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1. Brown Horse in a Hilly Landscape

Brown Horse in a Hilly Landscape
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Alcibiades and Timon

Alcibiades and Timon
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 × 10 5/16 inches (28.1 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Elevation of the Ordnance Office

Elevation of the Ordnance Office
Creator:
unknown artist
Date:
after 1780
Materials & Techniques:
Watercolor with gouache and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 11/16 x 21 9/16 inches (34.7 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Italianate Landscape with Castle, Cascade and Anglers

Italianate Landscape with Castle, Cascade and Anglers
Creator:
Paul Sandby, 1731–1809
Date:
between 1780 and 1790
Materials & Techniques:
Watercolor and pen and brown ink and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 x 10 1/2 inches (37.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A Man-Trap

A Man-Trap
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
c.1780
Materials & Techniques:
Mezzotint on laid paper
Dimensions:
Plate: 13 15/16 x 11 1/2in. (35.4 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Creator:
J. Couse, active 1750
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A View of Little St. Mark's Place at Venice to the Sea

A View of Little St. Mark's Place at Venice to the Sea
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Creator:
Remi Parr, active 1723–1750
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Ladies' Shooting Poney

The Ladies' Shooting Poney
Creator:
Engraved by unknown artist
Date:
1780
Materials & Techniques:
Hand-colored mezzotint on wove paper
Dimensions:
Plate: 14 x 10in. (35.6 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A Perspective View of the Town and Fortifications of Malta

A Perspective View of the Town and Fortifications of Malta
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Perspective View of Venice

A Perspective View of Venice
Creator:
John Bowles, 1701–1779
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A View of the Palace of Triano towards the Flower Garden

A View of the Palace of Triano towards the Flower Garden
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 9 3/4 × 16 1/4 inches (24.8 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Creator:
Nathaniel Parr, active 1742–1751
Date:
between 1780-1815
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Creator:
Nathaniel Parr, active 1742–1751
Date:
between 1780-1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. A South-East View of the City of Boston in North America

A South-East View of the City of Boston in North America
Creator:
J. Carwitham, active 1720–1740
Date:
undated
Materials & Techniques:
Hand-colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)

Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Vide Howard On Prisons

Vide Howard On Prisons
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Procession of the Protestant Association to Westminster

Procession of the Protestant Association to Westminster
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Royal Ass

The Royal Ass
Creator:
James Stewart, 1791–1863
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 5/8 x 8 1/8in. (14.3 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. One of Six Designs for Wall Decoration

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 3/4 inches (26 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Section of the Chimney Side for the Alteration of the Great Hall

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 3/4 inches (26 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. One of Six Designs for a Wall Decoration

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 3/8 inches (26 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. One of Six Designs for a Wall Decoration

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 3/4 inches (26 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. One of Six Designs for a Wall Decoration

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, medium, white laid paper
Dimensions:
Sheet: 10 1/4 × 13 3/4 inches (26 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. One of Six Designs for a Wall Decoration

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, medium, white laid paper
Dimensions:
Sheet: 10 3/8 × 13 3/4 inches (26.4 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)

No cover image available
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Windsor Castle from the Black Road [page not numbered] (Volume Three)

No cover image available
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion

No cover image available
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection