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Creator Gender male

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Date 1756

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Creator Barry, James, 1741–1806

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Rome, A View of the Arch of Constantine with Other Ruins
Creator:
James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 16 3/4 inches (15.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Male with Arms Spread Wide Seen from Behind
Creator:
James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Brown wash, pen and brown ink, black chalk, graphite, and white gouache on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 11 3/4 inches (50.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Samuel Johnson
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 3 13/16 inches (13.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Herman W. Liebert
St. Sebastian
Creator:
Print made by James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 × 6 3/4 inches (27.1 × 17.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for Saint Sebastian
Creator:
James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Pen and brown ink, gouache and graphite on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sacra Christi Familia
Creator:
Print made by James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 3/16 × 10 inches (33.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund