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1. A Sleeping Leopard

A Sleeping Leopard
Creator:
Print made by George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Hay-Makers

Hay-Makers
Creator:
George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Stipple engraving, second state
Dimensions:
Sheet: 16 11/16 x 21 13/16in. (42.4 x 55.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Hackney

Hackney
Creator:
William Ellis, 1747–1810
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Painting on the South Side Severts Tomb

Painting on the South Side Severts Tomb
Creator:
Jacob C. Schnebbelie, 1760–1792
Date:
1791
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A Wife - Une Femme Mariee

A Wife - Une Femme Mariee
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/2 inches (50.5 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. What You Will - Ce Qui Vous Plaira

What You Will - Ce Qui Vous Plaira
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/16 × 17 1/4 inches (58.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. A Maid - Une Pucelle

A Maid - Une Pucelle
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 14 1/8 inches (47.9 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A Widow - Une Veuve

A Widow - Une Veuve
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 14 1/4 inches (49.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. George III

George III
Creator:
George Siegmund Facius, 1750–1804
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. T. Banks, Sculptor, R. A.

T. Banks, Sculptor, R. A.
Creator:
Print made by John Condé, 1765–1794
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 x 5 1/16 inches (21.4 x 12.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Mr. H. Angelo's Fencing Academy

Mr. H. Angelo's Fencing Academy
Creator:
Charles Rosenberg, active 1790–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 7/8 x 19 3/4in. (32.7 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)

Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 15in. (23.2 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A Stroke at the Plenipo or Mary's Mistake

A Stroke at the Plenipo or Mary's Mistake
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A Disunion or the Family Compact Disturbed

A Disunion or the Family Compact Disturbed
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 13/16in. (21.6 x 32.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) ( from: Caricature, vol. 3)

Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) ( from: Caricature, vol. 3)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 14in. (23.5 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Patience on a Monument

Patience on a Monument
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Coming-on of the Monsoons; - or - The Retreat from Seringapatam

The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Lubber's Hole - alias - The Crack'd Jordan

Lubber's Hole - alias - The Crack'd Jordan
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Siege of Blenheim - or - The New System of Gunning Discoverd -

The Siege of Blenheim - or - The New System of Gunning Discoverd -
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan

The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
Creator:
Print made by John Carter, 1748–1817
Date:
1791
Materials & Techniques:
Etching on slightly textured, medium, white wove paper
Dimensions:
Sheet: 3 1/8 × 3 9/16 inches (7.9 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Les Trois Magots

Les Trois Magots
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. French Democrats surprizing the Royal Runaways

French Democrats surprizing the Royal Runaways
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -

The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Creator:
Print made by Peter Simon, 1750–1810
Date:
1791
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
Creator:
Print made by Jean B. Michel, active 1803
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 1/2 × 19 3/4 inches (74.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Sir Robert Strange

Sir Robert Strange
Creator:
Robert Strange, 1721–1792
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Ex Libris of George Lambert

Ex Libris of George Lambert
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1791
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

40. Trade Card for Thomas Sandby, Jr.

Trade Card for Thomas Sandby, Jr.
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 13/16 × 5 11/16 inches (14.8 × 14.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Drummond

41. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb
Creator:
Jacob C. Schnebbelie, 1760–1792
Date:
1791
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Somerset Place

Somerset Place
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1791
Materials & Techniques:
Aquatint printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

43. The House of the Cevaliere D'eon at Tonnerrel

The House of the Cevaliere D'eon at Tonnerrel
Creator:
Print made by William Thomas, active 1783– died 1800
Date:
1791
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

44. Somerset Place

Somerset Place
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1791
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

45. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

46. Analysis of Beauty, Plate II

Analysis of Beauty, Plate II
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

47. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

48. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

49. Collection of Prints by Notable Dilettanti

Collection of Prints by Notable Dilettanti
Creator:
Print made by unknown artist
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street

Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
Creator:
John Thomas Smith, 1766–1833
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. A View of Albion Mill on Fire

A View of Albion Mill on Fire
Creator:
John William Edy, 1760–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Vignette: Four Putti, Two Holding Hands

Vignette: Four Putti, Two Holding Hands
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Vignette: Four Putti, Two Holding Hands

Vignette: Four Putti, Two Holding Hands
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667

Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Creator:
Bastiaen Stopendael, 1636/7–c.1708
Date:
Published 1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 7/16 x 13 3/8in. (24 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. North End, Hampstead

North End, Hampstead
Creator:
Francis Jukes, 1747–1812
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Hornsey

Hornsey
Creator:
William Ellis, 1747–1810
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Gateway of the Old Palace at Richmond

Gateway of the Old Palace at Richmond
Creator:
George Isham Parkyns, 1749/50–c.1820
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Contemplation

Contemplation
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations

William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations
Creator:
Joseph Grozer, ca. 1755–1798
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/4 × 11 7/16 inches (42.5 × 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

60. St. Paul

St. Paul
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Departure of Hagar

The Departure of Hagar
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. A Sacrifice To Diana The Goddess Of Hunting

A Sacrifice To Diana The Goddess Of Hunting
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. A View of Westminster Bridge, the Abbey and Church

A View of Westminster Bridge, the Abbey and Church
Creator:
John William Edy, 1760–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Portrait of Joseph Haydn

Portrait of Joseph Haydn
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 9/16 x 8 5/8 inches (29.4 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965

65. George, Prince of Wales

George, Prince of Wales
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Mary Isabella, Duchess of Rutland

Mary Isabella, Duchess of Rutland
Creator:
Print made by John Keyse Sherwin, c.1751–1790
Date:
1791
Materials & Techniques:
Line engraving (only state) on thick, rough, cream laid paper
Dimensions:
Sheet: 23 3/4 × 17 1/2 inches (60.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

67. Madona col Bambino

Madona col Bambino
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint (Ham.II) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 14 3/8 inches (51.4 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

68. Caroline, Duchess of Marlborough

Caroline, Duchess of Marlborough
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 1/4 × 14 7/8 inches (64.1 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

69. Mrs. Bunbury

Mrs. Bunbury
Creator:
Print made by John Young, 1755–1825
Date:
1791
Materials & Techniques:
Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 9 1/2 inches (32.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

70. Miss Farren

Miss Farren
Creator:
Print made by Charles Knight, 1743–c.1826
Date:
1791
Materials & Techniques:
Etching and stipple engraving (second state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 14 1/8 inches (51.8 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

71. Miss Farren

Miss Farren
Creator:
Print made by Charles Knight, 1743–c.1826
Date:
1791
Materials & Techniques:
Etching and stipple engraving (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 14 inches (54.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

72. Miss Farren

Miss Farren
Creator:
Print made by Charles Knight, 1743–c.1826
Date:
1791
Materials & Techniques:
Etching and stipple engraving (third state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 1/8 × 17 1/4 inches (63.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

73. A Brewhouse Yard

A Brewhouse Yard
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1791
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 27 1/8 inches (54.3 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

74. Rear Admiral Sir Charles Douglas

Rear Admiral Sir Charles Douglas
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 14 7/8 x 24in. (37.8 x 61cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

75. Admiral Edward Vernon

Admiral Edward Vernon
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 17 x 26 1/2in. (43.2 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

76. Sylvia

Sylvia
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Stipple Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 × 14 15/16 inches (48.9 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
Creator:
John Keyse Sherwin, c.1751–1790
Date:
1791
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 5/8 × 7 9/16 inches (24.4 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Mary Isabella Manners (née Somerset), Duchess of Rutland

Mary Isabella Manners (née Somerset), Duchess of Rutland
Creator:
John Keyse Sherwin, c.1751–1790
Date:
1791
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 15 inches (51.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I

Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 22 x 18in. (55.9 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

80. All's Well... Act III, Sc. V

All's Well... Act III, Sc. V
Creator:
W. Taylor, active 1790–1810
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

81. Taming... Act II, Sc. I

Taming... Act II, Sc. I
Creator:
Page, fl. 1784–1803
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

82. The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 21 1/2 x 13 7/8in. (54.6 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Lady Cockburn and Children

Lady Cockburn and Children
Creator:
Print made by Charles Wilkin, 1750–1814
Date:
1791
Materials & Techniques:
Engraved in stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 16 inches (51.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

84. Lady Gertrude Fitzpatrick as Sylvia

Lady Gertrude Fitzpatrick as Sylvia
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Stipple engraving, aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 15/16 × 10 13/16 inches (37.9 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

85. Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip

Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 17 1/4 inches (54.3 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

86. The Honorable Miss Harris

The Honorable Miss Harris
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately texetured, cream laid paper
Dimensions:
Sheet: 18 3/8 × 13 15/16 inches (46.7 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

87. Peniston, William, and Frederick James Lamb: The Affectionate Brothers

Peniston, William, and Frederick James Lamb: The Affectionate Brothers
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/16 × 11 9/16 inches (43.4 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

88. Black-George

Black-George
Creator:
John Chapman, active ca. 1792–1823
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

89. Mrs. Gwyn

Mrs. Gwyn
Creator:
Print made by John Young, 1755–1825
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 9 7/8 inches (32.4 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

90. Merchant of Venice, Act III, Sc. I

Merchant of Venice, Act III, Sc. I
Creator:
J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

91. Taming...Act III, Scene I

Taming...Act III, Scene I
Creator:
Page, fl. 1784–1803
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

92. The Roguish Boy

The Roguish Boy
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/16 × 10 13/16 inches (38.9 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

93. Set of Five: Studies of Children, a Dog, a Cat, etc.

Set of Five: Studies of Children, a Dog, a Cat, etc.
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.

Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.

Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Set of Five: Five studies of Peddlers

Set of Five: Five studies of Peddlers
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Set of Five: Studies of Laborers

Set of Five: Studies of Laborers
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Elysium and Tartarus or the State of Final Retribution

Elysium and Tartarus or the State of Final Retribution
Creator:
James Barry, 1741–1806
Date:
1791
Materials & Techniques:
Etching strengthened by engraving
Dimensions:
Plate: 16 1/2 x 36 3/8in. (41.9 x 92.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian

The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian
Creator:
William Dickinson, 1746–1823
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/2 × 8 13/16 inches (26.6 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. A Young Lady

A Young Lady
Creator:
Samuel William Reynolds, 1773–1835
Date:
ca. 1796
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection