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Creator Gender male

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Date 1661

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Portrait
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 11 15/16 x 8 15/16in. (30.3 x 22.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Head of a Young Man
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 12 1/4 x 10 7/16in. (31.1 x 26.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Marie Overie
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1661
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Charles Stuart, third Duke of Richmond and sixth Duke of Lennox
Creator:
Samuel Cooper, 1609–1672
Date:
between 1661 and 1667
Materials & Techniques:
Watercolor and gouache with gold on parchment laid down on card
Dimensions:
Sheet: 2 3/4 x 2 1/4 inches (7 x 5.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Bartley
Creator:
Richard Tompson, died 1693
Date:
ca. 1666
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 9 5/8 x 13 1/4in. (24.4 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
Masonic Symbol
Creator:
Print made by Prince Rupert, 1619–1682
Date:
1661
Materials & Techniques:
Mezzotint on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 7 5/8 × 6 5/8 inches (19.4 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Titian

Titian
Creator:
Print made by Jan Thomas of Ypres, 1617–1678
Date:
1661
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 9 3/4 inches (31.8 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund