Creator Gender: male / On-site Access: Accessible by appointment in the Study Room / Height [cm]: 55

George Stubbs, 1724–1806

Fowl Skeleton, Lateral View (Finished Study for Table V)

between 1795 and 1806

George Stubbs, 1724–1806

Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Between 1795 and 1806

John Constable, 1776–1837

Male Nude

1808

Edward Lear, 1812–1888

Plyctolophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)

1832

Edward Lear, 1812–1888

Plyctophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)

1832

Edward Lear, 1812–1888

Psittacara Naria / Dwarf Parrakeet Maccaw (Plate 12)

1832

Edward Lear, 1812–1888

Red-capped Parrakeet , male (Plate 21)

1832

Print made by David Lucas, 1802–1881

Salisbury Cathedral

1837

Robert Pollard, 1755–1838

Vaux-Hall

1785

Victor Marie Picot, 1744–1805

A Pastoral Scene with Cow

1777

Print made by James Ward, 1769–1859

The Douglas Children

1796

Print made by Thomas Watson, 1743–1781

Francis Bartolozzi, R.A

1785

Print made by James Ward, 1769–1859

John Dunning, 1st Baron Ashburton, with Colonel Isaac Barre and William Petty, 2nd Earl of Shelburne, Marquis of Lansdowne

1847

Print made by John Raphael Smith, 1752–1812

Lady Catherine Pelham Clinton

1782

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Print made by Samuel Cousins, 1801–1887

Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart

1833

Print made by James Watson, 1740–1790

Carolina Matilda, Queen of Denmark

undated

Print made by George Maile, active 1824–1840

A French Lady

1830

Print made by Charles Turner, 1774–1857

La Baiser Envoye

1807

Print made by John Murphy, ca. 1748–1820

The Brothers of Joseph Showing his Bloody Coat

1782

Print made by Jonathan Peter Pichler, 1765–1807

Flower Piece

1806

Print made by William Sharp, 1749–1824

William Sharp

1817

Print made by Edward Savage, 1761–1817

Benjamin Franklin

1793

Print made by Richard Houston, ca. 1721–1775

Miss Harriet Powell

1769

Print made by Richard Earlom, 1743–1822

The Enchantress

1786

Print made by Richard Earlom, 1743–1822

The Enchantress

1786

Print made by John Finlayson, 1730–1776

The Tinker

1770

Print made by Robert Laurie, 1755?–1836

The Full of the Honeymoon

1789

Print made by Paul Adolphe Rajon, 1842–1888

Charles Robert Darwin

1882

Print made by Joseph Bishop Pratt, 1854–1910

Mrs. Gregory

1898

James Wyatt, 1746–1813

Design for Little Frogmore: Elevation

1791

Sir David Wilkie, 1785–1841

Study for "The First Ear-Ring"

before 1834

William Turner of Oxford, 1789–1862

Scene near Shipton on Cherwell, Oxfordshire

1835

Print made by Johann Jacobus Haid, 1704–1767

Le Chant

undated

Print made by Johann Jacobus Haid, 1704–1767

La Tourterelle

undated

Marie C. Prestel, 1747–1794

A Country Churchyard. Verse from Gray's Elegy

1790

Anker Smith, 1759–1819

Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action

1822

William Ward, 1766–1826

Daughters of Sir Thomas Frankland

1797

John Rubens Smith, 1775–1849

Breaking the Ice

1798

John Raphael Smith, 1752–1812

Cottage Family

1803

John Raphael Smith, 1752–1812

Shepherd's Meal

1803

John Martin, 1789–1854

The Destroying Angel

1836

John Martin, 1789–1854

The Crucifixion

1834

Print made by Samuel William Reynolds, 1773–1835

Death of Captain Alexander Hood

1798

Print made by unknown artist

Titania and Bottom

undated

Francis Legat, 1755–1809

"King Lear", Act V, Scene III

1792

Sir Stanley Spencer, 1891–1959

The Marriage Feast at Cana, 1952

1952

Print made by Edward Goodall, 1795–1870

Caligula's Palace and Bridge, Bay of Baiæ

1842

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by William Miller, 1796–1882

