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London Cries: "Any Kitchen Stuff"
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor and black chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 5 3/4 inches (19.1 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: Shoe Cleaner
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Gray, pink, and blue wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: A Milkmaid
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 5 7/8 inches (22.2 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 5 7/8 inches (19.7 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Men Playing Backgammon
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 11/16 x 8 9/16 inches (29.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Men Playing Cards
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint with etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 8 7/16 inches (29.2 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund