Creator Gender: male / Collection: Prints and Drawings / Date: 1780

1. Tygers at Play

Creator:: George Stubbs, 1724–1806
Date:: 1780
Materials & Techniques:: Etching, possibly finished with a graver, second state
Dimensions:: Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Fisherman's Cottage, Dover

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1790s
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 7/8 inches (13.3 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. John Henderson as Falstaff

Creator:: George Romney, 1734–1802
Date:: 1780
Materials & Techniques:: Gray ink and gray wash with pen and black ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/2 x 12 1/2 inches (39.3 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 18 3/4in. (25.1 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Views in the Levant: The Sacred Cave of Archidamus

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. James Gandon and Family

Creator:: Paul Sandby, 1731–1809
Date:: 1780
Materials & Techniques:: Brown wash, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 7 5/8 inches (14.6 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Alcibiades and Timon

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 10 5/16 inches (28.1 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Laid Out Wall Plan of a Room for Clifton Castle

Creator:: Attributed to Thomas Harrison, 1744–1829
Date:: between 1780 and 1790
Materials & Techniques:: Pen and black ink and green and gray washes on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 30 × 26 7/16 inches (76.2 × 67.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Plan and Elevation for the Decoration of a Circular Dome for Clifton Castle, York

Creator:: Attributed to Thomas Harrison, 1744–1829
Date:: ca. 1780-1790
Materials & Techniques:: Pen and black ink, gray wash, and graphite on smooth, medium, cream laid paper
Dimensions:: Sheet: 13 11/16 × 9 5/8 inches (34.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Warbler: Reed Wren

Creator:: William Lewin, 1747–1795
Date:: before 1790
Materials & Techniques:: Watercolor, gouache, graphite and pen and black ink on medium, smooth, white vellum
Dimensions:: Sheet: 8 1/8 × 6 5/8 inches (20.6 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Jackdaw

Creator:: William Lewin, 1747–1795
Date:: before 1790
Materials & Techniques:: Watercolor and gouache over graphite with gum arabic on medium, smooth, white vellum
Dimensions:: Sheet: 8 1/8 × 6 5/8 inches (20.6 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A Bridal Pair (Figures copied from Hogarth's Rake's Progress)

Creator:: Julius Tidd, active 1773–1779
Date:: 1780
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Wanstead House

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 11 1/8 inches (18.1 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Halfway House, Sadler's Wells

Creator:: Paul Sandby, 1731–1809
Date:: 1780
Materials & Techniques:: Gouache, watercolor, pen and black ink with varnish on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 11 inches (26.7 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Variant Ceiling Plan for Clifton Castle

Creator:: Attributed to Thomas Harrison, 1744–1829
Date:: ca. 1780-1790
Materials & Techniques:: Watercolor, pen and black ink on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 21 5/8 × 14 7/8 inches (54.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Ceiling Plan for Clifton Castle

Creator:: Attributed to Thomas Harrison, 1744–1829
Date:: ca. 1780-1790
Materials & Techniques:: Watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 3/8 × 14 3/4 inches (54.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Working Drawing for the Plasterwork of a Frieze for Clifton Castle

Creator:: Attributed to Thomas Harrison, 1744–1829
Date:: ca. 1780-1790
Materials & Techniques:: Pen and brown ink, gray wash on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 21 5/16 × 15 1/4 inches (54.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Falcon: Hen Krestel

Creator:: William Lewin, 1747–1795
Date:: before 1790
Materials & Techniques:: Watercolor, gouache, graphite and pen and black ink on medium, smooth white vellum
Dimensions:: Sheet: 8 1/4 × 6 3/4 inches (21 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Hoopoe: Common Hoopoe

Creator:: William Lewin, 1747–1795
Date:: before 1790
Materials & Techniques:: Watercolor and gouache over graphite on medium, smooth white vellum
Dimensions:: Sheet: 8 1/4 × 6 5/8 inches (21 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Roller: Garrulous Roller

Creator:: William Lewin, 1747–1795
Date:: before 1790
Materials & Techniques:: Watercolor and gouache over graphite with gum arabic on medium, smooth, white vellum
Dimensions:: Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Owl: Little Owl

Creator:: William Lewin, 1747–1795
Date:: before 1790
Materials & Techniques:: Watercolor and gouache over graphite with gum arabic on medium, smooth, white vellum
Dimensions:: Sheet: 8 1/8 × 6 1/2 inches (20.6 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Shepheard, Field and Haughton (fighting)

Creator:: George Shepheard, ca. 1770–1842
Date:: undated
Materials & Techniques:: Watercolor, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 6 3/8 inches (20.6 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Naples from Posillipo

Creator:: Jacob More, 1740–1793
Date:: 1780's
Materials & Techniques:: Watercolor over graphite on textured, medium, white laid paper
Dimensions:: Sheet: 20 1/2 × 28 5/8 inches (52.1 × 72.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Ranger, Private Ship of War, with her Prizes

Creator:: Nicholas Pocock, 1740–1821
Date:: 1780
Materials & Techniques:: Pen and black ink over graphite with gray wash on moderately thick, moderately textured, cream laid paper mounted on thick, slightly textured cream wove paper
Dimensions:: Mount: 18 1/8 x 23 3/4 inches (46 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Group of Figures: A Dogfight

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Graphite, brown wash and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 x 7 3/4 inches (11.1 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Fountain's Boarding School, Marylebone

Creator:: James Miller, active 1773–1814
Date:: 1780
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, laid down on a contemporary mount
Dimensions:: Sheet: 9 3/4 x 14 13/16in. (24.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Rochester

Creator:: William Marlow, 1740–1813
Date:: 1780
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 5/8 × 20 1/4 inches (37.1 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

28. Waterfall near Lynton

Creator:: Robert Marris, 1750–1827
Date:: 1780
Materials & Techniques:: Watercolor gouache, pen and black ink, black crayon, graphite, and scraping out on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 5/16 × 21 1/2 inches (41.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Blundeston near Lowestoft, Sussex

Creator:: John Claude Nattes, 1765–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 18 5/8 inches (29.8 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Elevation of the Ordnance Office

Creator:: unknown artist
Date:: after 1780
Materials & Techniques:: Watercolor with gouache and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 21 9/16 inches (34.7 x 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Goodrich Castle on the Wye

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Rape of Persephone

Creator:: William P. Sherlock, c.1780–1850
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 23 1/8 inches (43.5 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Playing at Dice, Trepani

Creator:: Henry Tresham, 1751–1814
Date:: between 1780 and 1790
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 7 3/4 x 9 1/8 inches (19.7 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. A Landscape with a Portrait of a Lady, Full Length, Holding a Hat

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 10 inches (30.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Greatheart's Battle with Grim

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Italianate Landscape with Castle, Cascade and Anglers

Creator:: Paul Sandby, 1731–1809
Date:: between 1780 and 1790
Materials & Techniques:: Watercolor and pen and brown ink and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 x 10 1/2 inches (37.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. High Cliff Castle (Hants)

Creator:: Adam Callander, active 1780–1811
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on slightly textured, medium, white wove paper
Dimensions:: Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Bucks of the First Head

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. View of Boldre Church

Creator:: William Gilpin, Died 1848
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 × 13 3/4 inches (23.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

40. A Lady at Haymaking

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 19 7/8 x 14in. (50.5 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. Proverbs, Chapter VII, verses 7, 10, 13

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 10 3/16 inches (35.9 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. A Man-Trap

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: c.1780
Materials & Techniques:: Mezzotint on laid paper
Dimensions:: Plate: 13 15/16 x 11 1/2in. (35.4 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. George Morland

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1780 and 1799
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 6 3/16 inches (25.7 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Skating on the Serpentine

Creator:: Thomas Rowlandson, 1756–1827
Date:: before 1790
Materials & Techniques:: Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. An Audience Watching a Play at Drury Lane Theatre

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/8 x 14 5/16 inches (23.8 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Foot Bridge

Creator:: Francis Towne, 1740–1816
Date:: 1780
Materials & Techniques:: Watercolor and black and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 9 inches (17.5 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Portrait Study of a Naval Officer

Creator:: Samuel Drummond, 1765–1844
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 4 inches (13.7 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. River Forth with the Town and Castle of Stirling in the Distance

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1780
Materials & Techniques:: Brown, gray, and yellow wash over graphite on moderately thick, rough, cream wove paper prepared with yellow wash
Dimensions:: Sheet: 5 1/4 x 8 1/2 inches (13.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Elizabeth Manwaring

50. Palace on a Cliff Above a River

Creator:: Joseph Farington, 1747–1821
Date:: 1780-1789 (?)
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 1/2 inches (15.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Open Landscape with Horsemen and Covered Cart

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1780 and 1788
Materials & Techniques:: Gray and black wash, with traces of black and white chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 14 inches (27.3 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Head of a Young Girl

Creator:: Prince Hoare, 1755–1834
Date:: 1780
Materials & Techniques:: Graphite, red chalk and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 4 1/4 inches (17.5 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Landscape with Trees by a Lake

Creator:: Joseph Farington, 1747–1821
Date:: 1780-1789
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 7 5/8 inches (14.9 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Theatrical Figures About a Throne

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 23 3/4 inches (48.3 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1785
Materials & Techniques:: Graphite and red chalk on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 13 1/2 inches (22.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Boats near a Dutch Folly Fort, Canton

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1785
Materials & Techniques:: Watercolor, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 9/16 × 25 1/8 inches (44.6 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Views in the Levant: The Colossus of Barletta

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 7/16 × 5 7/8 inches (21.4 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A Young Man with a Horse, with Studies of Hounds and Dead Hare

Creator:: John Hoppner, 1758–1810
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. An English Postilion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A View of Amsterdam on each side the Old Rampart as seen from the Harbor

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

Creator:: J. Couse, active 1750
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A View of Little St. Mark's Place at Venice to the Sea

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

Creator:: Remi Parr, active 1723–1750
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Skating in Hyde Park

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The English Lion Dismember'd

Creator:: Thomas Colley, active 1780s
Date:: 1780
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Original Drawings for Choix de Vues de L'Inde and Others, Volume III

Creator:: William Hodges, 1744–1797
Date:: between 1780 and 1788
Materials & Techniques:: Album of drawings on sheets of medium, slightly textured, cream laid paper on 19th century wash mounts
Dimensions:: Spine: 30 inches (76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Original Drawings for Choix de Vues de L'Inde and Others, Volume I

Creator:: William Hodges, 1744–1797
Date:: between 1780 and 1788
Materials & Techniques:: Album of drawings on sheets of medium, slightly textured, cream laid paper on 19th century wash mounts
Dimensions:: Spine: 30 inches (76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Original Drawings for Choix de Vues de L'Inde and Others, Volume II

Creator:: William Hodges, 1744–1797
Date:: between 1780 and 1788
Dimensions:: Spine: 30 inches (76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble

Creator:: Charles Reuben Ryley, 1752–1798
Date:: 1780
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble

Creator:: Charles Reuben Ryley, 1752–1798
Date:: 1780
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Ladies' Shooting Poney

Creator:: Engraved by unknown artist
Date:: 1780
Materials & Techniques:: Hand-colored mezzotint on wove paper
Dimensions:: Plate: 14 x 10in. (35.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Concert Ticket: Benefit Night of Luigi Borghi

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 5 3/4 inches (16.5 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Angelica Kauffman

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Stipple engraving, mezzotint, and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 13/16 x 10 13/16 inches (35.1 x 27.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. A Perspective View of the Town and Fortifications of Malta

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. A Perspective View of Venice

Creator:: John Bowles, 1701–1779
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A View of the Palace of Triano towards the Flower Garden

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 9 3/4 × 16 1/4 inches (24.8 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

Creator:: Nathaniel Parr, active 1742–1751
Date:: between 1780-1815
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

Creator:: Nathaniel Parr, active 1742–1751
Date:: between 1780-1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. A South-East View of the City of Boston in North America

Creator:: J. Carwitham, active 1720–1740
Date:: undated
Materials & Techniques:: Hand-colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. National Discourse

Creator:: James Gillray, 1756–1815
Date:: 1780
Materials & Techniques:: Etching with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. View of Modern Gateway in South East Angle of Dean's Yard

Creator:: John Carter, 1748–1817
Date:: between 1780 and 1807
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 3/4 × 4 7/8 inches (12.1 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Classical Landscape

Creator:: Richard Cooper the Younger, 1740–1814
Date:: ca. 1785
Materials & Techniques:: Pen and black ink, brown wash, graphite on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 10 7/8 × 17 1/8 inches (27.6 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Classical Italian Landscape with Temples and a Ruined Aquaduct

Creator:: Richard Cooper the Younger, 1740–1814
Date:: ca. 1785
Materials & Techniques:: Pen and black ink, brown wash, graphite on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 10 7/8 × 17 1/8 inches (27.6 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)

Creator:: Attributed to Sir Joseph Ayloffe, 1709–1781
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)

Creator:: James Basire the younger, 1769–1822
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)

Creator:: James Basire the younger, 1769–1822
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)

Creator:: James Basire the younger, 1769–1822
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)

Creator:: James Basire the younger, 1769–1822
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)

Creator:: Engraved by James Basire the younger, 1769–1822
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)

Creator:: James Basire the younger, 1769–1822
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. On the Lake of Nemi

Creator:: John Robert Cozens, 1752–1797
Date:: between 1780 and 1783
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 11 7/8 inches (21 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. March of Troops in India

Creator:: Samuel Davis, 1760–1819
Date:: 1780
Materials & Techniques:: Watercolor, pen and black ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Fantastic Landscape

Creator:: Alexander Cozens, 1717–1786
Date:: 1780 to 1785
Materials & Techniques:: Gray wash, black wash, graphite and buff ground on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 3/4 x 20 3/4 inches (40 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Pays de Valais

Creator:: John Robert Cozens, 1752–1797
Date:: between 1780 and 1785
Materials & Techniques:: Watercolor, graphite and red-brown gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 1/2 inches (36.2 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Mountainous Landscape with Two Figures overlooking a Lake

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1780 and 1790
Materials & Techniques:: Gray wash, pen and brown ink, graphite and yellow ground on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 13/16in. (18.7 x 27.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Collection of Prints by Notable Dilettanti

Creator:: Print made by John Chapman, act. 1772–1778
Date:: ca. 1785
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Miniature Of Elizabeth Farren, Countess Of Derby

Creator:: Francesco Bartolozzi, 1728–1815
Date:: ca.1785
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Collection Prints and Drawings

Date 1780

Search Results

1. Tygers at Play

2. Fisherman's Cottage, Dover

3. John Henderson as Falstaff

4. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

5. Views in the Levant: The Sacred Cave of Archidamus

6. James Gandon and Family

7. Alcibiades and Timon

8. Laid Out Wall Plan of a Room for Clifton Castle

9. Plan and Elevation for the Decoration of a Circular Dome for Clifton Castle, York

10. Warbler: Reed Wren

11. Jackdaw

12. A Bridal Pair (Figures copied from Hogarth's Rake's Progress)

13. Wanstead House

14. Halfway House, Sadler's Wells

15. Variant Ceiling Plan for Clifton Castle

16. Ceiling Plan for Clifton Castle

17. Working Drawing for the Plasterwork of a Frieze for Clifton Castle

18. Falcon: Hen Krestel

19. Hoopoe: Common Hoopoe

20. Roller: Garrulous Roller

21. Owl: Little Owl

22. Shepheard, Field and Haughton (fighting)

23. Naples from Posillipo

24. The Ranger, Private Ship of War, with her Prizes

25. Group of Figures: A Dogfight

26. Fountain's Boarding School, Marylebone

27. Rochester

28. Waterfall near Lynton

29. Blundeston near Lowestoft, Sussex

30. Elevation of the Ordnance Office

31. Goodrich Castle on the Wye

32. The Rape of Persephone

33. Playing at Dice, Trepani

34. A Landscape with a Portrait of a Lady, Full Length, Holding a Hat

35. Greatheart's Battle with Grim

36. Italianate Landscape with Castle, Cascade and Anglers

37. High Cliff Castle (Hants)

38. Bucks of the First Head

39. View of Boldre Church

40. A Lady at Haymaking

41. Proverbs, Chapter VII, verses 7, 10, 13

42. A Man-Trap

43. George Morland

44. Skating on the Serpentine

45. An Audience Watching a Play at Drury Lane Theatre

46. The Foot Bridge

47. Ticket for the Benefit of Mr. Giardini

48. Portrait Study of a Naval Officer

49. River Forth with the Town and Castle of Stirling in the Distance

50. Palace on a Cliff Above a River

51. Open Landscape with Horsemen and Covered Cart

52. Head of a Young Girl

53. Landscape with Trees by a Lake

54. Theatrical Figures About a Throne

55. William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River

56. Boats near a Dutch Folly Fort, Canton

57. Views in the Levant: The Colossus of Barletta

58. A Young Man with a Horse, with Studies of Hounds and Dead Hare

59. An English Postilion

60. A View of Amsterdam on each side the Old Rampart as seen from the Harbor

61. A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket

62. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

63. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

64. A View of Little St. Mark's Place at Venice to the Sea

65. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

66. Skating in Hyde Park

67. The English Lion Dismember'd

68. Original Drawings for Choix de Vues de L'Inde and Others, Volume III

69. Original Drawings for Choix de Vues de L'Inde and Others, Volume I

70. Original Drawings for Choix de Vues de L'Inde and Others, Volume II

71. The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble

72. The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble

73. The Ladies' Shooting Poney