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11101. View of Montmedy

View of Montmedy
Creator:
Print made by unknown artist
Date:
1794
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11102. Dieppe

Dieppe
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11103. View of Annecy, in Savoy

View of Annecy, in Savoy
Creator:
Published by John Sewell, active 1735–1802
Date:
1796
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11104. Manchester

Manchester
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11105. Grenoble, from the Fortress

Grenoble, from the Fortress
Creator:
Print made by Samuel Bradshaw, 1830–1869
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11106. View of St. Malo in Britanny

View of St. Malo in Britanny
Creator:
Published by John Sewell, active 1735–1802
Date:
1794
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11107. Mont Ferrier, France

Mont Ferrier, France
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1837
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11108. William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North.

William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North.
Creator:
Print possibly made by George Vertue, 1684–1756
Date:
1713
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 11 1/2 × 8 5/8 inches (29.2 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11109. William Cavendish, first Duke of Newcastle-upon-Tyne

William Cavendish, first Duke of Newcastle-upon-Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11110. Cori-nan-Urischin

Cori-nan-Urischin
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11111. Loch-erin-head

Loch-erin-head
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11112. St. Malo

St. Malo
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11113. View of Newcastle, upon Tyne, in Northumberland

View of Newcastle, upon Tyne, in Northumberland
Creator:
Print made by John Peltro, 1760–1808
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11114. Yoked Horses, No. 32

Yoked Horses, No. 32
Creator:
Print made by Thomas Sidney Cooper, 1803–1902
Date:
1837
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11115. Cape of Good Hope

Cape of Good Hope
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1800
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11116. Harbour of St. Malo

Harbour of St. Malo
Creator:
Print made by W. Floyd, active 1845
Date:
1833
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11117. Credulity, Superstition & Fanaticism

Credulity, Superstition & Fanaticism
Creator:
Print made by Charles Mottram, 1807–1876
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11118. Scene from the Temptation of Christ: Devils?

Scene from the Temptation of Christ: Devils?
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 1/8 inches (14 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

11119. Approach to Royat, France

Approach to Royat, France
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1838
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11120. Château de Monas, Near Orange, France

Château de Monas, Near Orange, France
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11121. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11122. Approach to Thiers, France

Approach to Thiers, France
Creator:
Print made by John Cousen, 1804–1880
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11123. Maria Theresa Charlotte, Daughter of Louis the Sixteenth

Maria Theresa Charlotte, Daughter of Louis the Sixteenth
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1794
Materials & Techniques:
Stipple engraving, aquatint and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11124. No.3 Edmonton, Hark Away Dick

No.3 Edmonton, Hark Away Dick
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11125. No.4 The Brothers' Gibbet at Gonerly

No.4 The Brothers' Gibbet at Gonerly
Creator:
Print made by unknown framemaker
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11126. No.5 Poor Bess Revived

No.5 Poor Bess Revived
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11127. No.2 Leaping Hornsey Toll Gate

No.2 Leaping Hornsey Toll Gate
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11128. No.6 The Phantom Horseman

No.6 The Phantom Horseman
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11129. Scene at a Banking House in 1745

Scene at a Banking House in 1745
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11130. No.7 Bess Swimming the Ouse

No.7 Bess Swimming the Ouse
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11131. Mr. Winkle's Situation When the Door Blew To

Mr. Winkle's Situation When the Door Blew To
Creator:
Print made by Hablot Knight Browne, 1815–1882
Date:
1837
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11132. Count Bertram's Shipwreck

Count Bertram's Shipwreck
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1816
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11133. The Marquis de Guiscard Attempting to Assassinate Harley

The Marquis de Guiscard Attempting to Assassinate Harley
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1844
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11134. Distant View of St. Michel

Distant View of St. Michel
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11135. Chamberry from the Road to Aix

Chamberry from the Road to Aix
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11136. The King of Brobdingnag and Gulliver

The King of Brobdingnag and Gulliver
Creator:
Print made by James Gillray, 1756–1815
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11137. Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent

Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent
Creator:
Print made by William Bromley, 1769–1842
Date:
1796
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11138. Pass of Sant Alessio between Taormina and Messina, Sicily

