Materials & Techniques: wove paper / Subject Terms: stones - YCBA Collections Search Search Results

1. Ingleborough from Chapel-Le-Dale

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1810 and 1815
Materials & Techniques:: Watercolor, graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Saint Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Leeds

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Fisherman's Cottage, Dover

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1790s
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 7/8 inches (13.3 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Poems of Thomas Gray, Design 37, "Ode to Adversity."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Poems of Thomas Gray, Design 61, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. America. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. America. A Prophecy, Plate 14, "So Cried He...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 78, "The Spectres of..."

Creator:: William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 8 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. My Son! My Son!; Plate 10

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. America. A Prophecy, Plate 6, "Appear to the Americans...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Europe. A Prophecy, Plate 13 (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The First Book of Urizen, Plate 23 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Pont Mallwyd

Creator:: Samuel Henry Baker, 1824–1909
Date:: 1863
Materials & Techniques:: Graphite on moderately thick, moderately textured, wove paper
Dimensions:: Sheet: 8 15/16 × 13 11/16 inches (22.7 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Stephen Wildman

22. The Edge of a Pool with Waterlilies

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 × 11 1/4 inches (22.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Gundulf's Tower, Rochester Cathedral, Kent

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 7 1/4 inches (25.4 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Temple of Edfou, Upper Egypt

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/8 x 19 7/8 inches (32.7 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Landscape with Rainbow, View near Chesterfield

Creator:: Joseph Wright of Derby, 1734–1797
Date:: undated
Materials & Techniques:: Watercolor, gum and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/4 x 16 1/8 inches (31.1 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Study for 'Finding of the Body of Bassanio'

Creator:: Henry Fuseli, 1741–1825
Date:: 1804
Materials & Techniques:: Pen and brown ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 8 inches (30.8 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. A Romantic Landscape

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor, brown wash and graphite; verso: watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 10 1/4 inches (16.8 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Landscape at Beddgelert, North Wales

Creator:: Paul Sandby Munn, 1773–1845
Date:: 1832
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/8 × 9 1/2 inches (12.4 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Woodland Scene with a Path Across a Stream

Creator:: attributed to John Middleton, 1826–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 13 15/16in. (25.2 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Hero's Widow

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1932
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 13/16 inches (37.5 x 27.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

31. Early Spring, Gloucestershire

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 x 10 1/16 inches (22.9 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

32. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A Village Street

Creator:: pupil of John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 10 3/8 x 13 7/8 inches (26.4 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Bend in the Dargle

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 3/8 × 11 3/8 inches (23.8 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

35. Study of Foreground near Betws-y-Coed

Creator:: Henry White, 1819–1903
Date:: ca. 1858
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/4 inches (17.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

36. The Black Bridge

Creator:: James Valentine, 1815–1879
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

37. Study after the Story of Apollo and Daphne

Creator:: Attributed to John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 22 1/4 inches (40 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Elliot Sussman, MD, MBA, Yale BA 1973

38. Glaud and Symon

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

39. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 9/16 inches (30.6 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Brahmins at a Toolsee Altar

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 5/8 x 6 5/16 inches (24.5 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Stepping Stones on the River Duddon, Lake District

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Carnarvon Castle

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. An Arch at Holy Island, Northumberland

Creator:: John Varley, 1778–1842
Date:: 1809
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 9 1/2 inches (29.2 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Valley of Stones, Lynton, Devon

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and red and gray-brown ink; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 8 3/8 x 12 3/16 inches (21.3 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Mussel Gatherer

Creator:: Frederick Walker, 1840–1875
Date:: 1861
Materials & Techniques:: Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 4 3/4 inches (17.8 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

47. The Druids' Circle, Castlerigg, Keswick

Creator:: unknown artist
Date:: ca. 1880
Materials & Techniques:: Albumen print from glass negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 × 8 5/8 inches (15.2 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

48. The Demolition of Old London Bridge

Creator:: George Arnald, 1763–1841
Date:: 1832
Materials & Techniques:: Watercolor, white gouache, and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 9 1/2 x 13 3/4 inches (24.1 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Somerset House, the Strand Vestibule

Creator:: Jean Louis Desprez, 1743–1804
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and black ink, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 31 inches (47.9 x 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Peasant Seated by a Doorway

Creator:: George Chinnery, 1774–1852
Date:: 1842
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 9 1/2 x 8 3/4 inches (24.1 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper, laid down on thick, slightly textured, beige wove paper with drawn border
Dimensions:: Sheet: 16 1/4 × 25 1/8 inches (41.3 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Commemorative Stones of the Hindus

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Wood-engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

53. Thatched Houses

Creator:: Robert L. Banks, born 1911
Date:: 1958
Materials & Techniques:: Pen and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

