Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1817

1. Children by a Brook

Creator:: Francis Danby, 1793–1861
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 29 1/2 x 24 1/2 inches (74.9 x 62.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Hampstead Heath, with a Bonfire

Creator:: John Constable, 1776–1837
Date:: ca. 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 10 5/8 x 12 5/8 inches (27 x 32.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Outside the Guard House at Windsor

Creator:: Edmund Bristow, 1787–1876
Date:: between 1817 and 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 24 x 30 inches (61 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Brighton

Creator:: William Henry Stothard Scott, 1783–1850
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 21 5/16 x 28 3/16 inches (54.1 x 71.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. View of the City of Edinburgh

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 55 7/8 x 82 5/8 inches (141.9 x 209.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Sheep Washing at Postwick Grove, Norwich

Creator:: James Stark, 1794–1859
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 17 x 21 inches (43.2 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Henry Fuseli

Creator:: George Henry Harlow, 1787–1819
Date:: 1817
Materials & Techniques:: Oil on panel
Dimensions:: 21 × 16 1/16 inches (53.3 × 40.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald

Creator:: George Clint, 1770–1854
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 17 1/2 x 12 1/4 inches (44.5 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Boys Bathing on the River Wensum, Norwich

Creator:: John Crome, 1768–1821
Date:: 1817
Materials & Techniques:: Oil on panel
Dimensions:: 19 × 14 1/8 inches (48.3 × 35.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. A Dun Diver (Goosander)

Creator:: Robert Wilkinson Padley, ca. 1775–1835
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Theophilus Levett and a Favorite Hunter

Creator:: James Ward, 1769–1859
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 39 1/4 × 51 1/4 inches (99.7 × 130.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: undated
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/2 × 16 3/16 inches (16.5 × 41.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Study of Jockeys

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: undated
Materials & Techniques:: Oil on panel
Dimensions:: 14 1/2 × 20 5/8 inches (36.8 × 52.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Landscape with Figures

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: ca. 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 28 x 37 3/4 inches (71.1 x 95.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Death of the Doe

Creator:: George Stubbs, 1724–1806
Date:: 1817
Materials & Techniques:: Mezzotint, second state
Dimensions:: Sheet: 14 15/16 x 19 3/4in. (38 x 50.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. A View of Boppart, with Figures on the River Bank

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, black chalk and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1822
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Andernach

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Rheinfels Looking to Katz and Goarhausen

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, gray wash and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Man Sweeping the Interpreter's Parlour

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1822
Materials & Techniques:: White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Column at Yarmouth to the Memory of Lord Nelson

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Aldgate

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Date:: 1817
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 3/8in. (22.9 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. [Racing] Set of Four: The High Mettled Racer

Creator:: Dean Wolstenholme, 1798–1882
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 7/8 x 13 5/8in. (25.1 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Richmond from Twickenham Park

Creator:: Charles Heath, 1785–1848
Date:: ca. 1822
Materials & Techniques:: Colored engraving
Dimensions:: Sheet: 17 1/4 x 23 5/8in. (43.8 x 60cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Study of a Youth Wearing a Cloak

Creator:: W. Raddon, active 1817–1862
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Mount: 24 1/8 × 17 1/8 inches (61.3 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Thomas Girtin

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1817
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 3/16 × 17 1/8 inches (58.9 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Specimens of Waltzing

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1817
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 13/16 inches (24.7 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Sir Isaac Heard

Creator:: Charles Turner, 1774–1857
Date:: 1817
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 7/8 × 13 15/16 inches (42.9 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Footbridge

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, gum arabic, and scratching out on medium, slightly textured, cream wove paper, mounted on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 5/8 inches (7.3 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Regent Street, Looking Toward Piccadilly From Waterloo Place

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Near Gravesend from the High Road

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1817
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 7/8 inches (13.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A South View of the New Customs House

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 x 20 1/8in. (43.2 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. View in Edward the Confessor's Chapel

Creator:: William Woolnoth, active 1806–1830
Date:: 1817
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Crypt of the Nunnery of St. Helen

Creator:: William Wise, Active 1823–1876
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/4 x 12 3/4in. (26 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Crypt of the Ancient Nunnery of St. Helen

Creator:: William Wise, Active 1823–1876
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/8 x 12 3/8in. (25.1 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Southwest View of te Interior of the Church of St. Helen

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 3/4 x 10 1/4in. (32.4 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Plan of the Nunnery and Church of St. Helen

Creator:: unknown artist
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/4 x 18 1/4in. (29.8 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Funsbury Square

Creator:: John Greig, active 1803–1853
Date:: 1817
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The London Institution

Creator:: William Wallis, 1794– active 1830
Date:: 1817
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. [Racing] Set of Four: The High Mettled Racer

Creator:: Dean Wolstenholme, 1798–1882
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 7/8 x 13 5/8in. (25.1 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. [Racing] Set of four: The High Mettled Racer

Creator:: Dean Wolstenholme, 1798–1882
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 7/8 x 13 5/8in. (25.1 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. [Racing] Set of Four: The High Mettled Racer

Creator:: Dean Wolstenholme, 1798–1882
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 7/8 x 13 5/8in. (25.1 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Seascape

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 x 6 inches (9.8 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A Wooded Stream and a Farmhouse in Normandy

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, rough, brown wove paper
Dimensions:: Sheet: 7 7/8 x 10 1/2 inches (20 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Study of a Seated Woman

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 5 1/8 inches (17.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Queen Anne Boleyn's Room, Windsor Castle

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 inches (10.5 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Christening

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Opening of Waterloo Bridge

Creator:: S. Springsguth, active 1816–1819
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 3 3/4 x 5 1/2in. (9.5 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Shooting: Set of six with title-page and printed wrapper: Sporting Miseries, or Six Red Letter Days in the country

Creator:: Robert Havell, 1769–1832
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 x 9 7/8in. (20.3 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. [Hunting Discoveries] ... Discover when half over the next field ...

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1817
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. [Hunting Discoveries] ... Discover that your girts are broken ...

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1817
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. [Hunting Discoveries] ... Discover the whole face of the country ...

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1817
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Easter Monday [Stag Hunting]: A View near Windsor

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1817
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 7/8 x 19 11/16in. (37.8 x 50cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. [Hunting Discoveries] ... Discover if you intend to do the thing well ...

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1817
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. [Hunting Discoveries] ... Discover that the only means you can adopt ...

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1817
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Easter Monday [Stag Hunting]: A View near Epping

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1817
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 7/8 x 19 11/16in. (37.8 x 50cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. [Hunting Discoveries] ... at Length perceive a light which you Discover ...

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1817
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Sportsman and Two Dogs

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Pen in brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 5 3/4 inches (11.1 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Four Hooded Falcons

Creator:: Attributed to John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 11 1/8 inches (16.8 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Six Foxhounds Resting

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite, gray wash and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 8 1/4 inches (11.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 3/16 inches (17.3 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel

Creator:: James Ward, 1769–1859
Date:: ca. 1822
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 1/8 × 10 11/16 inches (23.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Thomas Girtin

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1817
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 10 1/4 inches (38.4 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Huntsman with Hounds

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Pen and brown ink, red chalk, and white chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Study of a Startled Horse

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper, mounted on board
Dimensions:: Sheet: 1 5/8 × 2 15/16 inches (4.1 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Hunting Scene: The Meet

Creator:: possibly John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 13/16 inches (10.3 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A Dappled Horse in a Stable

Creator:: style of Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 15 × 18 1/4 inches (38.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Herd of Deer Grazing in a Park

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/8 × 12 7/16 inches (25.7 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A Ploughboy Riding One of a Pair of Draught-horses Up a Hill

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 × 9 3/4 inches (20.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Ile de la Cite

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 11 3/8 inches (20.6 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Footbridge

Creator:: Print made by Joseph Stannard, 1797–1830
Date:: ca.1822
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 × 6 1/2 inches (22.9 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Method of Catching Wild Elephants by the Kraal in Island of Ceylon in the East Indies

Creator:: Robert Havell, 1769–1832
Date:: 1817
Materials & Techniques:: Aquatint, colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. London. Waterloo Bridge, part of Somerset House

Creator:: Robert Havell, 1769–1832
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 19 1/4 x 25in. (48.9 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A Portrait of the East Indiaman built at Mr. Bayley's Ship Yard, Ipswich, Launched Aug. 1817

Creator:: Robert Pollard, 1755–1838
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 13 1/4in. (27.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. A South View of Somerset House from Waterloo Bridge

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. North View of the Oratory of the Antient Inn

Creator:: unknown artist
Date:: 1817
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Benjamin West, P.R.A.

Creator:: James Fittler, 1758–1835
Date:: 1817
Materials & Techniques:: Etching, line engraving, and stipple engraving with chine collé on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 20 7/8 × 15 3/8 inches (53 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne

Creator:: John Buckler FSA, 1770–1851
Date:: 1817
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Interior View of the Hall at Rushton

Creator:: John Buckler FSA, 1770–1851
Date:: 1817
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. North Front of Belton house Lincolnshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1817
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1817

Search Results

1. Children by a Brook

2. Hampstead Heath, with a Bonfire

3. Outside the Guard House at Windsor

4. Brighton

5. View of the City of Edinburgh

6. Sheep Washing at Postwick Grove, Norwich

7. Henry Fuseli

8. Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald

9. Boys Bathing on the River Wensum, Norwich

10. A Dun Diver (Goosander)

11. Theophilus Levett and a Favorite Hunter

12. October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament

13. Study of Jockeys

14. Landscape with Figures

15. Death of the Doe

16. A View of Boppart, with Figures on the River Bank

17. Margate

18. Andernach

19. Rheinfels Looking to Katz and Goarhausen

20. The Man Sweeping the Interpreter's Parlour

21. Column at Yarmouth to the Memory of Lord Nelson

22. Aldgate

23. [Racing] Set of Four: The High Mettled Racer

24. Richmond from Twickenham Park

25. Study of a Youth Wearing a Cloak

26. Thomas Girtin

27. Specimens of Waltzing

28. Sir Isaac Heard

29. The Footbridge

30. Regent Street, Looking Toward Piccadilly From Waterloo Place

31. Near Gravesend from the High Road

32. A South View of the New Customs House

33. View in Edward the Confessor's Chapel

34. The Crypt of the Nunnery of St. Helen

35. The Crypt of the Ancient Nunnery of St. Helen

36. Southwest View of te Interior of the Church of St. Helen

37. Plan of the Nunnery and Church of St. Helen

38. Funsbury Square

39. The London Institution

40. [Racing] Set of Four: The High Mettled Racer

41. [Racing] Set of four: The High Mettled Racer

42. [Racing] Set of Four: The High Mettled Racer

43. A Seascape

44. A Wooded Stream and a Farmhouse in Normandy

45. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

46. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

47. Study of a Seated Woman

48. Hogarth Declaring His Love to Miss Thornhill

49. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

50. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

51. Queen Anne Boleyn's Room, Windsor Castle

52. A Christening

53. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

54. The Smock Exposed

55. The Reconcilation

56. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

57. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

58. Hogarth Drawing Sarah Malcolm

59. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

60. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

61. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

62. Hogarth Sitting to Roubiliac for His Bust

63. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

64. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

65. The Eleventh Hour

66. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

67. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

68. The Opening of Waterloo Bridge

69. Shooting: Set of six with title-page and printed wrapper: Sporting Miseries, or Six Red Letter Days in the country

70. [Hunting Discoveries] ... Discover when half over the next field ...

71. [Hunting Discoveries] ... Discover that your girts are broken ...

72. [Hunting Discoveries] ... Discover the whole face of the country ...

73. Easter Monday [Stag Hunting]: A View near Windsor