'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
9
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
10
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
11
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
12
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
13
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
14
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
15
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
16
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
17
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
18
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
19
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
20
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
21
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
22
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
23
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
24
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
25
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
26
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
27
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
28
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
29
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
30
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
31
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
32
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
33
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
34
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
35
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
36
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
37
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
38
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
39
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
40
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
41
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
42
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
43
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
44
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
45
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
46
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
47
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
48
Print made by William Blake, 1757–1827
Pity
ca. 1795
49
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
50
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
51
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
52
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
53
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
54
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
55
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
56
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
57
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
58
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
59
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
60
circle of John Linnell, 1792–1882
Satan before the Throne of God
undated
61
Figures engraved by William Sharp, 1749–1824
Niobe
1792
62
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
63
circle of John Linnell, 1792–1882
The Creation
undated
64
circle of John Linnell, 1792–1882
Behemoth and Leviathan
undated
65
circle of John Linnell, 1792–1882
The Fall of Satan
undated
66
circle of John Linnell, 1792–1882
Job and His Family
undated
67
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
68
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
69
Augustus Welby Northmore Pugin, 1812–1852
Sketches of the Butler-Bowden cope
undated
70
Augustus Welby Northmore Pugin, 1812–1852
Elevation of a Baptismal Font
undated
71
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
72
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
73
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
74
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
75
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
76
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
77
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
78
Print made by Jan de Bisschop, 1628–1671
The Entombment of Christ
1671
79
Joseph Wilton, 1722–1803
Design for a Monument
undated
80
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Borghi
1789
81
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
82
Isaac Fuller, ca. 1620–1672
The Nymph Galatea
undated
83
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
84
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
85
Henry Fuseli, 1741–1825
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
86
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
87
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
88
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
89
Print made by Ralph Hudson, active ca. 1820
Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
90
Print made by Robert Hartley Cromek, 1770–1812
Portrait of Thomas Malkin as a Young Child, Frontispiece