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1. The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky.

The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky.
Creator:
James Ward, 1769–1859
Date:
1798
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 25 3/4 x 17 3/4in. (65.4 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

2. Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion

Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1798
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Bow Steeple, Cheapside

Bow Steeple, Cheapside
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 14 3/8 x 9 13/16in. (36.5 x 24.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Bow Steeple, Cheapside

Bow Steeple, Cheapside
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 14 1/4 x 9 3/4in. (36.2 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. St. Stephen's Wallbrook

St. Stephen's Wallbrook
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Church House, Hackney

Church House, Hackney
Creator:
James Peller Malcolm, 1767–1815
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Edmonton, Outer Suburb - North

Edmonton, Outer Suburb - North
Creator:
James Peller Malcolm, 1767–1815
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Mansion House from Cornhill

The Mansion House from Cornhill
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. West Front of the Mansion House

West Front of the Mansion House
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Sadlers Sharp Shooters

Sadlers Sharp Shooters
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. West Front of St. Paul's

West Front of St. Paul's
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 1/8 x 11 7/16in. (38.4 x 29.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Fulham Palace

Fulham Palace
Creator:
James Peller Malcolm, 1767–1815
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Chapel, Fulham Palace

Chapel, Fulham Palace
Creator:
James Peller Malcolm, 1767–1815
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. View of Greenwich Hospital

View of Greenwich Hospital
Creator:
Philip Audinet, 1766–1837
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Wakefield

Wakefield
Creator:
Print made by James Walker, 1748–1808
Date:
1798
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 10 inches (20 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Sheffield

Sheffield
Creator:
Print made by James Walker, 1748–1808
Date:
1798
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Consequence of not Shifting the Leg

The Consequence of not Shifting the Leg
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)

Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)
Creator:
Print made by John Kirby Baldrey, active 1750–1821
Date:
1798
Materials & Techniques:
Stipple engraving and etching on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 7 5/8 x 4 3/8 inches (19.4 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Adelaide

Adelaide
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1798
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham

West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 × 30 15/16 inches (52.1 × 78.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Fonrose

Fonrose
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1798
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Councellor Ego. -i.e: little i, myself i

Councellor Ego. -i.e: little i, myself i
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Les Membres du Conseil des Cinq Cents. French Habits No. 3

Les Membres du Conseil des Cinq Cents. French Habits No. 3
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Président d'Administration Municipale. French Habits no 5

Président d'Administration Municipale. French Habits no 5
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. "Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain

"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself

Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. A Peep into the Cave of Jacobinism

A Peep into the Cave of Jacobinism
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A Lieutenant Colonel

A Lieutenant Colonel
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12in. (21 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Republican Soldier

The Republican Soldier
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 3/4 x 9in. (34.9 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Buonaparte in Egypt - A Terrible Turk Preparing a Mummy, For a Present - To the Great Nation (from: Caricature, vol. 3)

Buonaparte in Egypt - A Terrible Turk Preparing a Mummy, For a Present - To the Great Nation (from: Caricature, vol. 3)
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 16 5/8in. (24.8 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Tradescant's House at South Lambeth

Tradescant's House at South Lambeth
Creator:
J. Caulfield, 1764–1826
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3)

Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 14 1/2in. (24.8 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Billy & Harry in Their Glory or a Great Man Kicked Out of Place

Billy & Harry in Their Glory or a Great Man Kicked Out of Place
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Sir William Beechey

Sir William Beechey
Creator:
William Ridley, 1764–1838
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. John Opie, Esqr., R. A.

John Opie, Esqr., R. A.
Creator:
Print made by William Ridley, 1764–1838
Date:
1798
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself

Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse

Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. New Morality

New Morality
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Doublûres of Characters

Doublûres of Characters
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work

Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. David Garrick in the Character of Richard III

David Garrick in the Character of Richard III
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1798
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 18 3/8 x 22 3/4in. (46.7 x 57.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

42. Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard

Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 5/8 x 9 3/4in. (19.4 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. London Wall

London Wall
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Resignation

The Resignation
Creator:
Print made by Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 7/8 x 10 1/8in. (30.2 x 25.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Fox That Lost His Tail

The Fox That Lost His Tail
Creator:
Print made by Charles Williams, active 1796–1830
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 14 5/8in. (22.2 x 37.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Property Protected - a la Francoise

Property Protected - a la Francoise
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 16 1/4in. (24.8 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Bloody News - Bloody News - or the Fatal Putney Duel

Bloody News - Bloody News - or the Fatal Putney Duel
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 1/8 x 15 3/8in. (23.2 x 39.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Ceceders in Limbo - ie - Vagabounds Made Useful

Ceceders in Limbo - ie - Vagabounds Made Useful
Creator:
Print made by Charles Williams, active 1796–1830
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 5/8 x 10 7/8in. (34.6 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Guard-Room Tactics; Bugs in Danger; or a Volunteer Corps in Action

Guard-Room Tactics; Bugs in Danger; or a Volunteer Corps in Action
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 13 5/8in. (23.2 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. A Messenger From the Nile - Agreeable News for The Directory - or - The Runaway Admirals Unexpected Arrival

A Messenger From the Nile - Agreeable News for The Directory - or - The Runaway Admirals Unexpected Arrival
Creator:
Attributed to Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 16 1/2in. (25.4 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. It is Not All Gold That Glitters, - or Volunteers Settling About Pedigree and Precedence (from: Caricature, vol. 3)

It is Not All Gold That Glitters, - or Volunteers Settling About Pedigree and Precedence (from: Caricature, vol. 3)
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Conciliation - Reconciliation - or John Bull and His Brother Paddy

Conciliation - Reconciliation - or John Bull and His Brother Paddy
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 1/4 x 9 5/8in. (33.7 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Voluntary Subscriptions

Voluntary Subscriptions
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 13 7/16in. (23.2 x 34.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Raft in Danger of the Republican disappoointed

The Raft in Danger of the Republican disappoointed
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/8 x 26 1/2in. (23.8 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Royal Soldier in His Majesty's Service

The Royal Soldier in His Majesty's Service
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 14 1/4 x 9in. (36.2 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Billy's Fantoccini or John Bull over Curious

Billy's Fantoccini or John Bull over Curious
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 15 1/4in. (24.1 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Treasury Spectre, or the Head of the Nation in a Queer Situation

The Treasury Spectre, or the Head of the Nation in a Queer Situation
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/8in. (22.2 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Duel - or Charley Longing For a Pop

The Duel - or Charley Longing For a Pop
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 5/8 x 16 1/16in. (27 x 40.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Two of a Trade Can Never Agree

Two of a Trade Can Never Agree
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 5/8 x 9 1/4in. (32.1 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Gentle Measures of Voluntary Confessions

Gentle Measures of Voluntary Confessions
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 1/4 x 10in. (33.7 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. A Whig Toast - A Tory Sentement (sic)

A Whig Toast - A Tory Sentement (sic)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 13/16 x 13 7/8in. (25 x 35.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. A Dilemma or the German-Macheath

A Dilemma or the German-Macheath
Creator:
Print made by Charles Williams, active 1796–1830
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 13 13/16in. (24.4 x 35.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. The Duelist's or Sunday's Amusement

The Duelist's or Sunday's Amusement
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. A New Prop for a Rickety Stool

A New Prop for a Rickety Stool
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13in. (21.6 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. An Irish Hug, Alias a Fraternal Embrace, The Dearest Friends Must Part

An Irish Hug, Alias a Fraternal Embrace, The Dearest Friends Must Part
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 3/8 x 9 5/8in. (34 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. The Danger Over or Billy's Return to John Bull

The Danger Over or Billy's Return to John Bull
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. John Bull Taking a Lunch - or Johnny's Purveyors Pampering His Appetite with Dainties From All Parts of the World (from: Caricature, vol. 3)

John Bull Taking a Lunch - or Johnny's Purveyors Pampering His Appetite with Dainties From All Parts of the World (from: Caricature, vol. 3)
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 16 3/4in. (25.4 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Nisser Werk

Nisser Werk
Creator:
James Heath, 1757–1834
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Clarendon House

Clarendon House
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1798
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

70. The Daughter of Herodias

The Daughter of Herodias
Creator:
Print made by Thomas Holloway, 1748–1827
Date:
1798
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

71. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. View of Cape Diamond

View of Cape Diamond
Creator:
Print made by unknown artist
Date:
1798
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

73. View of the Rock Bridge

View of the Rock Bridge
Creator:
Print made by unknown artist
Date:
1798
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

74. Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk

Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1798
Materials & Techniques:
Line engraving and stipple engraving with hand coloring in watercolor gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

75. The Capture of Tobago by Major General Cuyler, and Vice Admiral Sir John Laforey

The Capture of Tobago by Major General Cuyler, and Vice Admiral Sir John Laforey
Creator:
Print made by J. Pass, active 1796–1800
Date:
1798
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

76. Hamburg

Hamburg
Creator:
Print made by Samuel Davenport, 1783–1867
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

77. Entrance from Mile End or White Chapel Turnpike

Entrance from Mile End or White Chapel Turnpike
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Langbourn Ward Volunteer

Langbourn Ward Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Soldiers Recreating

Soldiers Recreating
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Memorial To The Children Of James And Mary Woodmason

Memorial To The Children Of James And Mary Woodmason
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1798
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Sailors in a Storm

Sailors in a Storm
Creator:
William Ward, 1766–1826
Date:
1798
Materials & Techniques:
Colored mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 3/4 × 19 5/16 inches (57.8 × 49.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Sailors in a Fight

Sailors in a Fight
Creator:
William Ward, 1766–1826
Date:
1798
Materials & Techniques:
Colored mezzotint on thick, rough, cream wove paper
Dimensions:
Sheet: 22 5/8 × 19 1/4 inches (57.5 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Benjamin West Esqr. Prisident of the Royal Academy and Historical Painter to his Majesty

Benjamin West Esqr. Prisident of the Royal Academy and Historical Painter to his Majesty
Creator:
Print made by Thomas Holloway, 1748–1827
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's

Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. The Advantage of Shifting the Leg

The Advantage of Shifting the Leg
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Soldiers Cooking

Soldiers Cooking
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. North Front of the Royal Exchange

North Front of the Royal Exchange
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. St. Luke's, Charlton

St. Luke's, Charlton
Creator:
James Peller Malcolm, 1767–1815
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Castle Baynard Volunteer

Castle Baynard Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Holy Family

Holy Family
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1798
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Wakefield

Wakefield
Creator:
Print made by James Walker, 1748–1808
Date:
1798
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 3/8 inches (20.6 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Sheffield

Sheffield
Creator:
Print made by James Walker, 1748–1808
Date:
1798
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 8 3/4 inches (14 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. The Light House Volunteers of London and Westminster

The Light House Volunteers of London and Westminster
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. South Front of the Royal Exchange

South Front of the Royal Exchange
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. The Trinity House

The Trinity House
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Sir Robert Harland

Sir Robert Harland
Creator:
Richard Earlom, 1743–1822
Date:
1798
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 5/8 x 19 3/4in. (34.6 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

99. Sir Robert Harland

Sir Robert Harland
Creator:
Richard Earlom, 1743–1822
Date:
1798
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

100. The Surprise of Peregrine Pickle, by a visit from a Lady of Quality, who comes to relieve his distresses

The Surprise of Peregrine Pickle, by a visit from a Lady of Quality, who comes to relieve his distresses
Creator:
Charles Warren, 1767–1823
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker