Creator Gender: male / On-site Access: Accessible by appointment in the Study Room / Subject Terms: window

1. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/16 x 8 1/2 inches (25.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching retouched with black ink, watercolor, gray gouache, and white gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 3/16 inches (12.3 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper (Japanese paper)
Dimensions:: Sheet: 8 3/4 x 6 7/16 inches (22.2 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 10 1/4 inches (30 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. Paul Before Felix Burlesqued

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching with line engraving and mezzotint
Dimensions:: Sheet: 10 1/4 × 15 1/2 inches (26 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

8. "A brace of warriors... rustling in their silks and tissues..."(Design 27)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "Up stairs in a whirlwind rattle..." (Design 29)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Progress of Poesy, A Pindaric Ode; Title Page

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Le Repos

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 7/8 inches (36.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Fille d'Auberge

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1774
Materials & Techniques:: Etching and drypoint on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 1/16 x 7 3/4 inches (25.5 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Woman Praying in Church

Creator:: Print made by Rudolph Stanley-Brown, 1889–1944
Date:: undated
Materials & Techniques:: Drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 10 3/16 inches (44.4 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

14. Postiglione Inglese

Creator:: Print made by Charles Bretherton, ca. 1760–1783
Date:: 1772
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 11/16 x 8 3/8 inches (27.2 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Lillebonne - Château d'Harcourt

Creator:: Richard Parkes Bonington, 1802–1828
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 9 15/16 x 6 13/16in. (25.3 x 17.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. Untitled (one of three)

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Lithograph, with white gouache and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 x 2 5/16 inches (7.3 x 5.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

17. Levens, Westmoreland, The Small Drawing Room

Creator:: Joseph Nash, 1808–1878
Date:: 1873
Materials & Techniques:: Watercolor, gouache, and pen, with black, ink, brown ink and red ink, with traces of graphite on thick, moderately textured, beige wove paper
Dimensions:: Mount: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Visionary

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1833
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 9/16 x 11 1/8 inches (42 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. The Engineer

Creator:: Print made by Butler Clowes, active 1768, died 1782
Date:: ca. 1770
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 5/16 × 10 3/8 inches (36.4 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. Aqua

Creator:: Print made by Johan Danckerts, 1615–ca. 1687
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 x 7 1/2 inches (24.2 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. The Recruiting Officer

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Man at Window

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/8 x 7 1/2in. (23.2 x 19cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. Les Plaisirs Paternels

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 13/16 x 5 13/16 inches (19.8 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Feste, as Sir Topas, addressing Malvolio

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Launce with his Dog Crab

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream laid paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 6 1/2in. (20.6 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Before Mass

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1927
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, green-beige laid paper
Dimensions:: Sheet: 10 5/8 x 8 3/16 inches (27 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. The Spell, or Hobnelia

Creator:: Print made by James Walker, 1748–1808
Date:: 1783
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/8 × 15 1/4 inches (53.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Madona Col Bambino

Creator:: John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 3/4 × 15 1/8 inches (52.7 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Right Reverent Thomas Newton, D.D.

Creator:: James Watson, 1740–1790
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 18 5/16 × 14 1/16 inches (46.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Hon. James Yorke, Bishop of Ely

Creator:: Charles Turner, 1774–1857
Date:: 1810
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 14 9/16 inches (52.1 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The West Window of the Chapel, New College Oxford:

Creator:: Richard Earlom, 1743–1822
Date:: 1785
Materials & Techniques:: Stipple engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 1/16 × 19 1/8 inches (66.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Stained Glass Window of St. Catherine from Heston Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 × 10 3/4 inches (45.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Stained Glass in the East Window of Hanworth Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Chancel Window of Hanworth Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Lovelace in Prison

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Viba

Creator:: Print made by Gerald Leslie Brockhurst, 1890–1978
Date:: 1929
Materials & Techniques:: Etching, stipple engraving, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 11 1/16 inches (34.9 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

37. Winter Afternoon

Creator:: Print made by Francis Dodd, 1874–1949
Date:: 1910
Materials & Techniques:: Drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 x 11 5/16 inches (40.9 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

38. Roslyn

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1899
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 8 5/8 inches (32.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

39. St. Mark's No. 2

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 9 3/8 inches (35.6 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

40. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Cairo Bazaar

Creator:: William James Muller, 1812–1845
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 12 11/16 inches (24.1 x 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift

43. Elisha on His Death-Bed (II Kings 12:17)

Creator:: Richard Westall, 1765–1836
Date:: before 1835
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 1/4 x 5 1/4 inches (8.3 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. James Paine and his Son

Creator:: Print made by James Watson, 1740–1790
Date:: 1767
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 × 13 1/8 inches (45.7 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Cupid and Psyche

Creator:: Print made by William Say, 1768–1834
Date:: 1816
Materials & Techniques:: Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Madona col Bambino

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint (Ham.II) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 14 3/8 inches (51.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. The Quakers' Meeting

Creator:: Print made by Isaac Beckett, 1652/3–1719
Date:: between 1683 and 1688
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 7 1/16 inches (24.8 × 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. London Cries: "Any Kitchen Stuff"

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor and black chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 3/4 inches (19.1 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Queen Anne Boleyn's Room, Windsor Castle

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 inches (10.5 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation

Creator:: Peter Simon, 1750–1810
Date:: 1789
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

52. Lady Hamilton as the Spinster

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1789
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 15/16 × 10 9/16 inches (40.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. The Quakers' Meeting

Creator:: Print made by Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 8 3/8 inches (28.9 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. The Social Friends

Creator:: Print made by John Greenwood, 1727–1792
Date:: 1768
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 11 7/16 inches (40 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. A Cottage Wall and Window

Creator:: attributed to James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Dominica: View from Mrs. Ogilvy's lodging-house window at Roseau

Creator:: Lionel Grimston Fawkes, 1849–1931
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Twelfth Night, Act III, Scene IV: Olivia's House

Creator:: Thomas Ryder, 1746–1810
Date:: 1803
Materials & Techniques:: Stipple engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and engraving; first published state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Doorway and Window of a Church

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 15/16 × 9 7/16 inches (32.9 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A House with an Open Window, perhaps painted in Brittany

Creator:: James McNeill Whistler, 1834–1903
Date:: late 1890s
Materials & Techniques:: Watercolor on linen mounted on card
Dimensions:: Sheet: 5 × 8 1/2 inches (12.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Sketch of English Country Churches

Creator:: John Piper, 1903–1992
Date:: ca. 1950
Materials & Techniques:: Pen and black ink with white gouache on medium, smooth, cream wove paper, mounted to moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 6 5/8 × 8 5/8 inches (16.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Tattersall's Training School

Creator:: unknown artist
Date:: 1771
Materials & Techniques:: Pen and gray ink, brown ink, graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 12 3/8 × 14 7/16 inches (31.4 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. How to Vault in the Saddle

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Four O'Clock in the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1788 and 1790
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Double Deliverance, 1588–1605

Creator:: Print made by unknown artist
Date:: 1621
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 20 1/2 inches (39.7 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. And Ah! Let Pity Turn Her Dewy Eyes...

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/16 x 10 9/16 inches (35.7 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Girl Writing

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 15/16 x 6 15/16 inches (20.2 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Girl at a Window

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 7/8 x 5 11/16 inches (20 x 14.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Durham Cathedral

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire II, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 18 inches (33 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Inside View of the Hall of Christ Church

Creator:: Print made by James Basire II, 1769–1822
Date:: 1807
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/8 inches (34 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Stoke Poges

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1918
Materials & Techniques:: Etching; 6th state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 1/2 inches (21.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

73. Vestibule at Newby Hall

Creator:: John Buckler FSA, 1770–1851
Date:: 1813
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Stanley Pontlarge

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching; 1st state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 8 3/4 inches (19.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

75. Stoke Poges

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1918
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 1/8 inches (16.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

76. Before Mass

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1926
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 8 1/16 inches (25.2 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

77. The Greengrocer

Creator:: James Pollard, 1792–1867
Date:: ca. 1819
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 10 7/8 inches (22.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. A Christening in Chevening Church, Kent

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Graphite and white chalk on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Rustic Lover

Creator:: Francis Wheatley, 1747–1801
Date:: 1786
Materials & Techniques:: Watercolor with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 x 13 3/4 inches (43.2 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Inside View of Tintern Abbey looking from the Nave to the East Window

Creator:: Thomas Sunderland, 1744–1828
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 10 5/8 inches (38.1 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Designs for Gothic Screen, Crucifix and Stained Glass Window

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, blue wove paper
Dimensions:: Sheet: 9 3/4 × 15 5/8 inches (24.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Window West End, South Aisle, Saint Vincent

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Design for an Ornamental Cartouche: Samuel Garth

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 2 11/16 x 2 15/16 inches (6.8 x 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Casemates

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 2 7/8 inches (10.5 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Brackenborough Church, Wiltshire

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 9 inches (31.8 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Chantrey's Studio

