Creator Gender: male / Date: 1796 - YCBA Collections Search Search Results

601. Johnny in a Flatting Mill

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 15/16 x 17 1/2in. (20.2 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

602. Future Prospects, or, Symptoms of Love in High Life

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/2 x 17 3/8in. (29.2 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

603. Portrait, James Heath

Creator:: John Raphael Smith, 1752–1812
Date:: 1796
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

604. The Resurrection

Creator:: John Jones, ca. 1745–1797
Date:: 1796
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 7/8 × 19 1/8 inches (65.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

605. The Death of Dido

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 23 9/16 inches (49.8 × 59.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

606. The Death of Alcestis

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

607. Bacchus on a Barrel

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 5 3/8 inches (18.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

608. View of London from Greenwich Park

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1796
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

609. The Present State of Liliput or No Tax on Blindmens Dogs

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

610. The Moment of Reflection or a Tale for Future Times!!!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/8 x 14 1/2in. (25.7 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

611. The New Mercury Dedicated to the Free and Independent Electors of Westminster, Pull Devil: Pull Baker

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 16 7/8in. (24.4 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

612. The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/8 x 14 1/2in. (25.7 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

613. A Will O'The Wisp or John Bull in a Bog!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

614. The Quarrell about Pensions amicably Settled

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13 3/8in. (21.9 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

615. Effects of the Dog Tax

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 x 9 1/8in. (30.5 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

616. Give a Dog an Ill Name, They'll Hang Him

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 1/4 x 9 7/8in. (36.2 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

617. The Watercress Girl

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 9 7/8 inches (34.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

618. Hippolytus

Creator:: Richard Earlom, 1743–1822
Date:: 1796
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

619. Sketches from Nature!!! _ The Sultan Retiring _Fashionable Pasttime _ The Discovery__Confidence Betrayed

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 18 1/2 x 13 3/8in. (47 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

620. A Flight of Parsons

Creator:: Print made by George Moutard Woodward, ca. 1760–1809
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 12 7/8in. (21.9 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

621. The Modern Leviathan!!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 14 3/4in. (23.2 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

622. Credulity

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color-printed etching and stipple engraving, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 9 5/16 inches (30 × 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

623. The Departure from Brighton

Creator:: John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 1/8 × 30 9/16 inches (61.3 × 77.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

624. Grandpappa in his Glory!!!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 3/4 x 9 3/4in. (34.9 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

625. North East View of Fort Louis in the Island of Martinique

Creator:: Samuel Alken, 1756–1815
Date:: 1796
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 12 1/8 x 18in. (30.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

626. Edward Hawke, 1st Baron Hawke

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving and etching in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 7 11/16 inches (28.2 x 19.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

627. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

Creator:: Print made by John Fairburn, active 19th century
Date:: 1796
Materials & Techniques:: Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

628. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 7/8 x 26 3/4in. (45.4 x 67.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

629. A Midsummer Night's Dream, Act IV, Scene I

Creator:: Peter Simon, 1750–1810
Date:: c.1796
Materials & Techniques:: Stipple, engraver's proof
Dimensions:: Sheet: 20 × 25 3/8 inches (50.8 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

630. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 1/2 inches (39.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

631. The Environs of London

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Album of drawings
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

632. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

633. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

634. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

635. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

636. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

637. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

638. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

639. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

640. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

641. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

642. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

643. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

644. Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

645. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

646. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

647. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

648. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

649. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

650. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

651. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

652. Views of Quebec: Falls of Montmorenci

Creator:: John William Edy, 1760–1820
Date:: 1796
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 21 3/16 x 29 3/4in. (53.8 x 75.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

653. Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/2 × 18 1/2 inches (34.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

654. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: Attributed to George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etchings, bound in original boards
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

655. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etchings Bound in 1/8 brown calf, marbled boards
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

656. Coastal Scene in India

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 24 inches (46.4 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bruce McCashin

657. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

658. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

659. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

660. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

661. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

662. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

663. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

664. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

665. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

666. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

667. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

668. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

669. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

670. The Death of Dido

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint printed in brown ink
Dimensions:: Sheet: 19 x 12 1/2in. (48.3 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

671. The Admiralty

Creator:: Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

672. Morning Amusement

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint (first state) on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 24 inches (48.6 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

673. The Reconciliation

Creator:: Print made by John Gisborne, active ca. 1800
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 27 1/2 inches (54.6 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

674. Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

675. Wimbledon House, in Surrey, the Seat of Monsieur Calonne (published by H.D. Symonds); page 95 (Volume Three)

Creator:: Hubert Robert, 1733–1808
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

676. Miss Wallis in the Character of Juliet

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 24 1/2 x 15 1/4in. (62.2 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

677. Shakespeare's Seven Ages

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving and stipple engraving, semi-circular sheet
Dimensions:: Sheet: 11 1/8 x 20 11/16in. (28.3 x 52.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

678. Alexander Wedderburn, 1st Earl of Rosslyn

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 5/8 × 17 7/8 inches (62.5 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

679. 'Sweetwilliam'

Creator:: George Townly Stubbs, 1748–1815
Date:: 1796
Materials & Techniques:: Stipple, printed in color
Dimensions:: Sheet: 15 7/8 x 19 7/8in. (40.3 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

680. Emilia, Duchess of Leinster

Creator:: William Dickinson, 1746–1823
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 12 5/16 inches (42.9 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

681. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 1/2 inches (39.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey

682. Whitehall

Creator:: Possibly Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

683. Old Palace Yard, Westminster

Creator:: Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

684. The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/8 x 9 13/16in. (33.3 x 24.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

685. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 15 5/8 x 24 7/8in. (39.7 x 63.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

686. Tynemouth

Creator:: Print made by Lambert of Newcastle, 1781–1855
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Date 1796

Search Results

601. Johnny in a Flatting Mill

602. Future Prospects, or, Symptoms of Love in High Life

603. Portrait, James Heath

604. The Resurrection

605. The Death of Dido

606. The Death of Alcestis

607. Bacchus on a Barrel

608. View of London from Greenwich Park

609. The Present State of Liliput or No Tax on Blindmens Dogs

610. The Moment of Reflection or a Tale for Future Times!!!

611. The New Mercury Dedicated to the Free and Independent Electors of Westminster, Pull Devil: Pull Baker

612. The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!

613. A Will O'The Wisp or John Bull in a Bog!

614. The Quarrell about Pensions amicably Settled

615. Effects of the Dog Tax

616. Give a Dog an Ill Name, They'll Hang Him

617. The Watercress Girl

618. Hippolytus

619. Sketches from Nature!!! ___ The Sultan Retiring ___Fashionable Pasttime ___ The Discovery____Confidence Betrayed

620. A Flight of Parsons

621. The Modern Leviathan!!

622. Credulity

623. The Departure from Brighton

624. Grandpappa in his Glory!!!

625. North East View of Fort Louis in the Island of Martinique

626. Edward Hawke, 1st Baron Hawke

627. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

628. An Airing in Hyde Park

629. A Midsummer Night's Dream, Act IV, Scene I

630. A New Love Song, Only ha'Penny a Piece

631. The Environs of London

632. An Airing in Hyde Park

633. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

634. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

635. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

636. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

637. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

638. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

639. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

640. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

641. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

642. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

643. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

644. Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

645. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

646. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

647. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

648. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

649. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

650. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

651. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

652. Views of Quebec: Falls of Montmorenci

653. Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'

654. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

655. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

656. Coastal Scene in India

657. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

658. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

659. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

660. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

661. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

662. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

663. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

664. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

665. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

666. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

667. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

668. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

669. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

670. The Death of Dido

671. The Admiralty

672. Morning Amusement

673. The Reconciliation

674. Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)

619. Sketches from Nature!!! _ The Sultan Retiring _Fashionable Pasttime _ The Discovery__Confidence Betrayed