Pass of Sant Alessio between Taormina and Messina, Sicily
Creator:
after Peter DeWint, 1784–1849
Date:
1821
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11139. Peaks Hole, Derbyshire

Peaks Hole, Derbyshire
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1805
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 18 1/2 inches (33 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11140. Pirna and the Castle of Sonnenstein

Pirna and the Castle of Sonnenstein
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1828
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11141. North Queen's Ferry

North Queen's Ferry
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11142. Mill on Wimbledon Common

Mill on Wimbledon Common
Creator:
Print made by George Cooke, 1781–1834
Date:
1828
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11143. The Virgin Mother

The Virgin Mother
Creator:
after William Dyce, 1806–1864
Date:
1854
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11144. The Battle of the Pictures

The Battle of the Pictures
Creator:
Print made by unknown artist
Date:
1870
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11145. Wolsey's Well at Esher, Surrey

Wolsey's Well at Esher, Surrey
Creator:
Print made by George Cooke, 1781–1834
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11146. The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving

The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving
Creator:
Print made by unknown artist
Date:
ca. 1860
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11147. A View of the Grand Fete on Parker's Piece, Cambridge

A View of the Grand Fete on Parker's Piece, Cambridge
Creator:
Print made by George Johann Scharf, 1788–1860
Date:
1838
Materials & Techniques:
Lithography on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11148. Sèvres

Sèvres
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1820
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11149. The Imposture of the Holy Maid of Kent

The Imposture of the Holy Maid of Kent
Creator:
Print made by Isaac Taylor, 1759–1829
Date:
1796
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11150. Solway Firth from Allonby, Cumberland

Solway Firth from Allonby, Cumberland
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11151. Dodging the Draft

Dodging the Draft
Creator:
Print made by unknown artist
Date:
between 1861 and 1865
Materials & Techniques:
Wood engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11152. Arms of the Dutchess of Kendal

Arms of the Dutchess of Kendal
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11153. Ex Libris of George Lambert

Ex Libris of George Lambert
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1791
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11154. Tail Piece to the Artist's Catalogue, 1761

Tail Piece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11155. Frontispiece to the Artist's Catalogue

Frontispiece to the Artist's Catalogue
Creator:
Print made by unknown artist
Date:
1850
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11156. Frontispiece to the Artist's Catalogue

Frontispiece to the Artist's Catalogue
Creator:
Print made by unknown artist
Date:
1850
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11157. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11158. Frontispiece to the Artist's Catalogue, 1761

Frontispiece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11159. Frontispiece to the Artist's Catalogue, 1761

Frontispiece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11160. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11161. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11162. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11163. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11164. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11165. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11166. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11167. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11168. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11169. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11170. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11171. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11172. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11173. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11174. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11175. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11176. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11177. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11178. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11179. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11180. Two Sketches of Running Figure

Two Sketches of Running Figure
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 5 5/8 inches (11.4 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

11181. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11182. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11183. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11184. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11185. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11186. Plate I, Pikemen

Plate I, Pikemen
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11187. Plate II, Halberd Men

Plate II, Halberd Men
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11188. Specimens of Beaver's Military Punishments, 1725

Specimens of Beaver's Military Punishments, 1725
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11189. Plate II, Halberd Men

Plate II, Halberd Men
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11190. Specimens of Beaver's Military Punishments, 1725

Specimens of Beaver's Military Punishments, 1725
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11191. Specimens of Beaver's Military Punishments, 1725

Specimens of Beaver's Military Punishments, 1725
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11192. A Country Inn Yard

A Country Inn Yard
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11193. The Invasion, Plate II, England

The Invasion, Plate II, England
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11194. Ticket of the London Hospital

Ticket of the London Hospital
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching, line engraving, and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11195. None

None
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11196. The Right Hon. Gustavus Lord Viscount Boyne &c

The Right Hon. Gustavus Lord Viscount Boyne &c
Creator:
Print made by A. M. Ireland, active before 1801
Date:
before 1800
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11197. The Invasion, Plate I, France

The Invasion, Plate I, France
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11198. The Invasion, Plate I, France

The Invasion, Plate I, France
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11199. The Gate of Calais, O the Roast Beef of Old England

The Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11200. The Invasion, Plate I, France

The Invasion, Plate I, France
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection