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Samuel Palmer Harvest under a Crescent Moon
Print made by Samuel Palmer, 1805–1881
Harvest under a Crescent Moon
ca. 1826
Joseph Mallord William Turner Ship in a Storm
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
ca. 1826
William Blake Illustrations of Imitation of Eclogue I, Page 17
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
William Blake Illustrations of Imitation of Eclogue I, Page 18
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Epicurus
William Blake, 1757–1827
Epicurus
1821
William Blake Theocritus
William Blake, 1757–1827
Theocritus
1821
William Blake Octavius Augustus Cæsar
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
William Blake From Antique Coins
William Blake, 1757–1827
From Antique Coins
1821
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Imitation of Eclogue I, Page 15
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
William Blake Illustrations of Imitation of Eclogue I, Page 14
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
William Blake Caius Julius Cæsar
William Blake, 1757–1827
Caius Julius Cæsar
1821
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
William Blake Publius Virgilius Maro
William Blake, 1757–1827
Publius Virgilius Maro
1821
William Blake The Pastorals of Virgil, London, 1821
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
William Blake My sheep quite spent through travel and ill fare
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
William Blake And now behold the sun's departing ray
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
Charles Augustus Busby Description of the Celebrated Suspended Wooden Bridge
Charles Augustus Busby, 1788–1834
Description of the Celebrated Suspended Wooden Bridge
1821
unknown artist The Three Swords
Print made by unknown artist
The Three Swords
1821
William Bernard Cooke Plymouth Citadel
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1821
John Scott Aske Hall
Print made by John Scott, 1774–1828
Aske Hall
1821
John Landseer Fall of the Tees
Print made by John Landseer, 1769–1852
Fall of the Tees
1821
John Landseer Fall of the Tees
Print made by John Landseer, 1769–1852
Fall of the Tees
1821
Samuel Rawle Brignall Church
Print made by Samuel Rawle, 1771–1860
Brignall Church
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
unknown artist Mr. Thomas Hope's Picture Gallery, Duchess Street, London
unknown artist
Mr. Thomas Hope's Picture Gallery, Duchess Street, London
1821
unknown artist Mansion of Thomas Hope Esqr. Flemish Picture Gallery
unknown artist
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
unknown artist Mansion of Thomas Hope Esqr. Flemish Picture Gallery
unknown artist
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
James Wyld Plan of Westminster Abbey and Environs for the Coronation of George IV
James Wyld, 1790–1836
Plan of Westminster Abbey and Environs for the Coronation of George IV
1821
Bartholomew Howlett The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey
Bartholomew Howlett, 1767–1827
The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey
1821
unknown artist Part of the Choir wiith the remains of the South Transept of St. Barts the Great
unknown artist
Part of the Choir wiith the remains of the South Transept of St. Barts the Great
1821
William Bernard Cooke Torbay from Brixham
Print made by William Bernard Cooke, 1778–1855
Torbay from Brixham
1821
William Bernard Cooke Parnassus
Print made by William Bernard Cooke, 1778–1855
Parnassus
1821
unknown artist Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore
Print made by unknown artist
Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore
1821
James C. Allen Addingham Mill on the Warfe
Print made by James C. Allen, active 1821–1831
Addingham Mill on the Warfe
1821
John Wykeham Archer Crook of the Lune, Looking towards Hornby Castle
Print made by John Wykeham Archer, 1808–1864
Crook of the Lune, Looking towards Hornby Castle
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
William Bernard Cooke Plymouth Sound
Print made by William Bernard Cooke, 1778–1855
Plymouth Sound
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
John Sell Cotman Castle at Tancarville
Print made by John Sell Cotman, 1782–1842
Castle at Tancarville
1821
James Pollard Racing [set of four]: 3. Preparing to Start
James Pollard, 1792–1867
Racing [set of four]: 3. Preparing to Start
1821
Thomas Sutherland Set of six: 2. Cart Horse
Thomas Sutherland, ca. 1785–1838
Set of six: 2. Cart Horse
1821
Thomas Sutherland Set of six: 3. Hunter
Thomas Sutherland, ca. 1785–1838
Set of six: 3. Hunter
1821
Thomas Sutherland Set of six: 6. Hack
Thomas Sutherland, ca. 1785–1838
Set of six: 6. Hack
1821
Charles J. Hullmandel View of Palace Yard on the day of the Coronation of His Majesty George IV
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
James Pollard Racing [set of four]: 1. Training
James Pollard, 1792–1867
Racing [set of four]: 1. Training
1821
Matthew Dubourg Coaching: His Majesty King George IV. Travelling - View Hyde Park.
