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501. The Fishers

The Fishers
Creator:
Gertrude Hermes, 1901–1983
Date:
1925
Materials & Techniques:
Wood-engraving on thin, slightly textured, beige Asian paper
Dimensions:
Sheet: 8 1/16 x 9 11/16 inches (20.4 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

502. San Marcello, Italy

San Marcello, Italy
Creator:
Gertrude Hermes, 1901–1983
Date:
1925
Materials & Techniques:
Wood-engraving on medium, slightly textured, beige Asian paper
Dimensions:
Sheet: 10 9/16 x 13 1/4 inches (26.9 x 33.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

503. Map of Raleigh's Virginia: The East Coast of North America from Cape Lookout to Chesapeake Bay, after original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 111 A]

Map of Raleigh's Virginia: The East Coast of North America from Cape Lookout to Chesapeake Bay, after original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 111 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, in pen, with brown ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 15/16 × 8 15/16 inches (45.6 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

504. Lookdown or Moonfish after Original by John White in the British Museum [Caribbean and Oceanic, No. 21]

Lookdown or Moonfish after Original by John White in the British Museum [Caribbean and Oceanic, No. 21]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 3/16 inches (18.4 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

505. Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor over graphite, pen and brown ink, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 17 11/16 inches (36.2 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

506. Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]

Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen in brown ink and black ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 8 1/4 inches (21.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

507. Flying-Fish, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 27 A]

Flying-Fish, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 27 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen in black ink, over graphite, with gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 11/16 × 9 1/8 inches (27.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

508. Dolphin, after the Orignial by John White in the British Museum [Caribbean and Oceanic, No. 26 A]

Dolphin, after the Orignial by John White in the British Museum [Caribbean and Oceanic, No. 26 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 × 9 inches (12.7 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

509. Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]

Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 7 9/16 inches (31.8 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

510. Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]

Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 8 15/16 inches (32.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

511. Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]

Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 11/16 × 13 5/8 inches (27.1 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

512. Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]

Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen in brown ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 7 5/8 inches (21.3 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

513. Scorpions, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 8]

Scorpions, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 8]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/16 × 7 1/16 inches (10.3 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

514. Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]

Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Pen in brown ink, over graphite, with watercolor and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 8 7/16 inches (24.1 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

515. Milkweed, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 55 A]

Milkweed, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 55 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 15/16 × 8 1/8 inches (35.4 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

516. Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]

Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 10 7/8 inches (23 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

517. Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]

Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, pen and ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 8 5/16 inches (14.4 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

518. Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]

Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in black ink and blue ink, over graphite, with gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 9 3/8 inches (34.3 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

519. Horn Plantains on the Stalk, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 14]

Horn Plantains on the Stalk, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 14]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 9/16 × 8 5/8 inches (31.9 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

520. Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]

Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in brown ink and gray ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 7 1/8 inches (19.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

521. Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]

Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in black ink, over graphite with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 8 inches (16.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

522. Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]

Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

523. Cooking in a Pot, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 48 A]

Cooking in a Pot, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 48 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

524. Portuguese Man-O'-War, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 32 A]

Portuguese Man-O'-War, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 32 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Graphite, watercolor, gouache, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 6 3/4 inches (30.2 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

525. Cooking Fish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 49 A]

Cooking Fish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 49 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 6 11/16 inches (14.6 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

526. Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]

Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 4 13/16 × 6 1/16 inches (12.2 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

527. Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]

Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 7 3/4 inches (12.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

528. Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]

Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 7 11/16 inches (14.3 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

529. Sabatia, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 56 A]

Sabatia, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 56 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 7 inches (34.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

530. Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]

Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 7 11/16 inches (15.4 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

531. Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]

Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

532. Puffer, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 100 A]

Puffer, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 100 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 1/2 inches (9.8 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

533. Racing Scene: three racehorses with jockeys up

Racing Scene: three racehorses with jockeys up
Creator:
Tessa Pullan, born 1953
Date:
1994
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 22 3/4 inches (39.4 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

534. Study of a Duck

Study of a Duck
Creator:
Gwen John, 1876–1939
Date:
between 1905 and 1908
Materials & Techniques:
Graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 4 3/4 × 6 5/16 inches (12.1 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

535. The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 9/16 × 13 7/8 inches (24.3 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

536. The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

537. A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"

A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
Creator:
James Gillray, 1756–1815
Date:
1807
Materials & Techniques:
Etching on thin, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 15 inches (29.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

538. The Valley of the Shadow of Death

The Valley of the Shadow of Death
Creator:
James Gillray, 1756–1815
Date:
1808
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 15 7/16 inches (26.4 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

539. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

540. Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 13/16 × 13 3/4 inches (24.9 × 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

541. Vanity Fair: Military and Navy; 'Madras', General Sir James Charlemagne Dormer, January 24, 1891

Vanity Fair: Military and Navy; 'Madras', General Sir James Charlemagne Dormer, January 24, 1891
Creator:
Mrs. J. D. Rees, 1867–1943
Date:
1891
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

