Creator Gender: male / On-site Access: Accessible by appointment in the Study Room / Date: 1822

1. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Moonlit Scene with a Winding River

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Black and brown wash, gouache, and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Ship Aground, Brighton, with the Chain Pier Beyond

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1827
Materials & Techniques:: Watercolor, black ink, and gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Bacchante

Creator:: Print made by Edward Calvert, 1799–1883
Date:: ca. 1827
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 4 1/16 x 2 9/16 inches (10.3 x 6.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Twelfth Night

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Taming of the Shrew

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Twelfth Night

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Tempest

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Meuse and Sambre, from the Gate of the Sambre

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Meuse and Sambre, from the Gate of the Sambre

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Bouvignes and Dinant

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. Bouvignes and Dinant

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 × 11 9/16 inches (21.4 × 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. Viola and Olivia

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 3/8 inches (16.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Feste, as Sir Topas, addressing Malvolio

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Malvolio abusing Maria, Fabian and Sir Toby

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partly varnished on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 4 5/16 inches (15.5 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Isabella and Mariana Kneeling Before the Duke

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action

Creator:: Anker Smith, 1759–1819
Date:: 1822
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/4 × 36 1/2 inches (66.7 × 92.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Clerks-Well

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 10 3/8in. (33 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Heriot's Hospital

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1822
Materials & Techniques:: Etching with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 20 1/16 inches (34.3 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Winchelsea Castle

Creator:: Henry Morton, ca. 1807–1825
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 7 inches (12.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Bodiam Castle

Creator:: Henry Morton, ca. 1807–1825
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. West View of the Interior of St. Barts the Great

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/2 x 13 1/4in. (26.7 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Interior of the Choir of St. Barts the Great

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 10 1/2in. (33 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. West View of the Interior of the Chapel

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/8 x 12 3/4in. (26.4 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Interior of the Choir of the Priory Church of St. Barts the Great

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 3/4 x 10 3/8in. (32.4 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. View of Part of the Quadrangle of Bridwell Hospital

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Interior of Salters Hall Meeting

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Late Hall of the Company of Salters

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. St. Thomas' Church, Winchelsea

Creator:: Henry Morton, ca. 1807–1825
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 7 1/16 inches (37.8 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Windmill on the Sea Coast Near Hastings

Creator:: Henry Morton, ca. 1807–1825
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/16 × 7 1/2 inches (13.2 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Henry Bone, R. A.

Creator:: James Thomson, 1800–1883
Date:: 1822
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. North Front of Bedford House, Bloomsbury Square

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1822
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 9/16 × 14 inches (29.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Opening of Waterloo Bridge

Creator:: George Cooke, 1781–1834
Date:: 1822
Materials & Techniques:: Etched outline
Dimensions:: Sheet: 7 3/8 x 11 1/4in. (18.7 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Fox-Hunting [set of three of four]: 1.Unkennelling

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 4 1/2 x 14in. (11.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Rumping - Kicking and Kissing - or - Cutting off the Privy Purse ---

Creator:: George Cruikshank, 1792–1878
Date:: 1822
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/8in. (22.2 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Shooting [a pair]: 1. Morning of the first of September

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/16 x 18in. (35.7 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Shooting [set of six]: 1. Partridge Shooting

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 1/8 inches (18.3 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/16 × 9 1/16 inches (17.9 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 3/4 inches (18.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 13/16 inches (18.4 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Morning Ride

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1823
Materials & Techniques:: Graphite and watercolor on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 1/2 inches (18.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Two Riders Seen from Behind, Oct. 10, 1822

Creator:: Sir David Wilkie, 1785–1841
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 11/16 × 7 7/8 inches (24.6 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Foxhunting: The Meet

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1822
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/16 × 26 7/8 inches (24 × 68.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Foxhunting: The Start

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1822
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/2 × 26 13/16 inches (24.1 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Gipsy Encampment

Creator:: Print made by Samuel David Colkett, 1806–1863
Date:: 1822
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 × 8 1/2 inches (13.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P.

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Graphite on very thick, smooth, cream wove paper
Dimensions:: Sheet: 11 × 16 5/8 inches (27.9 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Gorleston, Suffolk

Creator:: Joseph Lambert, active 1822
Date:: 1822
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Lambeth Palace

Creator:: William Bernard Cooke, 1778–1855
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Trees and Cottage

Creator:: James Stark, 1794–1859
Date:: c.1822
Materials & Techniques:: Etching, second state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Quae Genus on his Journey to London

Creator:: Print made by unknown artist
Date:: 1822
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 1/2 x 6in. (24.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A Gypsy, Encampment

Creator:: George Vincent, 1796–1832
Date:: 1822
Materials & Techniques:: Etching
Dimensions:: Sheet: 6 1/4 x 8in. (15.9 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Thomas Moore, Esq.

