Creator Gender: male / On-site Access: Accessible by appointment in the Study Room / Height [cm]: 39

1. Owl Standing, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 10 1/2 inches (39.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red and black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 20 1/2 inches (39.4 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Tiger Skeleton, Lateral View (Study for the key figure to Table IV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen and iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 20 1/4 inches (38.1 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Tiger Body, Lateral View (Outline drawing for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 1/8 inches (36.8 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The First Stage of Cruelty: First, Children Torturing Animals

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. John Wilkes, Esq.

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 15 1/2 x 10 1/4in. (39.4 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A.

8. The First Stage of Cruelty

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

10. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

11. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

12. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

13. Marriage à la Mode, Plate 6

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1745
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

14. Simon Lord Lovat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/4 × 9 3/8 inches (38.7 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

15. Study for the Foundlings

Creator:: William Hogarth, 1697–1764
Date:: ca. 1739
Materials & Techniques:: Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 10 1/2 inches (39.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

17. Ship Aground, Brighton, with the Chain Pier Beyond

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1827
Materials & Techniques:: Watercolor, black ink, and gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A Sea Piece - A Rough Sea with a Fishing Boat

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1830
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 11 5/8 inches (20 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Weymouth

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1811
Materials & Techniques:: Watercolor, pen and brown ink, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 5/8in. (14.6 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Illustrations of The Book of Job; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Job and His Family

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Satan Smiting Job with Sore Boils

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Job and His Family Restored to Prosperity

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Ancient of Days; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief and white-line etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Europe a Prophecy; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief and white-line etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief and white-line etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A Prophecy. "The deep of winter came..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief and white-line etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. "Enitharmon slept. ..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. "In thoughts perturb'd they rose..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. "Albions Angel rose upon the Stone of Night..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Plague (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. "Shot from the heights of Enitharmon..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief and white-line etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. "The shrill winds wake!..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief and white-line etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. "Now comes the night of Enitharmons joy!..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Famine (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief and white-line etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "Arise 'O Rintrah eldest born..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief and white-line etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Ciampolo the Barrator Tormented by the Devils (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Serpent Attacking Buoso Donati (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Dante Striking against Bocca Degli Abati (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Night the First. On Life, Death, and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Europe. A Prophecy

Creator:: Print made by William Blake, 1757–1827
Date:: 1793, printed 1795
Materials & Techniques:: Bound volume of 17 relief etchings printed in dark brown ink, with watercolor and oil paint added posthumously, on 17 leaves
Dimensions:: Spine: 15 3/8in. (39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Satan before the Throne of God

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Overall: 15 1/2 × 10 3/8 inches (39.4 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

56. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Sketches of a Prostrate Woman

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 22 3/4 inches (39.4 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

58. John Henderson as Falstaff

Creator:: George Romney, 1734–1802
Date:: 1780
Materials & Techniques:: Gray ink and gray wash with pen and black ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/2 x 12 1/2 inches (39.3 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

59. Henry Bennet, 1st Earl of Arlington

Creator:: Jacobus Houbraken, 1698–1780
Date:: 1739
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 9 3/4 inches (39.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Third Cavalry in Ghent

Creator:: Gerald Spencer Pryse, 1882–1956
Date:: 1915
Materials & Techniques:: Color lithograph
Dimensions:: Sheet: 15 7/16 x 24 1/2in. (39.2 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

61. South East View of Netley Abbey, Near Southampton

Creator:: James Mason, 1710–1783
Date:: 1755
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/2 x 21in. (39.4 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A Calm

Creator:: Print made by John Boydell, 1720–1804
Date:: 1754
Materials & Techniques:: Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/16 x 21 1/8 inches (38.9 x 53.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Noon

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/16 x 21 inches (39.2 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Nautch Dancers

Creator:: Print made by Charles William Cain, 1893–1962
Date:: ca. 1925
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 19 1/16 inches (39.3 x 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

65. Prague

Creator:: Thomas Shotter Boys, 1803–1874
Date:: ca. 1847
Materials & Techniques:: Watercolor, pen and black ink, brown ink, red ink, gouache, graphite, and scraping out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 15/16 inches (38.7 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Changing Horses Near Clermont

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Inn Yard at Calais

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Breakfast at Breteuil

Creator:: unknown artist
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

Creator:: Print made by William Clerk, ? 19th c.
Date:: after 1840
Materials & Techniques:: Hand-colored lithograph on moderately thick, smooth, beige card
Dimensions:: Sheet: 15 3/16 x 18 3/4 inches (38.6 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Hadleigh Castle, Large Plate

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830 to 1832
Materials & Techniques:: Mezzotint; proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 19 1/2 inches (38.7 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Aqueous Equinox

Creator:: John Tunnard, 1900–1971
Date:: 1944
Materials & Techniques:: Watercolor, black chalk, gouache, pen and black ink, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

73. 'Volunteer'

Creator:: George Townly Stubbs, 1748–1815
Date:: 1794
Materials & Techniques:: Etching with stipple, first state
Dimensions:: Sheet: 15 15/16 x 19 7/8in. (40.5 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. [Shooting] The Spanish Pointer

Creator:: William Woollett, 1735–1785
Date:: 1768
Materials & Techniques:: Engraving and etching, first state
Dimensions:: Sheet: 17 1/2 x 22 1/8in. (44.4 x 56.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Labourers

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, second state, finished proof
Dimensions:: Sheet: 17 7/16 x 25 5/8in. (44.3 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Game Keepers. To the Right Honorable. Lord Viscount Torrington

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Uncolored proofs, open letter
Dimensions:: Sheet: 15 5/16 x 25 5/8in. (38.9 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Game Keepers. To the Right Honorable. Lord Viscount Torrington

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, color printed
Dimensions:: Sheet: 15 5/16 x 25 5/8in. (38.9 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Labourers

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, printed in color on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 x 26 inches (43.5 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Shooting, Plate III

Creator:: William Woollett, 1735–1785
Date:: 1770
Materials & Techniques:: Engraving with etching
Dimensions:: Sheet: 17 1/2 x 21 15/16in. (44.4 x 55.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Shooting, Plate I

Creator:: William Woollett, 1735–1785
Date:: 1769
Materials & Techniques:: Engraving and etching, fifth published state
Dimensions:: Sheet: 17 1/2 x 21 3/4in. (44.5 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Shooting, Plate II

Creator:: William Woollett, 1735–1785
Date:: 1770
Materials & Techniques:: Engraving with etching, fifth state
Dimensions:: Image: 15 1/2 x 20 13/16in. (39.4 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Shooting, Plate IV

Creator:: William Woollett, 1735–1785
Date:: 1771
Materials & Techniques:: Engraving with etching
Dimensions:: Sheet: 17 1/2 x 21 15/16in. (44.4 x 55.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Richard, Lord Viscount Howe

Creator:: Print made by James Watson, 1740–1790
Date:: 1778
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/2 × 11 1/2 inches (39.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. George Monck, Duke of Albemarle

Creator:: Print made by William Sherwin, 1645–1711
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 12 3/8 inches (39.4 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Mrs. Abington

Creator:: Print made by Elizabeth Judkins, active 1772–1775
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/16 × 11 3/8 inches (38.9 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Marchioness Camden

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: between 1782 and 1810
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 1/16 × 15 1/8 inches (51 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Edmund Burke

Creator:: Print made by James Watson, 1740–1790
Date:: 1770
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, beige laid paper
Dimensions:: Plate: 14 15/16 × 10 7/8 inches (37.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Jemima, Countess Cornwallis

Creator:: Print made by James Watson, 1740–1790
Date:: 1772
Materials & Techniques:: Mezzotint (second state) on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 9/16 inches (40.3 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Viscountess Duncannon

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: ca. 1785
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/16 x 11 11/16 inches (41.4 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. The Honorable Frances Ingram

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 7/16 × 11 1/2 inches (39.2 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Eliza

Creator:: Print made by John Young, 1755–1825
Date:: 1786
Materials & Techniques:: Mezzotint (second state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 11 3/8 inches (39.4 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. Catherine, Viscountess Hampden

Creator:: Print made by John Young, 1755–1825
Date:: 1786
Materials & Techniques:: Mezzotint (second state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 12 inches (39.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. The Right Honourable Lady Charlotte Campbell