Venice, the Piazzetta

1853-1874

Print made by John Samuel Agar, ca. 1773–1858

Anne (née Bermingham) Caulfield, Countess of Charlemont

1812

Print made by James C. Allen, active 1821–1831

Harborough Sands

ca. 1830

John Skinner Prout, 1806–1876

The Church of St. Laurent

undated

Giovanni Battista Borra, 1713–1770

Plan of the Temple of Artemis at Ephesus

ca. 1750

Giovanni Battista Borra, 1713–1770

Sepolcro di Zagaria

ca. 1750

Giovanni Battista Borra, 1713–1770

Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea

ca. 1750

Giovanni Battista Borra, 1713–1770

Plan of Jerusalem

ca. 1750

James Hakewill, 1778–1843

Mill Yard, Holland Estate, St. Thomas in the East

between 1820 and 1821

James Hakewill, 1778–1843

Holland Estate, St. Thomas in the East, View from the Change of Air House

between 1820 and 1821

James Hakewill, 1778–1843

Holland Estate, St. Thomas in the East, Jamaica

between 1820 and 1821

Print made by Thomas Shotter Boys, 1803–1874

St. Paul's from Ludgate Hill

1842

Print made by Johann Jacobus Haid, 1704–1767

S. Jacobus Major

undated

Print made by Johann Jacobus Haid, 1704–1767

S. Ionnes

undated

John Faber the Younger, ca. 1695–1756

Her Grace the duchess of Marlborough

Print made by Paul van Somer II, ca. 1649–1714

Louise, Duchess of Portsmouth

ca. 1680

Print made by Andreas van der Myn, born 1714

Miss Anna Maria Falkner

between 1750 and 1768

Print made by unknown artist

The Lady Essex Finch

between 1681 and 1685

Richard Purcell, active 1746–1766

Lady Fenoulhet (Miss Day)

James McArdell, ca. 1729–1765

The Honourable Susanna Fitzpatrick

John Faber the Younger, ca. 1695–1756

Mrs. Faber

James Watson, 1740–1790

Miss Fordyce

William Ward, 1766–1826

Portrait of John Cotes, Esquire, M.P. for the County of Salop

1810

Print made by Charles Turner, 1774–1857

Two Durham Oxen

1828

John Jones The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

John Jones, ca. 1745–1797

The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ..

1791

George Townly Stubbs, 1748–1815

Warren Hastings on his Arabian Horse

ca. 1796

Print made by Charles Howard Hodges, 1764–1837

Guardian Angels

1786

James Wyatt, 1746–1813

Hinton St. George, Somerset: Plan of Staircase

1804

James Hakewill, 1778–1843

Llanrumny Estate, St. Mary's, Jamaica

between 1820 and 1821

James Hakewill, 1778–1843

Lyssons Estate, St. Thomas in the East, Jamaica

between 1820 and 1821

Francis Jukes, 1747–1812

View of the Forth, Including the Queen's Ferry

1792

John Jones, ca. 1745–1797

Beatrice, Hero and Ursula

ca. 1771

Charles Hunt [Racing] The British Stud: Pl. 5. (lower left) "Rebecca" / Bred by R. Cock, Esqr. in 1831 ... ; (lower right) "Muley Moloch" / Bred by the Duke of Cleveland, in 1830 ...

Charles Hunt, 1803–1877

[Racing] The British Stud: Pl. 5. (lower left) "Rebecca" / Bred by R. Cock, Esqr. in 1831 ... ; (lower right) "Muley Moloch" / Bred by the Duke of Cleveland, in 1830 ..

1845

Print made by S. W. Fores, 1761–1838

Hog Hunting: The Find

ca. 1840

Henry Simon Thomassin, 1687–1741

Portrait of Caravaggio

between 1710 and 1741

Charles Robert Cockerell Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

Charles Robert Cockerell, 1788–1863

Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

1816