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1. Tournon Opposite to Teint on the Rhone

Tournon Opposite to Teint on the Rhone
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Brushed brown ink, brown wash, varnish and brown ground on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 7 3/4 x 12 1/8 inches (19.7 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. On the Cam . . . back of St. John's College, Cambridge

On the Cam . . . back of St. John's College, Cambridge
Creator:
Amelia Long, 1762–1837
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 inches (23.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. London

London
Creator:
John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. St. Paul's and Blackfriars Bridge

St. Paul's and Blackfriars Bridge
Creator:
Amelia Long, 1762–1837
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 3/8 x 16 1/8in. (16.2 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection