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William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake The Complaint and The Consolation: or Night Thoughts
William Blake, 1757–1827
The Complaint and The Consolation: or Night Thoughts
ca. 1797
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
John Browne After Sun-Set
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
John Browne Morning
Print made by John Browne, 1741–1801
Morning
ca. 1797
Joseph Farington Windsor Bridge
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
Francis Jukes View of the Forth, Including the Queen's Ferry
Francis Jukes, 1747–1812
View of the Forth, Including the Queen's Ferry
1792
Joseph Constantine Stadler The Farm House
Joseph Constantine Stadler, active 1780–1812
The Farm House
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
unknown artist Westminster Bridge
unknown artist
Westminster Bridge
1792
Thomas Morris Partial View of the West Front of St. Pauls
Thomas Morris, born 1771
Partial View of the West Front of St. Pauls
1792
William Ellis Islington Church
William Ellis, 1747–1810
Islington Church
1792
William Walker Greenwich Hospital
William Walker, 1791–1867
Greenwich Hospital
1792
William Ellis Islington
William Ellis, 1747–1810
Islington
1792
unknown artist View on Westminster Bridge
unknown artist
View on Westminster Bridge
1792
John James Chalon Portrait of a Man with Hat
Print made by John James Chalon, 1778–1854
Portrait of a Man with Hat
1792
W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
Robert Dodd Action off Cape St. Vicent, 14 February 1797
Robert Dodd, 1748–1816
Action off Cape St. Vicent, 14 February 1797
ca. 1797
George Morland Shooting [a pair]: 2. Evening
Print made by George Morland, 1763–1804
Shooting [a pair]: 2. Evening
1792
Francesco Bartolozzi Mrs. Lenox
Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
Francesco Bartolozzi Ticket for the Brandenbourg House Masquerade
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
Charles Townley Dr. Samuel Johnson
Charles Townley, 1746–c.1800
Dr. Samuel Johnson
1792
Isaac Cruikshank Resignation the Greatest of all Virtues
Isaac Cruikshank, 1764–1811
Resignation the Greatest of all Virtues
1792
Isaac Cruikshank The Maid of Bath or Mac in her Teens
Isaac Cruikshank, 1764–1811
The Maid of Bath or Mac in her Teens
1792
Charles Loraine Smith 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...
Charles Loraine Smith, 1751–1835
1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ..
1792
Isaac Cruikshank A Necessary War or Quixotism Revived, or The Knight of the Little House
Isaac Cruikshank, 1764–1811
A Necessary War or Quixotism Revived, or The Knight of the Little House
1792
William Ward The Sportsman's Return
William Ward, 1766–1826
The Sportsman's Return
1792 (re-issue of 1791)
Charles Williams Anticipation - Ways & Means - or - Buonaparte Really Taken!!
Print made by Charles Williams, active 1796–1830
Anticipation - Ways & Means - or - Buonaparte Really Taken!!
1792
James Gillray The Physick; - or - The News of Shooting the King of Sweden
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
James Gillray Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
James Gillray Wha Wants Me?
James Gillray, 1756–1815
Wha Wants Me?
1792
J. Thornthwaite William Hodges, Esq. R. A., Landscape Painter to the Prince of Wales
J. Thornthwaite, 1740–active 1776
William Hodges, Esq. R. A., Landscape Painter to the Prince of Wales
1792
John Chapman Angelica Kauffmann
Print made by John Chapman, active ca. 1792–1823
Angelica Kauffmann
undated
James Gillray Wha Wants Me?
James Gillray, 1756–1815
Wha Wants Me?
1792
Isaac Cruikshank Resignation the Greatest of all Virtues
Isaac Cruikshank, 1764–1811
Resignation the Greatest of all Virtues
1792
James Gillray Tom Paine's Nightly Pest
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
Robert Thew King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
William Ridley Sir Joshua Reynolds
William Ridley, 1764–1838
Sir Joshua Reynolds
1792
Charles Loraine Smith 2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]
Charles Loraine Smith, 1751–1835
2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]
1792
Charles Loraine Smith 3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball
Charles Loraine Smith, 1751–1835
3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball
1792
Charles Loraine Smith 4. Lecture / Philosophical remarks upon the Nature & effects of Amputation
Charles Loraine Smith, 1751–1835
4. Lecture / Philosophical remarks upon the Nature & effects of Amputation
1792
Charles Townley Samuel Johnson
Charles Townley, 1746–c.1800
Samuel Johnson
1792
Thomas Trotter Dr. Samuel Johnson
Thomas Trotter, ca. 1750–1803
Dr. Samuel Johnson
1792
George Morland Shooting [a pair]: 1. Morning
Print made by George Morland, 1763–1804
Shooting [a pair]: 1. Morning
1792
John Thomas Smith The Savoy in 1650
Print made by John Thomas Smith, 1766–1833
The Savoy in 1650
1792
Richard Newton The World As It Goes
Print made by Richard Newton, 1777–1798
The World As It Goes
1792
John Jones John the Second Surrendering to Denis de Morbec
Print made by John Jones, ca. 1745–1797
John the Second Surrendering to Denis de Morbec
1792
John Jones Queen Philippa Interceding for the Brave citizens of Calais
Print made by John Jones, ca. 1745–1797
Queen Philippa Interceding for the Brave citizens of Calais
1792
John Condé Collection of Prints by Notable Dilettanti
Print made by John Condé, 1765–1794
Collection of Prints by Notable Dilettanti
1792
Francesco Bartolozzi Georgius Johannes Commes, Spencer
Francesco Bartolozzi, 1728–1815
Georgius Johannes Commes, Spencer
1792
Francesco Bartolozzi Lodona
Francesco Bartolozzi, 1728–1815
Lodona
1792
unknown artist The Sun Rising
unknown artist
The Sun Rising
1792
William Ellis Newington Buts
William Ellis, 1747–1810
Newington Buts
1792
unknown artist View in Margaret Street
unknown artist
View in Margaret Street
1792
Francesco Bartolozzi The Freeing of Amoret
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
William Ellis Islington Church
William Ellis, 1747–1810
Islington Church
1792
unknown artist The Savoy in 1650 (after Hollar), and As it is at Present, 1792
unknown artist
The Savoy in 1650 (after Hollar), and As it is at Present, 1792
1792