542. Le Coup de Maitre

Le Coup de Maitre
Creator:
James Gillray, 1756–1815
Date:
1797
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 3/16 inches (26.4 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

543. Edgar's Tower at Worcester

Edgar's Tower at Worcester
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 7 5/8 x 9 1/4 inches (19.4 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

544. Dudley Priory in Worcestershire, Plate 1

Dudley Priory in Worcestershire, Plate 1
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 8 11/16 inches (17.8 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

545. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

546. The Death of the Great Wolf

The Death of the Great Wolf
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/8 × 17 7/16 inches (34 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

547. Presages of the Millenium

Presages of the Millenium
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

548. Sketchbook

Sketchbook
Creator:
Barbara Bodichon, 1827–1891
Date:
1861
Materials & Techniques:
Watercolor, black chalk, and graphite on thick, moderately textured, cream wove paper
Dimensions:
Spine: 5 1/4 inches (13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

549. Doves

Doves
Creator:
Helen Allingham, 1848–1926
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 × 1 inches (7.6 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

550. Kneeling figures in Church

Kneeling figures in Church
Creator:
Gwen John, 1876–1939
Date:
undated
Materials & Techniques:
Gouache and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 6 3/4 inches (22.2 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

551. The Death of Cora

The Death of Cora
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 9/16 x 10 3/16 inches (34.4 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

552. The Prince of Wales

The Prince of Wales
Creator:
Print made by James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching with hand coloring in watercolor
Dimensions:
Sheet: 9 x 7in. (22.9 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

553. Five People Praying

Five People Praying
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1760
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 9/16 x 18 1/4 inches (31.9 x 46.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

554. Rue Terre Neuve, Meudon

Rue Terre Neuve, Meudon
Creator:
Gwen John, 1876–1939
Date:
between 1920 and 1925
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 9 5/8 inches (31.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

555. Girl in an Apron with a Cat on her Lap

Girl in an Apron with a Cat on her Lap
Creator:
Gwen John, 1876–1939
Date:
between 1916 and 1924
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 9/16 × 6 1/16 inches (24.3 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

556. Evacuation Before Resignation

Evacuation Before Resignation
Creator:
Print made by James Gillray, 1756–1815
Date:
1782
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 3/4 x 9 1/2in. (17.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

557. Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---

Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
Creator:
Print made by James Gillray, 1756–1815
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 10 3/4in. (25.4 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

558. The Coming-On, of the Monsoons; or - The Retreat from Seringapatam

The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
Creator:
Print made by James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 10 3/4in. (21 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

559. Brown Bowl and Flowers in a Brown Vase

Brown Bowl and Flowers in a Brown Vase
Creator:
Gwen John, 1876–1939
Date:
ca. 1920
Materials & Techniques:
Watercolor, gouache, and graphite on thin, smooth, beige wove paper
Dimensions:
Sheet: 9 × 7 3/4 inches (22.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

560. Gentleman and a Lady

Gentleman and a Lady
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Watercolor, graphite and gouache on medium, slightly textured, beige wove paper mounted to card
Dimensions:
Sheet: 8 1/4 × 7 1/4 inches (21 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

561. Samma the Demoniac weeping over the ashes of his youngest son Benoi

Samma the Demoniac weeping over the ashes of his youngest son Benoi
Creator:
Thomas Burke, 1749–1815
Date:
1772
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 19 3/4 x 14in. (50.2 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

562. Sentiment

Sentiment
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 4 3/4 inches (12.1 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

563. Indians Fishing, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 46 A]

Indians Fishing, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 46 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen in brown ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 9 1/16 inches (34.3 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

564. Alligator or Crocodile, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 10 A]

Alligator or Crocodile, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 10 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
20th century
Materials & Techniques:
Watercolor with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 9 inches (11 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

565. Frigate Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 16]

Frigate Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 16]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/8 × 8 13/16 inches (13.7 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

566. Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]

Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 7 13/16 inches (14 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

567. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 13/16 × 13 7/8 inches (25 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

568. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

569. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

570. Grandpapa's Story or The Witches Frolick

Grandpapa's Story or The Witches Frolick
Creator:
Print made by unknown artist
Date:
1838
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/4 × 5 11/16 inches (23.5 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

571. We Londoners

We Londoners
Creator:
Dorrit Dekk, born 1917
Date:
1961
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 40 1/16 x 25 1/16 inches (101.8 x 63.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

572. King Henry VI, Part II, Act III, Scene III

King Henry VI, Part II, Act III, Scene III
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1792
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Gerli, B.A. 1932

573. Ophelia: Portrait Imaginé

Ophelia: Portrait Imaginé
Creator:
Gwen John, 1876–1939
Date:
ca. 1910
Materials & Techniques:
Black chalk, gray wash, and white gouache on thin, smooth, brown wove paper
Dimensions:
Sheet: 9 15/16 × 8 1/8 inches (25.2 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

