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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 45
Remove constraint Height [cm]: 45Search Results
1
- Lion and Lioness
- 1770
- Not on view
2
- Squally Weather
- between 1840 and 1845
- Not on view
3
- Stormy Sea Breaking on a Shore
- between 1840 and 1845
- Not on view
4
- The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis
- ca. 1792
- Not on view
5
- Lago d'Agnano with Vesuvius in the distance
- between 1770 and 1775
- Not on view
6
- Philosopher Giving a Lecture on the Orrery
- ca. 1768
- Not on view
7
- A Family Conversation Piece
- 1730 to 1735
- Not on view
8
- Evening
- 1799
- Not on view
9
- Noon
- 1799
- Not on view
10
- Morning
- 1799
- Not on view
11
- Night
- 1799
- Not on view
12
- A view of Greenwich from the River with many Boats
- Between 1700-1710
- Not on view
13
- The Barber
- between 1760 and 1769
- Not on view
14
- The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
- 1800
- Not on view
15
- An Unfinished View of the West Gate, Canterbury
- between 1780 and 1785
- Not on view
16
- Lago d'Agnano with the Grotta del Cane
- between 1770 and 1775
- Not on view
17
- Grinding Corn
- between 1792 and 1795
- Not on view
18
- Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
- between 1801 and 1807
- Not on view
19
- Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald
- ca. 1822
- Not on view
20
- Newmarket Again
- ca. 1952
- Not on view
21
- Southern Hero and Black Speck, the property of J. V. Rank
- 1940
- Not on view
22
- The Angel Binding Satan
- ca. 1797
- Not on view
23
- Ailsa Craig
- 1860
- Not on view
24
- Human Skeleton, Lateral View
- 1795 to 1806
25
- Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
- 1795 to 1806
26
- Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
- 1795 to 1806
27
- Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
- 1795 to 1806
28
- Night the First. On Life, Death, and Immortality; Title Page
- 1797
29
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
30
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
31
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
32
- 'We censure nature for a span too short' (Page 23)
- 1797
33
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
34
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
35
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
36
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
37
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
38
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
39
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
40
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
41
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
42
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
43
- Night the Third. Narcissa; Title Page
- 1797
44
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
45
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
46
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
47
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
48
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
49
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
50
- The Christian Triumph; Title Page
- 1797
51
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
52
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
53
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
54
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
55
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
56
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
57
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
58
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
59
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
60
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
61
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
62
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
63
- 'Disease invades the chastest temperence' (Page 10)
- 1797
64
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
65
- 'The present moment terminates our sight' (Page 13)
- 1797
66
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
67
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
68
- 'The longest night though longer far, would fail' (Page 15)
- 1797
69
- Study for a Destroying Deity
- 1820 to 1825
70
- Perspective View of the Bridge at Sion
- 1768
71
- Fainasollis, Borbar and Fingal
- 1783
72
- The Gem for 1830
73
- The Romps
- 1796
74
- A Fish from the Red Sea
- undated
75
- Seyali Hindu (Acacia)
- undated
76
- The Magicians Marching off After the Success of their Incantations
- ca. 1763
77
- A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
- ca. 1763
78
- Neptune's Trident
- 1824 to 1825
![George Townly Stubbs [Lion and Horse]](https://media.collections.yale.edu/thumbnail/ycba/d040987f-5fd9-4b7f-b3a5-795379e7d9a2)
79
- [Lion and Horse]
- 1770
80
- Shooting, Plate I
- 1769
81
- Shooting, Plate II
- 1770
82
- Portrait of the Short Horned Bull Patriot
- 1810
83
- The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
- ca. 1799
84
- The Hur Rangers Encamped at Colgong
- undated
85
- Man of War Moored in Harbor, Mountains in the Background
- undated
86
- Five Designs for a House in the Gothic Style: Plan of the Chamber Story
- 1791
87
- Shipping Scene in the Harbor of Dunkerque
- undated
88
- Cascades de Thiers, Auvergne
- undated
89
- Landscape with Old Trees by Water
- 1803, published 1807
90
- Study of Trees and Shrubs with Seated Figure
- 1804, published 1806
91
- Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
- 1780
92
- Design of a Ruineous Bridge for the Garden at Sion
- 1778
93
- The Preposterous Head Dress, or the Feathered Lady
- 1776
94
- The Deluge
- 1828
95
- Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
- 1771
96
- View of the Walton Bridge, Venus's Temple
- 1757
97
- A View of the House and Part of the Garden at West Wycomb
- 1757
98
- A View of the Casade etc. at West Wycomb
- 1757
99
- A View of the Lake etc. at West Wycomb
- 1757
100
- The 'Jessie' and 'Eliza Jane' in Table Bay, Cape of Good Hope, 1829
- 1829