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 3/4 x 4 1/2 inches (12.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Two Peasants by a Window

Creator:: attributed to William Henry Hunt, 1790–1864
Date:: undated
Materials & Techniques:: Watercolor and charcoal with graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 4 3/4 inches (20 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Girl in a Red Belt

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 4 5/8 x 3 3/4 inches (11.7 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A Lady Reading

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1835
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 1/2 x 8 inches (29.2 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. A Mother and Two Children

Creator:: Benjamin West, 1738–1820
Date:: 1786
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 10 5/8 inches (29.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A View of Worcester College &c.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1804
Materials & Techniques:: Etching and engraving; engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A View of Worcester College &c.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1804
Materials & Techniques:: Etching and engraving; published state, late impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 18 1/4 inches (36.2 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. View of the Cathedral of Christ Church, and Part of Corpus Christi College

Creator:: Print made by James Basire II, 1769–1822
Date:: 1808
Materials & Techniques:: Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Part of Balliol College Quadrangle

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1809
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 18 3/8 inches (36.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire II, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. View of the Cathedral of Christ Church, and Part of Corpus Christi College

Creator:: Print made by James Basire II, 1769–1822
Date:: 1811
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Christ Church Cathedral and Part of Corpus Christi College

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: 1820
Materials & Techniques:: Etching and engraving; published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 3/8 inches (29.8 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Part of Balliol College Quadrangle

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: 1820
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Winchester Cross

Creator:: Print made by Joseph Powell, 1780–1834
Date:: 1800
Materials & Techniques:: Etching and engraving; engraver's proof on medium, smooth, cream laid paper
Dimensions:: Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Winchester Cross

Creator:: Print made by Joseph Powell, 1780–1834
Date:: 1800
Materials & Techniques:: Etching and engraving; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1. Christmas

2. The Herdsman's Cottage

3. The Herdsman's Cottage

4. Christmas

5. Christmas

6. Christmas

7. Paul Before Felix Burlesqued

8. "A brace of warriors... rustling in their silks and tissues..."(Design 27)

9. "Up stairs in a whirlwind rattle..." (Design 29)

10. The Progress of Poesy, A Pindaric Ode; Title Page

11. Le Repos

12. Fille d'Auberge

13. Woman Praying in Church

14. Postiglione Inglese

15. Lillebonne - Château d'Harcourt

16. Untitled (one of three)

17. Levens, Westmoreland, The Small Drawing Room

18. The Visionary

19. The Engineer

20. Aqua

21. The Recruiting Officer

22. Man at Window

23. Les Plaisirs Paternels

24. Feste, as Sir Topas, addressing Malvolio

25. Launce with his Dog Crab

26. Before Mass

27. The Spell, or Hobnelia

28. Madona Col Bambino

29. The Right Reverent Thomas Newton, D.D.

30. Hon. James Yorke, Bishop of Ely

31. The West Window of the Chapel, New College Oxford:

32. Stained Glass Window of St. Catherine from Heston Church

33. Stained Glass in the East Window of Hanworth Church

34. The Chancel Window of Hanworth Church

35. Lovelace in Prison

36. Viba

37. Winter Afternoon

38. Roslyn

39. St. Mark's No. 2

40. Death of the Strong Wicked Man

41. The Soul Hovering over the Body reluctantly Parting with Life

42. Cairo Bazaar

43. Elisha on His Death-Bed (II Kings 12:17)

44. James Paine and his Son

45. Cupid and Psyche

46. Madona col Bambino

47. The Quakers' Meeting

48. London Cries: "Any Kitchen Stuff"

49. Queen Anne Boleyn's Room, Windsor Castle

50. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

51. Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation

52. Lady Hamilton as the Spinster

53. The Quakers' Meeting

54. The Social Friends

55. A Cottage Wall and Window

56. Dominica: View from Mrs. Ogilvy's lodging-house window at Roseau

57. Twelfth Night, Act III, Scene IV: Olivia's House

58. St. Herbert's Chapel

59. Doorway and Window of a Church

60. A House with an Open Window, perhaps painted in Brittany

61. Sketch of English Country Churches

62. Tattersall's Training School

63. How to Vault in the Saddle

64. Four O'Clock in the Country

65. The Double Deliverance, 1588–1605

66. And Ah! Let Pity Turn Her Dewy Eyes...

67. Girl Writing

68. Girl at a Window

69. Durham Cathedral

70. Inside View of the East End of Merton College Chapel

71. Inside View of the Hall of Christ Church

72. Stoke Poges

73. Vestibule at Newby Hall