574. Sleeping Cat

Sleeping Cat
Creator:
Gwen John, 1876–1939
Date:
between 1905 and 1908
Materials & Techniques:
Graphite on thin, smooth, brown wove paper
Dimensions:
Sheet: 5 × 6 3/8 inches (12.7 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

575. Rue Terre Neuve - Woman and Child Walking

Rue Terre Neuve - Woman and Child Walking
Creator:
Gwen John, 1876–1939
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 6 1/2 inches (18.4 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

576. Elisabeth de Willman Grabowska standing three- quarter length

Elisabeth de Willman Grabowska standing three- quarter length
Creator:
Gwen John, 1876–1939
Date:
between 1916 and 1918
Materials & Techniques:
Black chalk on medium, smooth, beige wove paper
Dimensions:
Sheet: 9 11/16 × 7 1/4 inches (24.6 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

577. Kirkstall Abbey, Yorkshire

Kirkstall Abbey, Yorkshire
Creator:
Amelia Long, 1762–1837
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 20 3/8 inches (32.4 × 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

578. The Flight Into Egypt

The Flight Into Egypt
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

579. The Death of Alcestis

The Death of Alcestis
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1796
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

580. Hebe

Hebe
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 9 1/16 inches (29 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

581. Paris and Oenone

Paris and Oenone
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 x 9 7/16 inches (30.2 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

582. London. General View from near Westminster Bridge

London. General View from near Westminster Bridge
Creator:
John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

583. Sincerity

Sincerity
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1781
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 15/16 x 7 13/16 inches (27.8 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

584. The Fair Alsatian

The Fair Alsatian
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 x 8 3/4 inches (29.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

585. Tancred and Clorinda

Tancred and Clorinda
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 9 3/16 inches (28.3 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

586. Alphonso and Aciloe

Alphonso and Aciloe
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/16 x 11 inches (38.5 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

587. Cleone

Cleone
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 7/8 × 10 7/8 inches (32.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

588. Celadon and Amelia

Celadon and Amelia
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

589. Hall's Library at Margate

Hall's Library at Margate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1789
Materials & Techniques:
Hand-colored aquatint on wove paper
Dimensions:
Sheet: 12 x 18 13/16in. (30.5 x 47.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

590. Cavalrymen Mounting Near a Fort

Cavalrymen Mounting Near a Fort
Creator:
Elizabeth Thompson, Lady Butler, 1846–1933
Date:
1865
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 12 3/16 inches (19.7 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

591. Cottagers at the Bottom of Mt. Vesuvius

Cottagers at the Bottom of Mt. Vesuvius
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

592. Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber

Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1803
Materials & Techniques:
Etching
Dimensions:
Sheet: 14 1/2 x 19 7/8in. (36.8 x 50.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

593. Study of a Nun

Study of a Nun
Creator:
Gwen John, 1876–1939
Date:
between 1916 and 1918
Materials & Techniques:
Graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 6 1/4 × 4 7/8 inches (15.9 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

594. Rue Terre Neuve

Rue Terre Neuve
Creator:
Gwen John, 1876–1939
Date:
ca. 1921
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 inches (16.5 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

595. Portrait of Marie Hamonet

Portrait of Marie Hamonet
Creator:
Gwen John, 1876–1939
Date:
between 1918 and 1919
Materials & Techniques:
Black chalk, blue wash, and blue chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 12 3/4 × 9 11/16 inches (32.4 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

596. Girl with Large Hat and Straw-Colored Hair

Girl with Large Hat and Straw-Colored Hair
Creator:
Gwen John, 1876–1939
Date:
ca. 1910
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 8 1/4 × 6 9/16 inches (21 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

597. Girl Sewing

Girl Sewing
Creator:
Gwen John, 1876–1939
Date:
between 1895 and 1898
Materials & Techniques:
Graphite on thin, smooth, brown wove paper
Dimensions:
Sheet: 7 3/4 × 5 13/16 inches (19.7 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

598. Mrs. Fitzherbert

Mrs. Fitzherbert
Creator:
Print made by John Condé, 1765–1794
Date:
1792
Materials & Techniques:
Stipple engraving with etched border on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 11 7/8 inches (40.6 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

599. The Soldier's Wife

The Soldier's Wife
Creator:
William S. Leney, 1769–1831
Date:
1793
Materials & Techniques:
Colored stipple engraving
Dimensions:
Sheet: 9 5/8 x 7 5/8in. (24.4 x 19.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

600. Little Boy with Hands Clasped, wearing a Hat, by Lamplight

Little Boy with Hands Clasped, wearing a Hat, by Lamplight
Creator:
Gwen John, 1876–1939
Date:
ca. 1916
Materials & Techniques:
Black chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 8 1/4 inches (24.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection