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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms wings
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1
- Jacob's Dream
- 1705
- Not on view
2
- The Angel Binding Satan
- ca. 1797
- Not on view
3
- The Angel of Mercy
- ca. 1746
- Not on view
4
- The Mandrake: A Charm
- exhibited RA 1785
- Not on view
5
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
6
- St. George
- 1891 to 1896
- Not on view
7
- Owl Standing, Anterior View
- 1795 to 1806
8
- Owl Standing, Anterior View
- 1795 to 1806
9
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
10
- Young's Night Thoughts, Page 23, "We censure nature for a span too short"
- ca. 1797
11
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
12
- Mary Magdalen at the Sepulchre
- ca. 1805
13
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
14
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
16
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
17
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
18
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
19
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
20
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
21
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
22
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
23
- Jerusalem, Plate 3, "To the Public...."
- 1804 to 1820
24
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
25
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
26
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
27
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
28
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
29
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
30
- Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
- 1797
31
- Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
- 1804 to 1820
32
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
33
- Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
- 1804 to 1820
34
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
35
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
36
- Jerusalem, Plate 72, "And the Thirty-two Counties...."
- 1804 to 1820
37
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
38
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
39
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
40
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
41
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
42
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
43
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
44
- Songs of Innocence, Plate 16, "Night" (Bentley 20)
- 1789
45
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
46
- Jerusalem, Plate 44, "With one accord...."
- 1804 to 1820
47
- Jerusalem, Plate 46, "Bath, mild Physician...."
- 1804 to 1820
48
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
49
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
50
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
51
- Young's Night Thoughts, Page 27, "O treacherous conscience!"
- ca. 1797
52
- Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
- ca. 1797
53
- Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
- ca. 1797
54
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- ca. 1797
55
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
56
- Aged Ignorance; Plate 13
- 1793
57
- Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
- 1794
58
- Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
- 1789
59
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
60
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
61
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
62
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
63
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
64
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
65
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
66
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
67
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
68
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
69
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- 1797
70
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
71
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
72
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
73
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
74
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
75
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
76
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
77
- From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
- ca. 1720
78
- St. Michael and Lucifer
- undated
79
- Design for a Ceiling
- undated
80
- A Project for the Monument of the Apotheosis of Nelson
- 1806
81
- Design for a Ceiling Decoration
- 1723
82
- Design for a Medal: Figure of Britannia (?) and Fortune (?) or Victory (?)
- undated
83
- The Birth of Venus
- undated
84
- Sir Godfrey Kneller
- 1735
85
- Ticket: For the Benefit of Mr. Salpietro
- 1799
86
- Dido and Aeneas Sheltering in a Cave
- undated
87
- Study of a sculptural group: Mars, Venus and Cupid
- undated
88
- Hercules Beetle
- ca. 1758
89
- Design for a Medal: Seated Women Being Crowned by a Winged Genius
- undated
90
- Vulture and Lamb
- 1799
91
- Wrapper for six prints from Alfred Crowquill's Christmas Pieces
- undated
92
- Venus Crowned by Cupid
- between 1810 and 1815
93
- The Harpies Attacking the Daughters of Pandarus
- 1848
94
- Cupid and Cephisa: "One Day as I was Walking in the Woods..."
- 1789
95
- Ticket: For the Benefit of Mr. Salpietro
- 1799
96
- Ticket to Westminster Abbey
- before 1791
97
- Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
- before 1797
98
- The Archangel Gabriel Awaiting Night
- ca. 1799
99
- Hope Nursing Love
- 1771
100
- Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
- 1853