de Vaivre
1827
79
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
80
Christian Friedrich Duttenhoffer, 1778–1846
Solitude
1802
81
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
82
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
83
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
84
James Bruce, 1730–1794
Untitled
undated
85
Eliot Hodgkin, 1905–1987
Design for a Blind for Thomas Upcher, Sheringham Hall
ca. 1936
86
William John Chamberlayne, 1821–1910
Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain