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On-site Access Accessible by appointment in the Study Room

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Subject Terms vicar

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1. The Vicar Selling his Horse

The Vicar Selling his Horse
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Surprise

The Surprise
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Family Picture

The Family Picture
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Fair Penitent

The Fair Penitent
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Attendance on a Nobleman

Attendance on a Nobleman
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Scold, with News of Olivia

The Scold, with News of Olivia
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Vicar Preaching to the Prisoners

The Vicar Preaching to the Prisoners
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Enraged Vicar

The Enraged Vicar
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/16 x 7 5/16 inches (12.9 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Vicar of Wakefield: Frontispiece

The Vicar of Wakefield: Frontispiece
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Welcome

The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Vicar's Family on the Road to Church

The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Fortune-Telling

Fortune-Telling
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Dr Syntax Meditating on the Tombstones

Dr Syntax Meditating on the Tombstones
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and red ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 7/16 inches (11.3 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Esquire's Intrusion

The Esquire's Intrusion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Dance

The Dance
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Departure from Wakefield

The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Dr O'Meara Preaching

Dr O'Meara Preaching
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Watercolor over graphite with pen and dark gray ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 2 7/8 inches (10.5 x 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Laurence Sterne, A.M.

Laurence Sterne, A.M.
Creator:
Edward Fisher, 1722–1785
Date:
1760
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 15/16 × 11 inches (37.9 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Laurence Sterne, A.M.

Laurence Sterne, A.M.
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1760
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/16 × 10 15/16 inches (38.2 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. Laurence Sterne, A.M.

Laurence Sterne, A.M.
Creator:
Edward Fisher, 1722–1785
Date:
1760
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/8 x 11 3/4 inches (39.7 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Reverend William Lort Mansel, Lord Bishop of Bristol

No cover image available
Creator:
William Say, 1768–1834
Date:
1812
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 15/16 × 13 7/8 inches (50.6 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Thomas Leland

No cover image available
Creator:
John Dean, 1754–1798
Date:
1777
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 15 × 10 1/2 inches (38.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection