Creator Gender: male / Date: 1827 / Image Available: Unavailable

1. Illustrations to Dante's Divine Comedy

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 10 5/8 x 13 15/16in. (27 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Illustrations to Dante's "Divine Comedy"

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Illustrations to Dante's Divine Comedy

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Meditation

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1827
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 1/2 x 10 3/4in. (36.8 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Album of 50 sketches made in the years 1827 and 1828 for H.C.

Creator:: Henry Harris Lines, 1801–1899
Date:: 1827-1828
Materials & Techniques:: Graphite
Dimensions:: Sheet: 9 1/8in. (23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Woman by a Fence outside a Thatched Cottage

Creator:: Thomas D. W. Dearn, 1777–1853
Date:: 1827
Materials & Techniques:: Graphite on wove paper
Dimensions:: Sheet: 4 3/16 x 5in. (10.6 x 12.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 1st of September

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 1st of October

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 1st of October

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Set of Four - Racing: Running

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Set of Four - Racing: Coming In

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Coaching: The Mail Coach in a Flood

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 7/8in. (33.3 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Set of Four - Racing: Exercising

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Fox Hunting: Leicestershire - Getting Away

Creator:: after Henry Thomas Alken, 1785–1851
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Set of Four - Racing: Preparing to Start

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Robert Dundas, second Viscount Melville

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1827
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

27. Robert Dundas, second Viscount Melville

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1827
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

28. The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery.

Creator:: Print made by unknown artist
Date:: 1827
Materials & Techniques:: Aquatint and etching with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 19 1/2 inches (38.4 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

29. Tears of Repentance. Cabinet In's and Out's

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 1/4 inches (28.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson.

30. Removing Rubbish. Cabinet In's and Out's

Creator:: Print made by John Phillips, active 1840–1852
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

31. The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage

Creator:: Print made by John Phillips, active 1840–1852
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 18 inches (29.8 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

32. Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing

Creator:: Print made by Thomas Jones, active 1828
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 7/8 inches (28.6 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

33. Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!

Creator:: Print made by unknown artist
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 × 11 3/4 inches (43.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

34. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, etching, graphite, and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 1/2 inches (29.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, medium, white wove paper and smooth, thin, brown wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 3/4 × 11 5/16 inches (32.4 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Design for Grosvenor House, London: Chamber Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 20 11/16 × 29 inches (52.5 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 33 1/4 × 25 1/2 inches (84.5 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 26 × 36 5/8 inches (66 × 93 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 34 1/2 × 26 1/4 inches (87.6 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Design for Grosvenor House, London: Chamber Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 29 1/2 × 21 5/8 inches (74.9 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Watercolor with pen and black ink over graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 × 29 inches (53.3 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Life of Blake

Creator:: Frederick Tatham, 1805–1878
Date:: ca. 1832
Materials & Techniques:: Manuscript
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Illustrations to Milton's 'Paradise Lost'

Creator:: John Martin, 1789–1854
Date:: 1827
Materials & Techniques:: Mezzotint and etching
Dimensions:: Sheet: 8 x 11in. (20.3 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

46. Don Quixote and Sancho Panza (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

47. Impudence/ Impudence (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

48. Love, Jealously, Revenge and Despair

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

49. Girl and Parrot (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

50. La Rosa Parlante (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

51. Modesty/ Modestie (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

52. Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

53. A Girl at her Devotions (Volume of 102 Lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

54. The Orphans (Volume of 102 Lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. George L. Green

55. Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

56. The Eagle Paris and Dover [sic] Coach

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 13 5/8 x 18 3/4in. (34.6 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Mail Coach Behind Time

Creator:: Engraved by Henry Pyall, 1795–1833
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Agnes and Emma Coke and Sarah Salmond in a Park

Creator:: Octavius Oakley, 1800–1867
Date:: 1827
Materials & Techniques:: Watercolor, gouache, and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 17 1/2 inches (56.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. 1st of September

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Stage Coach

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 5/8 x 19 1/8in. (42.2 x 48.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.

Creator:: Charles Hunt, 1803–1877
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 17 1/4in. (34.6 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1. Illustrations to Dante's Divine Comedy

2. Illustrations to Dante's "Divine Comedy"

3. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

4. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

5. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]

6. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

7. Illustrations to Dante's Divine Comedy

8. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

9. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

10. Meditation

11. Album of 50 sketches made in the years 1827 and 1828 for H.C.

12. Woman by a Fence outside a Thatched Cottage

13. 1st of September

14. 1st of October

15. 1st of October

16. Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV

17. Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.

18. Set of Four - Racing: Running

19. Set of Four - Racing: Coming In

20. Coaching: The Mail Coach in a Flood

21. Set of Four - Racing: Exercising

22. Fox Hunting: Leicestershire - Getting Away

23. Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV

24. Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV

25. Set of Four - Racing: Preparing to Start

26. Robert Dundas, second Viscount Melville

27. Robert Dundas, second Viscount Melville

28. The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery.

29. Tears of Repentance. Cabinet In's and Out's

30. Removing Rubbish. Cabinet In's and Out's

31. The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage

32. Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing

33. Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!

34. Dover

35. Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans

36. Design for Grosvenor House, London: Plan

37. Design for Grosvenor House, London: Chamber Floor Plan

38. Design for Grosvenor House, London: Plan

39. Design for Grosvenor House, London: Plan

40. Design for Grosvenor House, London: Plan

41. Design for Grosvenor House, London: Chamber Floor Plan

42. Design for Grosvenor House, London: Plan

43. Life of Blake

44. Illustrations to Milton's 'Paradise Lost'

45. Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)

46. Don Quixote and Sancho Panza (Volume of 102 lithographs)

47. Impudence/ Impudence (Volume of 102 lithographs)

48. Love, Jealously, Revenge and Despair

49. Girl and Parrot (Volume of 102 lithographs)

50. La Rosa Parlante (Volume of 102 lithographs)

51. Modesty/ Modestie (Volume of 102 lithographs)

52. Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)

53. A Girl at her Devotions (Volume of 102 Lithographs)

54. The Orphans (Volume of 102 Lithographs)

55. Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)

56. The Eagle Paris and Dover [sic] Coach

57. Mail Coach Behind Time

58. Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV

59. Agnes and Emma Coke and Sarah Salmond in a Park

60. 1st of September

61. Stage Coach

62. [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.