Matthew Dubourg, active 1786–1838
Coaching: His Majesty King George IV. Travelling - View Hyde Park
1821
unknown artist The Sacred page Displayed
Print made by unknown artist
The Sacred page Displayed
1821
Isaac Cruikshank Table D'Hote
Isaac Cruikshank, 1764–1811
Table D'Hote
1821
Samuel William Reynolds Sir Joshua Reynolds, P.R.A.
Samuel William Reynolds, 1773–1835
Sir Joshua Reynolds, P.R.A
1821
John Corner Sir Godfrey Kneller
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
unknown artist View of the Bloody Tower
Print made by unknown artist
View of the Bloody Tower
1821
Thomas Sutherland Set of six: 4. Pilot
Thomas Sutherland, ca. 1785–1838
Set of six: 4. Pilot
1821
Thomas Sutherland Set of six: 5. Tilbury Horse
Thomas Sutherland, ca. 1785–1838
Set of six: 5. Tilbury Horse
1821
James Pollard Racing [set of four]: 2. At the Post
James Pollard, 1792–1867
Racing [set of four]: 2. At the Post
1821
James Pollard Racing [set of four]: 4. Racing
James Pollard, 1792–1867
Racing [set of four]: 4. Racing
1821
Rowney & Forster The Show
Print made by Rowney & Forster, active 1820–1822
The Show
after 1821
Rowney & Forster May Day
Print made by Rowney & Forster, active 1820–1822
May Day
after 1821
Rowney & Forster Guy Fawkes
Print made by Rowney & Forster, active 1820–1822
Guy Fawkes
after 1821
Matthew Dubourg Arrival at Brandenburgh House of the Watermen
Print made by Matthew Dubourg, active 1786–1838
Arrival at Brandenburgh House of the Watermen
1821
William Woolnoth Suburbs of Strasbourg
Print made by William Woolnoth, active 1806–1830
Suburbs of Strasbourg
1821
William Gauci Dundry Tower, Leigh Wood, Hotwell House, Clifton
William Gauci, active 1825–1854
Dundry Tower, Leigh Wood, Hotwell House, Clifton
undated
Joseph C. Bentley Lac de Gaube, Pyrenees
Print made by Joseph C. Bentley, 1809–1851
Lac de Gaube, Pyrenees
undated
Joseph C. Bentley Mountain of the Grande Chartreuse, from Grenoble
Print made by Joseph C. Bentley, 1809–1851
Mountain of the Grande Chartreuse, from Grenoble
undated
Joseph C. Bentley The Circle of Gavarnie, Pyrenees
Print made by Joseph C. Bentley, 1809–1851
The Circle of Gavarnie, Pyrenees
undated
Edward John Roberts Munich
Print made by Edward John Roberts, 1793–1865
Munich
1821
Charles Heath Auxerre
Print made by Charles Heath, 1785–1848
Auxerre
1821
Charles Heath Strasbourg
Print made by Charles Heath, 1785–1848
Strasbourg
1821
George Corbould Banks of the Garonne near Bordeaux
Print made by George Corbould, 1786–1846
Banks of the Garonne near Bordeaux
1821
Peter DeWint Pass of Sant Alessio between Taormina and Messina, Sicily
after Peter DeWint, 1784–1849
Pass of Sant Alessio between Taormina and Messina, Sicily
1821
Samuel Bradshaw Grenoble, from the Fortress
Print made by Samuel Bradshaw, 1830–1869
Grenoble, from the Fortress
undated
James H. Kernot Eaux Bonnes, in the Pyrenees
Print made by James H. Kernot, active early 19th century
Eaux Bonnes, in the Pyrenees
undated