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1799
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 3/16 inches (39.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Master Lambton

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1827
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 14 1/4 inches (47 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1833
Materials & Techniques:: Mezzotint with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/4 × 17 1/2 inches (55.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Julia, Lady Peel

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1832
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 11/16 x 14 3/8 inches (45 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. The Ecstasy of St. Francis

Creator:: Print made by William Say, 1768–1834
Date:: 1809
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 16 1/2 inches (54.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. The Musical Boy

Creator:: Print made by James Watson, 1740–1790
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/16 × 11 1/4 inches (38.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. La Signora Zamperini in the Character of Cecchina

Creator:: Print made by John Finlayson, 1730–1776
Date:: 1769
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 7/16 x 11 5/16 inches (39.2 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. Sylvia

Creator:: Print made by Peltro W. Tomkins, 1760–1840
Date:: 1786
Materials & Techniques:: Stipple engraving on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 16 5/8 × 13 5/16 inches (42.2 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Creator Gender male

On-site Access Accessible by appointment in the Study Room

Height [cm] 39

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1. Owl Standing, Anterior View

2. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

3. Tiger Skeleton, Lateral View (Study for the key figure to Table IV)

4. Tiger Body, Lateral View (Outline drawing for a key figure)

5. The First Stage of Cruelty: First, Children Torturing Animals

6. The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

7. John Wilkes, Esq.

8. The First Stage of Cruelty

9. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

10. The First Stage of Cruelty: Children Torturing Animals

11. The Fourth Stage of Cruelty: The Reward of Cruelty

12. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

13. Marriage à la Mode, Plate 6

14. Simon Lord Lovat

15. Study for the Foundlings

16. Winchelsea, Sussex

17. Ship Aground, Brighton, with the Chain Pier Beyond

18. A Sea Piece - A Rough Sea with a Fishing Boat

19. Weymouth

20. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

21. The Christian Triumph; Title Page

22. 'His hand the good man fastens on the skies' (Page 86)

23. 'If angels tremble, 'tis at such a sight' (Page 93)

24. Illustrations of The Book of Job; Title Page

25. Job and His Family

26. Satan Smiting Job with Sore Boils

27. Job and His Family Restored to Prosperity

28. The Ancient of Days; Frontispiece (Plate 1)

29. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

30. "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

31. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

32. Europe a Prophecy; Title Page (Plate 2)

33. Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)

34. "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

35. A Prophecy. "The deep of winter came..." (Plate 5)

36. "Enitharmon slept. ..." (Plate 10)

37. "In thoughts perturb'd they rose..." (Plate 11)

38. "Albions Angel rose upon the Stone of Night..." (Plate 12)

39. Plague (Plate 13)

40. "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)

41. "Shot from the heights of Enitharmon..." (Plate 17)

42. "The shrill winds wake!..." (Plate 6)

43. "Now comes the night of Enitharmons joy!..." (Plate 7)

44. Famine (Plate 8)

45. "Arise 'O Rintrah eldest born..." (Plate 9)

46. Ciampolo the Barrator Tormented by the Devils (Plate 2)

47. The Serpent Attacking Buoso Donati (Plate 5)

48. Dante Striking against Bocca Degli Abati (Plate 7)

49. Night the First. On Life, Death, and Immortality; Title Page

50. 'We censure nature for a span too short' (Page 23)

51. 'The vale of death! that hush'd cimmerian vale' (Page 54)

52. 'The thunder, if in that the Almighty dwells' (Page 80)

53. 'His hand the good man fastens on the skies' (Page 86)

54. Europe. A Prophecy

55. Satan before the Throne of God

56. 'Behold him, when past by; what then is seen' (Page 25)

57. Sketches of a Prostrate Woman

58. John Henderson as Falstaff

59. Henry Bennet, 1st Earl of Arlington

60. The Third Cavalry in Ghent

61. South East View of Netley Abbey, Near Southampton

62. A Calm

63. Noon

64. The Nautch Dancers

65. Prague

66. Changing Horses Near Clermont

67. Returning from a Review...Paris

68. Inn Yard at Calais

69. Breakfast at Breteuil

70. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

71. Hadleigh Castle, Large Plate

72. Aqueous Equinox

73. 'Volunteer'