Creator Gender: male / Date: 1817 - YCBA Collections Search Search Results

Francis Danby, 1793–1861

Children by a Brook

ca. 1822

Not on view

John Constable, 1776–1837

Hampstead Heath, with a Bonfire

ca. 1822

Not on view

Edmund Bristow, 1787–1876

Outside the Guard House at Windsor

between 1817 and 1821

Not on view

William Henry Stothard Scott, 1783–1850

Brighton

1817

Not on view

Alexander Nasmyth, 1758–1840

View of the City of Edinburgh

ca. 1822

Not on view

James Stark, 1794–1859

Sheep Washing at Postwick Grove, Norwich

ca. 1822

Not on view

George Henry Harlow, 1787–1819

Henry Fuseli

1817

Not on view

George Clint, 1770–1854

Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald

ca. 1822

Not on view

John Crome, 1768–1821

Boys Bathing on the River Wensum, Norwich

1817

Not on view

Robert Wilkinson Padley, ca. 1775–1835

A Dun Diver (Goosander)

1817

Not on view

James Ward, 1769–1859

Theophilus Levett and a Favorite Hunter

1817

Not on view

Sir Alfred J. Munnings, 1878–1959

October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament

undated

Not on view

Sir Alfred J. Munnings, 1878–1959

Study of Jockeys

undated

Not on view

Capt. Thomas Hastings, 1778–1854

Landscape with Figures

ca. 1822

Not on view

George Stubbs, 1724–1806

Death of the Doe

1817

Joseph Mallord William Turner, 1775–1851

A View of Boppart, with Figures on the River Bank

1817

Joseph Mallord William Turner, 1775–1851

Margate

ca. 1822

Joseph Mallord William Turner, 1775–1851

Andernach

1817

Joseph Mallord William Turner, 1775–1851

Rheinfels Looking to Katz and Goarhausen

1817

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

Print made by Richard Parkes Bonington, 1802–1828

Untitled (one of three)

undated

Print made by Richard Parkes Bonington, 1802–1828

Untitled (one of three)

undated

Print made by John Sell Cotman, 1782–1842

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by Richard Parkes Bonington, 1802–1828

Untitled (one of three)

undated

Joseph Cartwright, c.1789–1829

Lord Craven's Yacht, July 23, 1817

1817

Robert Bremmel Schnebbelie, active 1803–1849

Aldgate

1817

Dean Wolstenholme, 1798–1882

[Racing] Set of Four: The High Mettled Racer

1817

Print made by William Sharp, 1749–1824

William Sharp

1817

Charles Heath, 1785–1848

Richmond from Twickenham Park

ca. 1822

Richard Parkes Bonington, 1802–1828

Road Workers, near Lillebonne

undated

W. Raddon, active 1817–1862

Study of a Youth Wearing a Cloak

undated

Samuel William Reynolds, 1773–1835

Thomas Girtin

1817

Print made by George Cruikshank, 1792–1878

Specimens of Waltzing

1817

Charles Turner, 1774–1857

Sir Isaac Heard

1817

Thomas Shotter Boys, 1803–1874

The Footbridge

undated

Thomas Shotter Boys, 1803–1874

Regent Street, Looking Toward Piccadilly From Waterloo Place

undated

Capt. Thomas Hastings, 1778–1854

Near Gravesend from the High Road

1817

attributed to Sir Edwin Henry Landseer, 1802–1873

Landscape

undated

John Le Keux, 1783–1846

View in the North Aisle: Showing Henry the third Monument

1817

Joseph Constantine Stadler, active 1780–1812

A South View of the New Customs House

1817

Joseph Constantine Stadler, active 1780–1812

North East View of Westminster Abbey (on two sheets)

1817

Joseph Constantine Stadler, active 1780–1812

North East View of Westminster Abbey

1817

Joseph Constantine Stadler, active 1780–1812

North East View of Westminster Abbey

1817

William Woolnoth, active 1806–1830

View in Edward the Confessor's Chapel

1817

William Wise, Active 1823–1876

The Crypt of the Nunnery of St. Helen

1817

William Wise, Active 1823–1876

The Crypt of the Ancient Nunnery of St. Helen

1817

Bartholomew Howlett, 1767–1827

Southwest View of te Interior of the Church of St. Helen

1817

unknown artist

Plan of the Nunnery and Church of St. Helen

1817

John Greig, active 1803–1853

Funsbury Square

1817

William Wallis, 1794– active 1830

The London Institution

1817

Print made by Charles Turner, 1774–1857

Edward Bruce

1817

Joseph Cartwright, c.1789–1829

Single Frigate, Stern Forward; Albion 20 April 1817

1817

Dean Wolstenholme, 1798–1882

[Racing] Set of Four: The High Mettled Racer

1817

Dean Wolstenholme, 1798–1882

[Racing] Set of four: The High Mettled Racer

1817

Dean Wolstenholme, 1798–1882

[Racing] Set of Four: The High Mettled Racer

1817

Print made by Charles Turner, 1774–1857

George Viscount Malden and Lady Elizabeth Capel

1817

Print made by Charles Turner, 1774–1857

George Viscount Malden and Lady Elizabeth Capel

1817

Print made by Charles Turner, 1774–1857

Lady Wigram

1817

Richard Parkes Bonington, 1802–1828

A Seascape

undated

Richard Parkes Bonington, 1802–1828

A Wooded Stream and a Farmhouse in Normandy

undated

John Thomas Smith, 1766–1833

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

Richard Parkes Bonington, 1802–1828

Study of a Seated Woman

undated

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

Thomas Shotter Boys, 1803–1874

Queen Anne Boleyn's Room, Windsor Castle

undated

Thomas Shotter Boys, 1803–1874

A Christening

undated

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

1817

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith, 1766–1833

Hogarth Sitting to Roubiliac for His Bust

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817