Sketch of Goths Entering Rome, from Shakespeare's Play, Titus Andronicus
undated
2
Robert Smirke, 1752–1845
Allegorical Scene
undated
3
Robert Smirke, 1752–1845
Sketch of a Battle Sceene, from Shakespeare's Play, Titus Andronicus
undated
4
Robert Smirke, 1752–1845
Scene from Shakespeare's, Romeo and Juliet
undated
5
Robert Smirke, 1752–1845
Study of Nude Figures in a Wooded Area
undated
6
Robert Smirke, 1752–1845
Study for a Relief with Romanesque Figures
undated
7
Robert Smirke, 1752–1845
Studies From a French MSS Bible Registry
undated
8
Robert Smirke, 1752–1845
Scene from Timon of Athens
undated
9
Robert Smirke, 1752–1845
Wooded Scene with a Couple Laying under a Tree, by a Stream
undated
10
Robert Smirke, 1752–1845
Diana, Goddess of the Hunt, with Satyrs, sleeping Cupid and a Pegasus in a Wooded Landscape
undated
11
Robert Smirke, 1752–1845
Five Vignettes of Scenes from Antiquity
undated
12
Robert Smirke, 1752–1845
Battle Scene
undated
13
Robert Smirke, 1752–1845
His Majesty George IVth
14
Print made by Robert Smirke, 1752–1845
Interior of York Minster from the Nave Shewing the Screen of the Choir in its Present Situation
undated
15
Robert Smirke, 1752–1845
Untitled: The Persian and the Slave Merchants
16
Robert Smirke, 1752–1845
Untitled: Skirmish for a Lady
17
Robert Smirke, 1752–1845
Twelfth Night
1822
18
Robert Smirke, 1752–1845
Taming of the Shrew
1822
19
Robert Smirke, 1752–1845
Twelfth Night
1822
20
Robert Smirke, 1752–1845
Merry Wives of Windsor
1821
21
Robert Smirke, 1752–1845
Merry Wives of Windsor
1821
22
Robert Smirke, 1752–1845
Tempest
1822
23
Robert Smirke, 1752–1845
Taming of the Shrew
1821
24
Robert Smirke, 1752–1845
Tempest
1821
25
Robert Smirke, 1752–1845
Tempest
1821
26
Robert Smirke, 1752–1845
Merry Wives of Windsor
1821
27
Robert Smirke, 1752–1845
Cesar Passing the Rubicon
28
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Duchess of Devonshire
1778
29
Print made by Jane Thompson, active ca. 1800
Miss Thompson
ca. 1800
30
Robert Smirke, 1752–1845
Tempest
1821
31
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
32
Print made by Bernard Lens II, 1659–1725
Venus and Adonis
ca. 1690
33
Print made by Bernard Lens II, 1659–1725
Venus and Adonis
undated
34
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
35
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
36
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
37
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
38
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
39
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
40
Gwen John, 1876–1939
Ophelia: Portrait Imaginé
ca. 1910
41
Gwen John, 1876–1939
Elisabeth de Willman Grabowska standing three- quarter length
between 1916 and 1918
42
Gwen John, 1876–1939
Little Boy with Hands Clasped, wearing a Hat, by Lamplight
ca. 1916
43
Print made by Francesco Bartolozzi, 1728–1815
Portrait of Joseph Haydn
1791
44
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
45
Print made by Letitia Byrne, 1779–1849
Oxford
undated
46
Eleanor Erlund Hudson, 1912–2011
Italian Evening (Quiet Chat), Verona
1939, reprinted 2003
47
Eleanor Erlund Hudson, 1912–2011
The Armchair, Girls Sewing
January 2003 (reprinted)
48
Print made by Sir Howard Hodgkin, 1932–2017
Red Eye
1981
49
Print made by Hilary Paynter, born 1943
St. Ives
2014
50
Charles Dyce, active 1848
The Harbor, Alexandria
ca. 1849
51
Attributed to Mary Darby, active mid 19th century
Godesberg on the Rhine
1850
52
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
53
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
54
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
55
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
56
James Gillray, 1756–1815
Half Natural
1799
57
Margaret Barnard, active 1898–1992
Winter Cavalcade
1938
58
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
59
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Cathedral
1803
60
Print made by Miss Frances Waring, active 1801–1826
The Bridge at Broar
1803
61
Print made by Miss Frances Waring, active 1801–1826
Lint Mills near Dunkeld
1803
62
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
63
Print made by Miss Frances Waring, active 1801–1826
Bothwell Castle
1803
64
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde
1803
65
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
66
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
67
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
68
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
69
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
70
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
71
Print made by Miss Frances Waring, active 1801–1826