54. Pentre Ddu Bridge, North Wales

Creator:: Thomas Collier, 1840–1891
Date:: 1863
Materials & Techniques:: Graphite and watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 9 5/8 x 13 7/8 inches (24.4 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. Hilltop Rest

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1936
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 1/8 inches (27 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

56. L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

57. The Bridge

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 x 14 7/8 inches (43.2 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Lillebonne - Château d'Harcourt

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/2 x 9 11/16 inches (31.8 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. The City of the Pestilence

Creator:: Print made by John Bell, 1811–1895
Date:: between 1826 and 1852
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 3/8 x 15 inches (29 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. The Assault

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 6 5/16 x 8 1/8 inches (16 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. Boy Tying a Girl's Shoe

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 8 3/4 x 7 7/8 inches (22.2 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Two Girls, One Crying

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 15/16 x 5 1/4 inches (20.2 x 13.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Ancienne Tour Près de Lanark

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 x 13 7/8 inches (26.7 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Landscape, Corsica

Creator:: John Minton, 1917–1957
Date:: 1947
Materials & Techniques:: Watercolor, pen and black ink and pen and gray-blue ink with wash, white wax crayon and pastel on medium, moderately textured, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 19 1/2 inches (38.1 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Worth Matravers, Dorset

Creator:: Paul Nash, 1889–1946
Date:: 1936
Materials & Techniques:: Watercolor, graphite, black chalk and blue chalk on thick, moderately textured, white wove paper
Dimensions:: Sheet: 15 1/2 x 23 inches (39.4 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Forfecle

Creator:: George Percival Gaskell, 1868–1934
Date:: 1868
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, white wove paper with cream chine collé
Dimensions:: Sheet: 15 1/16 x 21 inches (38.3 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

68. Swinbrook Bridge

Creator:: Print made by Stanley Roy Badmin, 1906–1989
Date:: 1931
Materials & Techniques:: Etching on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 5 11/16 x 8 3/4 inches (14.5 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

69. The Ten Commandments V

Creator:: Gilbert Spencer, 1892–1979
Date:: 1934
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper, mounted on cream laid paper
Dimensions:: Sheet: 15 7/8 × 10 7/8 inches (40.3 × 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

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1. Ingleborough from Chapel-Le-Dale

2. Saint Augustine's Gate, Canterbury

3. Leeds

4. Fisherman's Cottage, Dover

5. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

6. The Poems of Thomas Gray, Design 37, "Ode to Adversity."

7. The Poems of Thomas Gray, Design 61, "The Bard."

8. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

9. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

10. America. A Prophecy, Plate 1, Frontispiece

11. America. A Prophecy, Plate 14, "So Cried He...."

12. Jerusalem, Plate 78, "The Spectres of..."

13. The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

14. The First Book of Urizen, Plate 8 (Bentley 9)

15. My Son! My Son!; Plate 10

16. America. A Prophecy, Plate 6, "Appear to the Americans...."

17. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

18. Europe. A Prophecy, Plate 13 (Bentley 10)

19. The First Book of Urizen, Plate 23 (Bentley 9)

20. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

21. Pont Mallwyd

22. The Edge of a Pool with Waterlilies

23. Gundulf's Tower, Rochester Cathedral, Kent

24. Temple of Edfou, Upper Egypt

25. Landscape with Rainbow, View near Chesterfield

26. Study for 'Finding of the Body of Bassanio'

27. A Romantic Landscape

28. Landscape at Beddgelert, North Wales

29. Woodland Scene with a Path Across a Stream

30. Hero's Widow

31. Early Spring, Gloucestershire

32. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

33. A Village Street

34. Bend in the Dargle

35. Study of Foreground near Betws-y-Coed

36. The Black Bridge

37. Study after the Story of Apollo and Daphne

38. Glaud and Symon

39. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

40. Brahmins at a Toolsee Altar

41. Stepping Stones on the River Duddon, Lake District

42. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

43. Carnarvon Castle

44. An Arch at Holy Island, Northumberland

45. Valley of Stones, Lynton, Devon

46. The Mussel Gatherer

47. The Druids' Circle, Castlerigg, Keswick

48. The Demolition of Old London Bridge

49. Somerset House, the Strand Vestibule

50. Peasant Seated by a Doorway

51. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

52. Commemorative Stones of the Hindus

53. Thatched Houses

54. Pentre Ddu Bridge, North Wales

55. Hilltop Rest

56. L'Eglise de St. Gervais et St. Protais

57. The Bridge

58. Lillebonne - Château d'Harcourt

59. The City of the Pestilence

60. The Assault

61. Boy Tying a Girl's Shoe

62. Two Girls, One Crying

63. Ancienne Tour Près de Lanark

64. Landscape, Corsica

65. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

66. Worth Matravers, Dorset

67. Forfecle

68. Swinbrook Bridge

69. The Ten Commandments V