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William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
Augustus Welby Northmore Pugin Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
Augustus Welby Northmore Pugin, 1812–1852
Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
undated
Augustus Welby Northmore Pugin Design for a Gothic Kneeler
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Kneeler
undated
Augustus Welby Northmore Pugin Design for a Gothic Wall Lamp
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Wall Lamp
undated
Augustus Welby Northmore Pugin Design for a Gothic Staff
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Staff
undated
Henry Heath A Complete Turn-Out among the Cabinet-Makers
Print made by Henry Heath, active 1824–1835
A Complete Turn-Out among the Cabinet-Makers
1827
Augustus Welby Northmore Pugin Design for a Gothic Table
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Table
undated
Augustus Welby Northmore Pugin Design for a Gothic Chair and Box
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Chair and Box
undated
Richard Parkes Bonington Vue Generale des Ruines du Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale des Ruines du Château d'Arlay
1827
John Phillips Removing Rubbish. Cabinet In's and Out's
Print made by John Phillips, active 1840–1852
Removing Rubbish. Cabinet In's and Out's
1827
John Phillips The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
Print made by John Phillips, active 1840–1852
The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
1827