Creator:: William Thomas Fry, 1789–1843
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. London Horse and Carriage Repository, Gray's Inn Road

Creator:: William Deeble, active 1814–1849
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Heysham and Cumberland Mountains

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1822
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Hornby Castle from Tatham Church

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Heriot's Hospital

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 15 inches (26.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 11 3/4 inches (23.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 11/16 inches (28.9 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1822
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 3/8 inches (27.3 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 17 11/16 inches (30 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. John Bunyan's Meeting House and the School connected therewith

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Queen of Bohemia's Palace, or Crover House in Drury Lane; as it appeared in the Year 1800

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A Ground Plan of Bermondsey Abbey

Creator:: Print made by Robert Wilkinson, 1758–1825
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. South View of London Street Dockhead and Plan of the Parish of St. Mary Magdalen, Bermondrey, Surrey

Creator:: William Wise, Active 1823–1876
Date:: 1822
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

71. Benjamin West

Creator:: Edward Scriven, 1775–1841
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Coronation of King George IV in Westminster Abbey

Creator:: Charles Turner, 1774–1857
Date:: 1822
Materials & Techniques:: Mezzotint and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Regent Street, from Piccadilly

Creator:: John Bluck, active 1791–1831
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Quadrant, Regent Street

Creator:: John Bluck, active 1791–1831
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Richmond, from the Duke of Buedeugh's Garden, Western Suburb

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Richmond, from Petersham Fields

Creator:: Charles J. Hullmandel, 1789–1850
Date:: 1822
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Richmond Bridge

Creator:: Charles J. Hullmandel, 1789–1850
Date:: 1822
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Hungerford Stairs, Westminster

Creator:: George Harley, 1791–1871
Date:: 1822
Materials & Techniques:: Hand-colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. View of the New Theatre Royal, Haymarket

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Twickenham

Creator:: Charles J. Hullmandel, 1789–1850
Date:: 1822
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Linlithgow Palace

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1822
Materials & Techniques:: Etching and engraving; second published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Linlithgow Palace

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 12 11/16 inches (25.1 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: ca. 1827
Materials & Techniques:: Etching and engraving with chine collé; first published state, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 × 12 7/16 inches (24.9 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Kitchen: Interior, Stone Crouch

Creator:: Sir George Hayter, 1792–1871
Date:: 1822
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A Dead Hare and a Cooked Lobster on a Bench

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1827
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 6 1/4 x 10 3/4 inches (15.9 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Studland Dock Yard

Creator:: John Baverstock Knight, 1785–1859
Date:: 1822
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 18 1/2 inches (14.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Street Activity

Creator:: Joseph Nash, 1808–1878
Date:: ca. 1827
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 × 5 9/16 inches (11.1 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Fashionable Men and Women Conversing

Creator:: Joseph Nash, 1808–1878
Date:: ca. 1827
Materials & Techniques:: Graphite on medium, slightly textured, cream wove
Dimensions:: Sheet: 4 7/16 × 5 9/16 inches (11.3 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Margate, Kent

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1822
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Margate, Kent

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1822
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 7/8 inches (22.2 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Margate, Kent

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1822
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1822
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 13/16 inches (21.7 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Moss Dale Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Simmer Lake, near Askrig

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1822
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Moss Dale Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1822
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 19 1/4 inches (34.6 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Moss Dale Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 × 19 5/8 inches (33 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1822
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 14 7/8 × 18 5/8 inches (37.8 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Moss Dale Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 18 1/2 inches (29.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Creator Gender male

On-site Access Accessible by appointment in the Study Room

Date 1822

Search Results

1. A Shepherd and his Flock under the Moon and Stars

2. A Moonlit Scene with a Winding River

3. Ship Aground, Brighton, with the Chain Pier Beyond

4. The Bacchante

5. Twelfth Night

6. Taming of the Shrew

7. Twelfth Night

8. Tempest

9. Meuse and Sambre, from the Gate of the Sambre

10. Meuse and Sambre, from the Gate of the Sambre

11. Bouvignes and Dinant

12. Bouvignes and Dinant

13. Viola and Olivia

14. Feste, as Sir Topas, addressing Malvolio

15. Malvolio abusing Maria, Fabian and Sir Toby

16. Isabella and Mariana Kneeling Before the Duke

17. Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action

18. Clerks-Well

19. Heriot's Hospital

20. Winchelsea Castle

21. Bodiam Castle

22. West View of the Interior of St. Barts the Great

23. Interior of the Choir of St. Barts the Great

24. West View of the Interior of the Chapel

25. Interior of the Choir of the Priory Church of St. Barts the Great

26. View of Part of the Quadrangle of Bridwell Hospital

27. Interior of Salters Hall Meeting

28. The Late Hall of the Company of Salters

29. St. Thomas' Church, Winchelsea

30. Windmill on the Sea Coast Near Hastings

31. Henry Bone, R. A.

32. North Front of Bedford House, Bloomsbury Square

33. Opening of Waterloo Bridge

34. Fox-Hunting [set of three of four]: 1.Unkennelling

35. Rumping - Kicking and Kissing - or - Cutting off the Privy Purse ---

36. Shooting [a pair]: 1. Morning of the first of September

37. Shooting [set of six]: 1. Partridge Shooting

38. Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.

39. Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,

40. Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

41. Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

42. Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.

43. Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

44. Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

45. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

46. Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

47. Morning Ride

48. Two Riders Seen from Behind, Oct. 10, 1822

49. Foxhunting: The Meet

50. Foxhunting: The Start

51. The Gipsy Encampment

52. Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P.

53. Gorleston, Suffolk

54. Lambeth Palace

55. Trees and Cottage

56. Quae Genus on his Journey to London

57. A Gypsy, Encampment

58. Thomas Moore, Esq.

59. London Horse and Carriage Repository, Gray's Inn Road

60. Heysham and Cumberland Mountains

61. Hornby Castle from Tatham Church

62. Heriot's Hospital

63. Tantallon Castle

64. St. Agatha's Abbey, Easby

65. Ingleborough, from Hornby Castle Terrace

66. Merrick Abbey, Swaledale

67. John Bunyan's Meeting House and the School connected therewith

68. The Queen of Bohemia's Palace, or Crover House in Drury Lane; as it appeared in the Year 1800

69. A Ground Plan of Bermondsey Abbey

70. South View of London Street Dockhead and Plan of the Parish of St. Mary Magdalen, Bermondrey, Surrey

71. Benjamin West

72. South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.

73. South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.